David Berlow has been at the forefront of type design, publishing, and technology for 45 years. His impressive career began in 1978 drawing letterforms for the Haas, Mergenthaler, Linotype, and Stempel type foundries, before he went on to work at Apple, Bitstream, and later founded the Font Bureau with Roger Black.

A self-described "loose cannon" and "boat rocker," Berlow has been at the center of type innovation for decades, consulting for companies like Apple and Google, all whilst designing some of the world's most celebrated and recognizable fonts, including custom designs for iconic publishers such as The New York Times Magazine, Newsweek, Esquire Magazine and The Wall Street Journal and brands including Apple Computer Inc., Google Inc. and Microsoft Corporation.

In this week's episode Tom Rickner, the Senior Director of the Studio at Monotype, sits down with Berlow. Fun fact: Berlow hired Rickner at the Font Bureau, kicking off his career as a type designer. You'll hear the two reminisce, talk shop, and explore Berlow's influences, predictions, and perspectives on mentorship and team building.

Read more about this episode and our past guests at monotype.com/podcast.

Erwin Hines' creative life began with an interest in architecture and urban planning but shifted to art, design, and brand building after several serendipitous events.

In a time when concepts like empathy and inclusivity have become trendy catchphrases, Erwin decided to step away from agency life, where he had been actively involved with DE&I initiatives, to build his own brand, Future is Color.

Erwin designs and produces intentionally crafted garments and hosts in-person events at Future is Color's mixed-use studio in San Diego, California. The brand's mission is to create space for intentional conversations about collective liberation.

For more on Erwin's work and Future is Color, visit future-is-color.com.

Read more about this episode and our past guests at monotype.com/podcast.

Kent Yoshimura does a lot. And that's kinda his thing. At a young age, Kent learned that pouring himself into something artistic meant he could glimpse at mastery and then find ways to play with whatever that skill might be.

Throughout his life, Kent has illustrated for children's books, recorded music for film and television, made a couple documentaries, designed immersive experiences, built a thriving business, painted numerous beautiful murals, and so much more.

But what's maybe most striking is this: through all the hard work, trial and error, and eventual success, Kent's pursuit is in the joy of creating something with a community and for a community.

We're excited for you to hear his story.

Read more about this episode and our past guests at monotype.com/podcast

Sarah Olin started her career as a magazine designer at a challenging time — during the 2010s, when the industry was trying to figure out its transition to digital. She stuck with magazines for over a decade, designing for major fashion and beauty publications like Allure, Glamour, and Cosmo. But she recently shifted to brand art direction and, spoiler, she likes it.

As Art Director at Warby Parker, Sarah works on everything from retail design to TV commercials to fashion campaigns. Her story is one of adaptability, and with the design landscape rapidly changing, it feels fitting for the moment.

In the Before Times, working from home was often treated as a perk, or maybe a dubious accommodation for someone with a doctor's appointment. But we know how that story unfolded following the COVID outbreak in 2020, and now remote work is the norm for creative teams all over the world.

Upwork Executive Creative Director Patrick Holly joins us this week to talk about the benefits and challenges remote work presents for creatives, how he keeps his global team connected and fulfilled, and why the days of "adult daycare" and "butts in seats" should be relegated to the history books for good.

"Modern creators know that pace rivals perfection." Picsart, which provides photo and video editing tools and templates to the creator community, has lived this motto since it began more than a decade ago. Today, with more than 150 million monthly users, the company is helping to streamline the design process like never before.

In this week's episode, Monotype's Bill Connolly sits down with Scott Walker, Executive Creative Director at Picsart, to learn about Scott's design process, which began in a print shop and has led him to work with some of the world's most popular brands. They also discuss artificial intelligence, the future of creativity, and why it's important for designers to always "follow the feels."

Read more about this episode and our past guests at monotype.com/podcast.

This week's episode is a triple threat. Monotype Executive Creative Directors Phil, Tom, and Charles each selected a type designer they admire to bring on the show.

What resulted is inspiring discussions with Mark Bloom of CoType, Naïma Ben Ayed Bureau, and Jesse Ragan and Ben Kiel of XYZ Type, three unique studios making great work in their own distinct ways.

For decades, creative work has consolidated in traditional locations such as Los Angeles, New York, and London. Today, technology has opened the aperture on creativity, enabling brilliant producers, writers, and artists to work directly with brands and entertainment studios from anywhere.

In this week's episode, Monotype's Bill Connolly sits down with James DeJulio, co-founder and CEO of Tongal, a "studio on demand" that boasts an impressive roster of clients like LEGO, PayPal, NBC Universal, and more.

A former Hollywood producer, DeJulio shares his insight into the ever-changing world of content creation and outlines the recipe that has grown Tongal's community to more than 160,000 members.

Read more about this episode and our past guests at monotype.com/podcast

Mark Simonson has designed some of the most widely used typefaces in the world. Host Charles Nix sits down to talk influences, process, and why truly memorable work – such as Simonson's versatile, legible, and wildly ubiquitous Proxima Nova – has to be "both novel and familiar."

And speaking of legibility, don't forget to check out the article about font legibility mentioned in our intro: https://www.monotype.com/resources/expertise/find-legible-fonts

Ever wanted a peek inside the creative minds behind one of the biggest design platforms in the world? If so, this episode is for you. Canva, the go-to graphic design software for 125 million global users, recently celebrated its 10th birthday at its annual Create event in Sydney. Before the big event, our Executive Creative Director, Charles Nix, sat down with Canva's Head of Design, Andrew Green, to talk about his own international career beginning at agencies in New York and Hong Kong and circling back to Canva, where he now oversees the design leadership team in Melbourne.

Read more about this episode and our past guests at monotype.com/podcast