Creative MKE

Michael Lagerman recently joined Imagine MKE as Development Coordinator, but he’s also an accomplished artist, collaborator, and programmer within Milwaukee's art scene. Lagerman has a background in photography and infused his “thinking about images” with a study of philosophy in college. He went on to obtain his MFA at UWM’s Peck School of the Arts, which provided catalyzing opportunities for professionalizing his artistic practice, including running the photo documentation lab. 

In his studies at PSOA, he noticed how filmmakers’ application of theory to moving images was in alignment with his artistic interests, and Milwaukee's vibrant community of filmmakers drew him in. But Lagerman is wary of the limitations of categorization within his practice. In his decade plus living in Milwaukee, he's built a sense of belonging within the film and art communities, experienced working in several different studio spaces, put on solo and group exhibitions of his work and contributed to diverse arts programming. With a sense of dedication, Lagerman has translated his artistic impulses into a multidisciplinary creative practice that has earned him residencies—including a current residency at the Charles Allis Art Museum—and grants, including a recent gener8tor X Sherman Phoenix grant.  

In the conversation, Lagerman delights in the “creative sandbox” of Milwaukee—a place where artists can dream and build.  He speaks about Underscore, his experimental, collaborative artist run space, co-run with artist Grace Mitchell. Together, they’ve built a high degree of trust at a level that Lagerman describes as "telepathic." Through Underscore, they seek to invite artists to reset and “do something that they haven’t done before.”  

Lagerman also reflects on the liminal space between emergent and established artist. He has experienced a requirement to self-identify his career stage, as well as his medium: an external pressure that he feels “leads to a kind of homogeny.”  Today as an artist, he wrestles with how to best express his ethos and inspiration within these structures. As Lagerman says “It can be strange to know your own ambition... and what you might be capable of...” in relation to how organizations might label you.  

To him, Milwaukee feels like it’s in a state of perpetual renaissance, always pushing forward, but not quite resulting in shared returns on creatives’ efforts. But he sees potential in an artist-empowered future. From DIY arts spaces, to a new wave of community arts resources—he sees the scene building to a brighter, more diverse cityscape, one that includes an art market that supports more artists, and results in more public art and events to energize the whole community.  

Learn more about Michael Lagerman’s artistic practice, and Underscore.  

The Alice Wilds 

Winnepeg Underground Film Festival  

MCA: The Way of the Shovel 

Robert Smithson 

Susanne Kriemann 

Peck School of the Arts  

Milwaukee Makerspace  

Mitchell Street Arts 

When Carl Brown’s late father was dying, he challenged his son to think about putting others "before" himself. Brown, a retired advertising executive, was always a jazz lover—like his late father—often traveling far and wide to experience contemporary jazz performances with his wife. One day, while experiencing a jazz festival, his wife posed the idea of launching a jazz festival in their home city of Milwaukee with the proceeds going to charity.  

Now in its fifth season, the Fresh Coast Jazz Festival has been delighting Milwaukee audiences and attracting travelers from all over the world to experience the joy and creativity of jazz music from some of the most preeminent jazz musicians. But it’s also “a party with a purpose.” At the heart of the festival model is a philanthropic focus. The festival supports college scholarships, grants to support music programs in area schools, as well as financial literacy and healthcare initiatives benefiting Milwaukee youth. 

In the conversation, Brown touches on the power of music “to lift, to move, to guide...”and to bring diverse communities together. Brown talks about the impact of COVID on the jazz music scene, jazz as a “group sport,” and the changes that have come about within the musical landscape since lockdown. He also touches on the history and present of jazz music in Milwaukee, and how this festival is helping to put Milwaukee on the map globally for contemporary Jazz and contributing to Milwaukee's creative economy.  

Learn more about Fresh Coast Jazz Festival, including the artists who will be performing, the organizations it supports, and purchase tickets at their website.  

Kirk Whalum 

Dizzy Gillespie 

Manty Ellis  

Milwaukee Jazz by Joey Grihalva 

Wisconsin Conservatory of Music 

Milwaukee Jazz Institute  

Jazz Gallery Center for the Arts  

Club Gibraltar 

Cosmic Endeavors 

Milwaukee Pride + Cross-Culturalization w/ John Riepenhoff 

Artist, gallerist, and curator John Riepenhoff has built an art world enterprise over the last two decades and change. Throughout his career, he has been representing Milwaukee on a global stage-- a responsibility that he takes deep pride in. Fueled by a belief in how special Milwaukee culture is, Riepenhoff has represented Milwaukee through professional art opportunities in Tokyo, London, Basel and beyond. As a young artist, he was originally inspired to open a gallery in order to platform the talent of his community and create more opportunities for local artists. His practices grew from problem solving, saying yes to opportunities, and in the process, he’s increased access to art for the public and built spaces for artists to intentionally connect and exchange ideas, often across cultures and nationalities. 

In the conversation, Riepenhoff discusses the unique qualities of the Milwaukee art scene that he has helped to build and shape. Despite Milwaukee artists enjoying the freedom of creating in a place that’s not driven by the same art market as places like New York, Milwaukee artists are still driven by a desire to be in conversation with international cities.  

“In a void of asks of artists, there can be a really creative output that’s not fulfilling the needs of client, market or grants. There’s value in artists not solving problems but discovering or making problems,” said Riepenhoff. 

Riepenhoff discusses his recent curatorial work through Sculpture Milwaukee, now in its seventh year, which highlighted for him just how much the Milwaukee community seems to value the presence of public art. The exhibition entitled “Actual Fractals: Act I” is a reflection of the diverse voices of the artists, and, at the same time, a nod to patterning, and ways of thinking of universal subjects at different scales. 

Other sources of inspiration for Riepenhoff include the culinary arts, the natural world, sensory stimulation, and “ephemeral experiences that bring us together.” Through his work, he’s been a steady advocate and architect of a diverse range of artistic projects, and in the process has elevated many Milwaukeeans, as well as Milwaukee’s reputation worldwide as a special cultural hub. 

John Riepenhoff

The Green Gallery 

Nicholas Frank 

Milwaukeeists  

Milwaukee International Art Fair (2008) 

Sculpture Milwaukee 

Pao Houa Her 

Erika Verzutti 

Darling Hall  

The Beer Endowment

The Open Fund

Joy Engine 

Genr8tor 

Ruth Foundation for the Arts 

Geraud Blanks has always been willing to push boundaries. From his early days at UWM leading the student organization SCOPE—to his work as Chief Innovation Officer at MKE Film, Blanks has been driven by desire to act as a storyteller, to bring communities together around meaningful programs, with a taste for going “big.” Brought on to the team at MKE Film in 2014 to co-launch the Black Lens Series, Blanks brought with him a deep love of film, music, and poetry, and a vision for how MKE Film’s programming could expand.  

Over the years, Blanks’ risk-taking for the sake of stirring “good trouble” has paid off. Milwaukee Film’s Black Lens program has blossomed and expanded, and the scope of Blanks’ role has too. He now curates the annual Cultures and Communities Festival, with its fifth iteration coming up this October. It’s a series of film screenings and events all over the city held at diverse venues centered on “health, wellness, joy, art, culture and ultimately, community.” 

Though there have been times over the years when certain programs didn’t go the way he anticipated—Blanks’ innovative, boundary-pushing programming continues to be a labor of love, and a way of pressing the whole Milwaukee community forward. 

Blanks sees Milwaukee’s future as bright. With increased support of local and state government, he thinks Milwaukee can become a film town on the level of Atlanta: a place where the film industry can thrive and infuse our local economy with diverse revenue streams in and around film productions, in hospitality and craft services, for example. Blanks wants MKE Film to lead and support the advocacy for film incentives, and continue to innovate and uplift emerging talent along the way. 

Ultimately, as Blanks reflects, “culture is life.” He’s proud of the ways that the team at MKE Film is shaping Milwaukee—and he’s hopeful about the ways MKE Film and support for the arts including filmmaking may shape the community’s future as city that is renowned for its culture and opportunities in the arts.  

Karate Kid 

Love Jones 

Donte McFadden, PhD 

Maya Angelou 

Corry Joe Biddle 

Social X’s Ranell Washington 

Gee’s Clippers 

Dr. Eve Hall 

Greater Milwaukee Urban League 

Heidi Moore  

John Ridley 

It all started with deciding to employ a different social media approach: dreaming up engaging content first and finding ways to tell stories about the eclectic offerings of the Milwaukee Public Library system through that content. As the team of employees across different departments embarked down this path to try to drive reengagement with Milwaukee libraries after pandemic lockdown, they were encouraged by leadership to think outside the box, to lean in to their creativity and the collaborative process.

Today, the MPL boasts over a 100,000 social media followers on Instagram, and has many videos with millions of views and likes. The productions are spearheaded by Fawn Siemsen-Fuchs and Evan Syzmkowski, but they are a team effort.

Together, library staffers across many areas ideate, work, plan and create. They act as prop people, performers, videographers (using iPhone cameras) and directors. Drawing on topical trends on social media, the staffers capitalize on their talents and the popularity of themes and use them to leverage and showcase aspects of the library system.

The goal of these videos is to, in City Librarian Joan Johnson’s words, “to elevate all libraries” and broadcast them as vibrant cultural spaces. But the MPL’s creativity doesn’t end with social media. In fact, it’s just the tip of an iceberg. Milwaukee Zinefest, presented in partnership with the Bindery, makerspaces for artists, and regular exhibitions of art created by community members; these are just a few of the successful artistic programs that the libraries host. Today, MPL even has a secondary Instagram dedicated entirely to creativity — MPLCreates.

In the conversation, host Elisabeth Gasparka and MPL's Joan Johnson, Fawn Siemsen-Fuchs and Evan Syzmkowski discuss the fact that, though Milwaukee may not be known worldwide (yet) for its arts scene, those who live here understand that Milwaukee is a community brimming with an abundance of creative energy and output. The endless supply of music, murals, artists of many disciplines in this community together provide natural fodder to support the work of MPL. But, the library still needs the public to engage beyond social media as the future of its funding hangs in the balance.

You can help! Share feedback about the Milwaukee Public Library system through their Get Loud for Libraries Campaign.

Additional resources

Milwaukee’s Murals

Our Town grant from the National Endowment for the Arts

Celeste Contrares

CK Ledesma

National Novel Writing Month

Milwaukee Poet Laureate, Mario “the Poet” Willis

This week, Elisabeth spoke with Jazmine Holifield, a multi-hypenate Milwaukee creative who is a creative director within her own company, and also works at the Operations Coordinator at Imagine MKE.  

Holifield is one-half of C&B Creative, a local creative consulting company, which she founded in 2012 with longtime friend and business partner, Kayla Green. Together, they produce creative arts events, support dozens of artists and creatives (local and across the country) and provide several services such as creative brand consulting, set design and staging, event planning, project management, and more. As  Operations Coordinator for Imagine MKE, she’s been leading on Imagine’s Arts and Economic Prosperity Study from Americans for the Arts, and also spearheads programs and events for IMKE. 

Jazmine Holifield was born and raised in Milwaukee. After a few years living in Dallas and Los Angeles, she returned home to Milwaukee three years ago during the pandemic, and was pleasantly surprised the find herself back in the midst of a creative community that had been building momentum since she left six year prior— stumbling into what she calls “Milwaukee’s creative renaissance.” 

Holifield is motivated by bringing a sense of purpose to her role inside and outside of Imagine MKE, with the hopes of encouraging and supporting other creatives on their journeys. She also values the reflections from the Milwaukee creatives she works alongside, who have been building since she started her C&B Creative Brand. Finding herself today in more of a mentorship role, Holifield is encouraged by seeing the growth she’s seen in her fellow creatives, and is also motivated to keep going on her own journey by seeing the impact she’s had within the ecosystem in Milwaukee’s creative sector.  She shares words of wisdom for Milwaukee creatives who are just getting started-- urging them to "start where they are."

“There’s so many different shades of greatness, here.” says Holifield. In the future, she wishes to see Milwaukee’s diverse creative scene flourish. If that were to happen, to her it would mean more color, more public art, more collaboration. A place that is more outwardly artistic, with a central arts district, where laughter is abundant and the culture can be a refuge from challenges and "the news". A place where artists and art are valued and respected at all levels. Holifield also hopes that when this new creative day dawns, that the professional creative opportunities that arise here will first and foremost be abundant for the native Milwaukeeans who created the conditions for flourishing with their talenta and persistance.

C&B Creative  

High Rollers Club 

Jade Charon’s “Gold” 

Liv 

DJ Gemini Gilly  

TRP (The Roses Prevail)

The Brick Layers Club 

Jungle Gems 

Transitional song is an excerpt from “White Dookies,” by Milwaukee artists Big P and Lik (featuring Q. Star) 

In this episode, Elisabeth speaks with Adam Braatz, Imagine MKE’s new Executive Director, who stepped into the role in March. With a background in jazz and classical piano, Adam has carved a unique arc in his career, working as a professional musician on Carnival Cruise Lines, followed by enlistment in the Air Force as a musician and Basic Training Instructor, and, more recently, in communications and leadership capacities in the non-profit sector. Outside of his formal roles, Adam has also hosted and produced a podcast, and written a bestselling book.  

During his time in the military, a pivotal deployment to the Middle East changed his perspective on music making forever... as well as his professional trajectory. During and after the performances for dignitaries and young children, Braatz witnessed the power of music to dissolve tensions, defy barriers and create powerful goodwill. The experience helped him to realize his overarching purpose. In the years following, he recognized a calling to work in service of an arts organization that advocates for and amplifies the work of creatives, in his home state of Wisconsin. 

In the conversation, Braatz touches on some of the current priorities of the organization of Imagine MKE, including advocacy at the state and city level through Action! Wisconsin, Wisconsin’s Creative Economy Coalition, contributing to creative workforce development, the Arts and Economic Prosperity 6 Survey which captures data about the economic impact of the arts, neighborhood activations, meaningful storytelling about the power of the arts in the greater Milwaukee area, and professional development opportunities for creatives to expand their competitiveness. Braatz highlights ways in which the new strategic focus of the organization is a continuation of its original premise, but built for the the post-pandemic era.  

In the conversation, Braatz says "golly" earnestly at least twice, and makes good on his last name (pronounced “Brats,” as in the signature sausages one associates with Milwaukee culture)when he attempts to employ a kooky (and, honestly, questionable) metaphor about the creative sector in Milwaukee.  

As the leader of Imagine MKE, Braatz hopes to empower and uplift a new set of arts leaders within our city, and aims to “show not tell” Imagine MKE’s priorities through demonstrating our values in the work that we accomplish in the days to come.  

Follow Adam Braatz on Instagram on LinkedIn and on Twitter.

United States Air Force Bands 

Americans for the Arts  

Arts and Economic Prosperity 6 Survey  

George Filmmaking Incentives 

Milwaukee’s "Brain Drain" 

Saint Kate Arts Hotel  

Adam’s Bestselling Book: LinkedIn Mastery for Veterans and Transitioning Service Members 

Adam’s Podcast and Consulting Business before IMKE 

In this episode, Elisabeth speaks with Sonya Thompson, and Kumasi Allen, the Artistic Director and Musical Director of Milwaukee’s Ko-Thi Dance Company, which has been presenting, interpreting and celebrating traditions of African diasporic dance and music in Milwaukee for over 50 years.

Throughout the conversation, Allen and Thompson speak about their own artistic and professional trajectories; how they encountered Ko-Thi early in their development, were struck by the beauty of other young people being together in celebration of, in Allen's words, “being authentically Black.”

In young adulthood, Allen and Thompson both traveled and sought opportunities outside this community, but eventually came back to the area after the pull of the “Milwaukee Vortex” did its work. Coming back, in part, stemmed from a desire to give back the opportunity for confidence-building and of identity exploration to another generation of Black Milwaukee youth — cultivating a safe space where they can be free to learn about their culture and history.  

In the discussion, Thompson and Allen both reflect on their experience being called in and supported by the Executive Director, Founder and the matriarch of Ko-Thi Dance Company, Ferne “Mama” Caulker Bronson. As a mentor, teacher, friend, and boss, Caulker Bronson has touched each of their lives through empowering and challenging them with opportunities for development within the company – and offering deep, insightful support, and pushing them, and countless students and performers who’ve worked within Ko-Thi, to reach their full potential.  

In their leadership roles within Ko-Thi, both Allen and Thompson are continuously inspired by the students they teach. They've learned many lessons, including to follow what they love in order to find happiness, and to seek stillness. Thompson and Allen each hold the perspective of valuing lifelong learning, embracing failure and vulnerability as mechanisms for growth, deepening self-knowledge and connecting to others.  

Follow Ko Thi Dance Company on Facebook or Instagram.  

Ko-Thi is about to turn 54! They will be hosting Maji Dance and Drum Conference —where they will be celebrating and sharing love of music and dance and community over the weekend of May 5-7.  

Learn about the founder and Executive Director, Ferne Caulker-Bronson.  

Milwaukee’s High School of the Arts 

Djembe Drum 

Marilynn Douglas 

Amaniyea Payne 

T. Ayo Alston 

Lucky Diop 

Afrique Aya Dance Company 

Pius XI High School  

Panadanza Dance Company 

Cedric Gardener 

Christopher Gilbert 

Azeeza Islam 

Samantha Montgomery 

Zakiya Cornish 

In this episode of Creative MKE, Elisabeth speaks with Brit Nicole, the poet behind the poem “Chosen” which is at the center of this year’s 414 Day Video. Nicole describes herself as a "spoken word artist, community healer, performer, musician, and facilitator based out of Milwaukee, Wisconsin." In their wide-ranging discussion, Nicole reflects on her own "purpose living" and journey as an artist — from her early days within her college community’s art scene — to acting as a facilitator of events within the Milwaukee community.  

In the conversation, Nicole reflects on the experience of writing “Chosen,” — how the poem almost seemed to write itself, and was a natural continuation of conversations that she’s been having with artistic cohorts in Milwaukee for some time. In an awesome moment of synchronicity, she shares that she finished writing the first draft of the poem and looked at the clock to see that it was at 4:14 a.m.  

Nicole drops many pearls of wisdom while reflecting on her creative journey and experiences of community cultivation, including sharing her belief that the things that are meant for you won’t pass you by if you remain authentic, her notion of operating as a “human ice breaker” — and going out of her way to cultivate comfort and a sense of belonging for others who are stepping into the world of performance and sharing their gifts. 

In her day job at the Milwaukee Youth Arts Center, Nicole also acts as a facilitator of creative growth and self-actualization through arts experiences for the young Milwaukeeans who study and practice music and theatre there.  

Throughout the conversation, Nicole speaks about how artists can tend to their own "light," support one another and find a way to shine, and sustain and support their work. She reflects on how Milwaukee creatives need to and deserve to value themselves more – remembering that they are assets to this community in a myriad of ways.  

Follow Brit Nicole on Facebook and Instagram, or email her at: [email protected]

Moods, Melanin, and Magic: A Manifesto

Nocturnal Butterfly

Poetry UNplugged 

Blu Haz3

Lyrical Sanctuary 

Dasha Kelly Hamilton 

Def Poetry Jam 

Still Waters Collective and PENtastic

Milwaukee Opera Theatre 

Public Allies 

Nile X Nile 

Heal the Hood 

In this episode of the podcast, Elisabeth speaks with Jovanny Hernandez Caballero, a photographer and photojournalist from the south side of Milwaukee. Hernandez Caballero is an Art and Design major with an emphasis in Photography and Imaging at the University of Wisconsin Milwaukee, currently completing his BFA. As the son of immigrants from Oaxaca, Mexico, Jovanny’s work explores themes of his cultural heritage and identity. Through his art practice, he documents the rich and positive stories of life in his community on Milwaukee’s South Side, and conducts a kind of “reverse anthropology” to explore and document his own roots and his family in his family's native land of Oaxaca, Mexico.  

In the conversation, they cover his early influences, including the extensive mural artworks of Milwaukee, that speak to his identity and culture, as well as the power of attending May Day marches in Milwaukee on inspiring his interest in design. He reflects on the early transformative opportunity to participate in the Scholastic Art and Writing Awards at the Milwaukee Art Museum. This year, Hernandez Caballero served as a judge in the Milwaukee branch of the competition. He reflects, too, on the influence of growing up and coming into his own art practice within the tight knit creative community of Milwaukee, where artists ban together to support one another, and organizations like the Walkers Point Center for the Art help empower artists by connecting them with opportunities and mentorship. 

A focus on community and identity is at the heart of Hernandez Caballero’s art work, and also drives the work that he does in photojournalism: as a photojournalist for the Journal Sentinel, he focuses on telling positive community stories about, in particular, Milwaukee’s South Side. From his perspective, photography has an “innate truth” and often is regarded as proof or a cultural remnant. This has influenced his both photojournalistic and art practices — in documenting his family in Oaxaca, Mexico, and in Milwaukee, to make sure he is capturing the nuance, beauty and positivity in underrepresented communities that are often his subjects.  

You can follow Jovanny’s work on Instagram at @Jovanny.11.  

Scholastic Art and Writing Awards 

Milwaukee Murals 

Oaxaca, Mexico 

Day of the Kings 

Grilled Cheese Grant 

UWM BFA Thesis Show 

Creating Milwaukee 

Walkers Point Center for the Arts