Matteo Lane is a stand-up comedian, painter, singer, and now a Broadway performer. In this interview, we talk about how all of these skills come together in his impassioned creative process. To Matteo, all art comes from “the base of a tree and then it grows out in different places.” You never know how one artistic pursuit is going to feed into another.

We discuss his performance as Billy Flynn in Broadway’s “Chicago,” how he develops a comedy special from bar shows to international tours, the history of gay representation in comedy, the creative spark that led him to pursue painting and illustration at School of the Art Institute of Chicago, his passion for Maria Callas, and why he believes in “working towards the masterpiece, not on the masterpiece.”

Taylor Rooks has built her career asking athletes the questions that reveal who they are beyond the game. As a journalist and the host of NBA on Prime, she’s become known for her curious approach to her work. For Taylor, “everyone is more than one story.”

In this episode, we talk about how Taylor prepares for interviews and builds connections with stars like Anthony Edwards. She describes the warmth and empathy she brings to her work, what it’s like to play metaphorical point guard as the host of NBA on Prime, the creative spark that led her down this path, and the universal power of sports.

Filmmaker Michael Sarnoski (“Pig” and “A Quiet Place: Day One”) takes on a revisionist version of the Robin Hood story with his new film, “The Death of Robin Hood.” When you hear Robin Hood, you probably think of the man who steals from the rich and gives to the poor. But what if he was just an outlaw? A violent outlaw who has to reckon with his past.

In this episode, Sarnoski reflects on adapting one of history's greatest legends and how we can all relate to Robin Hood’s internal struggle with his sense of identity and self-mythology. We talk about the delicate balance of historical authenticity and emotional truth, why audiences are so interested in modern retellings of folklore right now, and the stories we tell about ourselves that come to define us. “Storytelling is how we understand ourselves. Storytelling is religion. Storytelling is how we place ourselves in the cosmos.”

In this episode, Tyler James Williams gives a masterclass on his own acting technique: studying people, building characters, and finding the humanity behind every performance. We talk about his love for New York, how “Men In Black” made him fall in love with art and entertainment, and the care he has poured into creating the character of Gregory Eddie on “Abbott Elementary.”

The Emmy-winning sitcom recently wrapped its fifth season, with Williams stepping into the director role again. After three decades in the industry, he’s looking beyond his own career, toward the next generation of young talent, drawing on his experience as a former child actor to help create a more empowering path for the artists who come next.

Atsuko Okatsuka returns to the show! The comedian joins us to talk about how she bridges cultures with her work, crafting jokes that land wherever she performs. Atsuko cites Lucille Ball as a major influence when she was a kid growing up in Japan, inspired by the universality of her physical comedy. Whether it’s here in the United States, Taiwan, Japan, or on her global tour, “The Big Bowl Tour,” Atsuko is always finding new ways to tell her story.

In this episode, we dig into the creative process behind her most recent special, called “Father,” we catch up on how the global pandemic convinced her to embrace authenticity, how she keeps autobiographical joke writing fresh, why her bowl cut is a tribute to her inner weirdness, and when community building can be a good thing (and not at all cult worship!).

Oscar-nominated actor Greg Kinnear has been a fixture of film and television for decades, bringing warmth, wit, and emotional depth to beloved classics like “As Good as It Gets,” “You've Got Mail,” and “Little Miss Sunshine.” Most recently, he stars in “Margo's Got Money Troubles,” the acclaimed new television series that recently wrapped its first season.

In this episode, Greg Kinnear reflects on his circuitous path from radio and talk shows to becoming one of Hollywood’s most recognizable actors. He explains why he believes that same path may no longer exist in today’s entertainment industry. He opens up about the changing economics of Hollywood in the age of AI and the collapse of the industry’s “middle class.” Funny, thoughtful, and philosophical, Kinnear shares why he still believes there’s something fundamentally human about great acting that technology can’t replicate.

Comedian Chris Fleming embraces the chaos in his new HBO comedy special, “Live at the Palace.” Long regarded as a comedian’s comedian, Fleming’s breakout performance has propelled him into the spotlight.

In this episode, Chris Fleming traces the origins of his manic, effervescent stage persona back to his childhood in rural Stow, Massachusetts, where he first began crafting jokes about deer and other oddities of small-town life. In a wide-ranging conversation, we also discuss his drive to provoke his audience, while still grounding his work in empathy. He describes the stark contrast in stylistic freedom between the men’s and women’s aisles of clothing stores, his opposition to perfectionism, and the importance of expressing yourself as authentically as possible.

Comedian and actress Leslie Jones has lived a lot of life and she wants you to know it. The Saturday Night Live alum and veteran stand-up comic returns with a new special, called “Leslie Jones: Life Part 2.”

In this interview, Jones traces the long road to discovering her comedic voice. She speaks candidly about family life and the comedians like Richard Pryor who influenced her at a young age. We talk about the time she first fell in love with comedy in college and the many years she spent honing her craft. Jones contends that our current generation needs to accept the struggle, and not try to shortcut the process. We learn about what that creative process is for Jones as she developed her newest special. She offers her take on whether comedians have a responsibility in our culture to provoke thought or if simply getting a laugh is enough.

Comedian Phoebe Robinson is a girl boss in recovery. As the creator and star of projects like 2 Dope Queens and Everything’s Trash, she’s long been one of the hardest-working voices of her generation. But in her new comedy special, I Don’t Wanna Work Anymore, Robinson takes a sharp, self-aware look at the millennial hustle-culture mentality.

In this episode, Phoebe Robinson shows us the hard work that goes into crafting a special about not wanting to work anymore. She gives us a candid look into the full arc of her creative process, from spreadsheets to the comedy club. We talk about the convergence of art and commerce, the shortcomings of today’s comedy climate, and how to resist making “fast-food” comedy in pursuit of something greater.

Hi all! We're taking a break from our usual episodes of Creative Spark this week to share a podcast from our friends at The Peabody Awards and the Center for Media and Social Impact. Their show is called We Disrupt This Broadcast.

Host Gabe Gonzalez introduces us to the brilliant, absurdist, hilarious Peabody Award-winning HBO series Fantasmas. In a funny, enlivening conversation with creator, writer, and comedian Julio Torres, they explore how Torres uses humor to uncover the real absurdity of our immigration, healthcare, and economic systems. They discuss how creating fiction – like the “proof of existence” that the fictional Julio is so desperate to avoid – can expose our even stranger realities, like the “aliens of extraordinary abilities” visa that real Julio applied for when immigrating to the U.S. In the second half, Gabe speaks with Andrew DeWaard, author of Derivative Media: How Wall Street Devours Culture. Andrew’s work focuses on the cultural cost of the financialization of media. And don’t worry, he also explains what the word “financialization” means.