Lynch and Frost hit us with the meatiest episode yet in terms of plot. Hannah finally gets her wish and meets Diane, we see some old dudes talk on Skype, and we get updates on some of our favorite characters! 

A terrifying car accident, Harry Dean Stanton, a cool coin trick, and the nature of how media consumption is changing in the era of streaming. A packed episode! We get philosophical! 

Cameron and Hannah talk about this 'tweener episode of The Return, where seemingly nothing happens, but at the end of the day...a car exploded and an unexpected Ghostbuster made a cameo. Is Amanda Seyfried a good fit for the Twin Peaks universe? All that and more in this week's episode. 

Hannah laments Dougie, but Cameron welcomes him with the most open of arms. Who will win the ultimate showdown, Hannah's pragmatism or Cameron's love of odd maximalism? 

Hannah and Cameron fight over whether or not this episode is HOT or NOT, they talk about the introduction of the polarizing Dougie Jones, the impulse to like or dislike something based on preconceived notions, and how to live in the weird structures Frost and Lynch have created for this season.

Hannah and Cameron talk about the Red Room, the Arm's glow-up moment, Mr. C's big plan, the return of James, and how much easier the show is to follow than Hannah remembered. 

Part 1 of The Return delivers a new mystery, several new characters, some old favorites, and a new tone. Will Hannah like all the new additions to the original series, or will it be too weird for her? What's in the box? 

Hannah and Cameron put together the missing pieces of Fire Walk With Me and realize...Lynch was right to cut most of it! They talk 'deep lore' and easter eggs and what to expect from the coming season. 

Hannah and Cameron talk about the horrifying, surreal, and brilliant film prequel to the original series of Twin Peaks. We talk about defying expectations, Sheryl Lee's incredible performance, the huge shift in tone, and how Lynch is able to create nightmares. 

The end of Season 2 is here! David Lynch returns to the director's chair with a barn-burning episode featuring a half-hour trip to the Red Room, and maybe the most avant-garde episode of television ever broadcast--to this day. Hannah and Cameron talk through the end of several character plotlines, directorial choices, the rules of the Red Room, and that fully unhinged ending cliffhanger.