TV on the Radio co-founder Tunde Adebimpe is a force of positivity. In the face of unimaginable loss, Adebimpe has channeled his grief into Thee Black Boltz, an upbeat, high-energy solo debut.

You might know Tunde Adebimpe from TV on the Radio, the band whose era-defining hits like “Wolf Like Me” helped shape the 2000s New York indie scene. Or you’ve seen his work in film and television, with standout roles in projects like Star Wars: Skeleton Crew, Twisters, and Spider-Man: Homecoming. But this is his first time going solo, and he’s poured years of personal loss and growth into Thee Black Boltz.

In this episode, Adebimpe opens up about that journey. We learn how underground cartoonists like Robert Crumb, Joe Matt, Mary Fleener, and Maurice Vellekoop taught him to mine the personal for his art, and how a lifelong DIY punk ethos continues to shape his multidisciplinary practice. He reflects on hitting the reset button, rediscovering the basics, and finding the joy of creating art once again.

For Tony-winning playwright and theater director George C. Wolfe, the “landscape of America is rich and complicated and messy.” He takes the greatest joy in putting that messiness on the Broadway stage. This time, he’s directing the Broadway revival of “Gypsy,” widely considered the best of the Golden Age musicals. Alongside the show’s lead actor Audra McDonald, Wolfe has dug into the past to modernize Rose, the most famous stage mother in history. Their work has been nominated for a Tony Award for Best Revival of a Musical.

In this episode, George C. Wolfe talks to us about the harrowing photographs he unearthed during his research into the Great Depression and the economic uncertainty of the era in which “Gypsy” takes place. He shares how he reshaped the production to portray Rose as a more sympathetic and modernized character. Wolfe reflects on the importance of finding joy in troubled times, both on the stage and off.

You can also learn more about the choreographer of “Gypsy” in our new short documentary, “Camille A. Brown: Giant Steps” here. This film is part of our digital series called “In The Making” and directed by Michelle Parkerson and Shellée M. Haynesworth.

You might know rapper and actor Daveed Diggs from his performances in Broadway’s “Hamilton” or 2024’s “Nickel Boys.” But he is also one-third of the hip-hop group clipping. Known for their love of genre storytelling, the group’s new album “Dead Channel Sky” is not their first foray into science fiction. Along with William Hutson and Jonathan Snipes, the trio was previously nominated for a Hugo Award for their 2016 rap space opera “Splendor & Misery.”

Now, the group is turning its attention to cyberpunk for the first time. Aesthetically, “Dead Channel Sky” is a clear nod to inspirations ranging from Blade Runner and The Matrix to William Gibson’s Neuromancer. The noisy, glitchy, and dense album presents itself conceptually as a mixtape found in the dustbins of a dystopian future - but it also doubles as prescient commentary on our current moment.

In this episode, Daveed Diggs talks to us about his creative process behind writing and rapping on “Dead Channel Sky.” He confesses that we might already be living in the middle of our own “pretty mundane” cyberpunk apocalypse - and it’s “just not that cool.” Through hip-hop, he seeks to craft an alternate present that feels just a little bit more exciting. Diggs also talks to us about growing up in an artistically vibrant Bay Area, the rappers who influenced his creative approach, and why it’s so important that we all keep making things with our immediate community.

Singer-songwriter Lucy Dacus has been building up to this moment her entire career. With her new album, “Forever Is a Feeling,” she is ready to write about love. Coming off the heels of a Grammy Award-winning run with her supergroup, boygenius, Dacus has signed a major label contract with Geffen for her solo work.

In this episode, Lucy Dacus talks to us about growing up playing house shows in Richmond, Virginia, how her religious upbringing has shaped her today, and how she put together the music and lyrics that form her most romantic songs to date.

American Masters: Creative Spark is back with new episodes! For the very first time, you can now watch the podcast! Video is the new audio, after all. Starting this season, you can watch our new episodes on Spotify and YouTube.

Alicia Graf Mack has been entrusted with carrying the torch of ballet and modern dance into the future. As a dancer, she has battled through adversity to perform alongside artists like Beyoncé, John Legend and Andre 3000. As a teacher, she has helped bridge the past into the future, educating new generations of students. 

In this episode, Alicia Graf Mack shares the journey that brought her to this moment. We catch her at a pivotal point in her career as she prepares to transition from her role at The Juilliard School to become the next artistic director of the Alvin Ailey American Dance Theater. She reflects on the mentors like Judith Jamison who shaped her artistry and the responsibility she feels to honor their legacy. We also discuss how she hopes to expand Ailey’s reach while staying true to its roots, ensuring that dance remains a powerful force for storytelling, expression, and community.

Author Min Jin Lee talks to us about the power of the social novel. Her epic historical fiction novel, “Pachinko,” is frequently cited as one of the best books of the 21st century. Lee’s exploration of the immigrant experience, identity and empathy has a timeless quality that feels as relevant as ever in our current moment.  

In this episode, Min Jin Lee breaks down her nearly 30-year journey in writing the novel. She describes how the many obstacles and detours in her life only further helped to clarify her vision. We explore why she needed to move to Japan to really understand the Korean immigrant experience at the center of “Pachinko.” Through first-person interviews and deep research, she shows how “our curiosity is what is going to, in the end, allow us to have a higher quality” of love for each other.

Actor Michael Urie is a breath of fresh air. He talks to us about his journey in acting from the suburbs of Dallas, Texas to the Broadway stage. It was an unlikely path filled with generous doses of hard work, talent and passion. Urie explains how he first fell in love with musical comedies and how it changed everything for him. Even if you’ve never been a fan of the genre before, his love for it is truly infectious.

In this episode, Michael Urie breaks down his creative process behind his performance as Prince Dauntless in the Broadway revival of “Once Upon a Mattress.” He explains how his training at Juilliard prepared him for the physical demands of theater and how acting for musicals can be a truly “athletic” endeavor. He shares how early experiences seeing performances from stars like Jerry Lewis, Michael Keaton and Tommy Tune sparked his creative journey.

You can see Michael Urie now through November 30th in “Once Upon a Mattress” on Broadway. He is also in the newest season of the Apple TV+ show, “Shrinking.”

Singer-songwriter Conor Oberst talks to us about the joy of making music. He describes his music and artistic mission as both a “release of negative feelings” and “a way to rejoice.” With their new album, “Five Dice, All Threes,” Oberst’s work with his band Bright Eyes is as emotionally expressive as ever. He breaks down the collaborative process behind that record and the joy it brings to simply have fun making art with friends.

In this episode, we also learn about Conor Oberst’s history as a prodigy of the indie music scene. He has been making music since he was 13 years old and first catapulted to international recognition as a teenager through his work with Bright Eyes. Talking to us from his hometown in Omaha, Nebraska, Oberst describes coming of age in a regional music scene that made room for all genres of music. That freeform environment laid the groundwork for bands like The Faint, Cursive and Bright Eyes to blossom together in the 1990s. It’s a communal spirit that is still central to Conor Oberst’s creative process to this day.

Writer Taffy Brodesser-Akner jokes that “family is a chronic condition,” but eventually, we all figure out that we are lucky to have it. She talks to us about this theme in her newest novel and its sprawling exploration of how a Jewish family from Long Island contends with their own intense intergenerational trauma by simply surviving together. It’s called “Long Island Compromise,” and despite the heavy elevator pitch, it is a biting satire with a lot of laughs, too.

Taffy Brodesser-Akner previously wrote “Fleishman is in Trouble,” which became a hit TV series starring Jesse Eisenberg. She is also a staff writer at The New York Times, where she is known for covering high-profile figures like Tom Hanks, Gwyneth Paltrow, Taylor Swift and Bradley Cooper.

In this episode, we learn about Brodesser-Akner’s creative process, how she developed a minimalist approach to interviewing celebrities, her circuitous journey toward writing her first two novels, and why she thinks it’s quite alright to write about trauma because we all live with it in one way or another.

Actor Minnie Driver talks to us about how she took on the role of one of the most powerful women in history. In the Starz series, “The Serpent Queen,” she plays Queen Elizabeth I, who reigned over England and Ireland for nearly 45 years in the 16th and 17th centuries. It’s a role that demands a larger than life presence, and Driver explains how she brought her own physicality to the part and also a sense of humor to add new dimensions to the iconic figure. She talks about the joy of acting in period pieces, and reminds us to “never underestimate the power of dressing up,” even if the corset can be a little too tight at times.

In this episode, we also learn about Minnie Driver’s upbringing and the unique educational path that led her to become a multi-hyphenate actor, writer, singer-songwriter and podcaster. Driver describes the profound impact that reading and performing Shakespeare had on her in her youth. She explains the creative process that was instilled in her at this age that led her towards an eventual Oscar nomination for her work in “Good Will Hunting,” and further commercial and critical success in projects like “Grosse Pointe Blank,” “The Riches,” and “Will & Grace.”