“He’s telling you who he is. Believe him.”
Two childhood friends face each other across decades of silence, and only one can walk out champion. Creed III arrives as the first entry in the Rocky/Creed franchise without Sylvester Stallone's Rocky Balboa, marking Michael B. Jordan's directorial debut as he steps behind the camera while still starring as Adonis Creed. Jordan brings anime-inspired visual experimentation to the ring, using exaggerated impact shots, CG-enhanced flesh ripples, and an "ethereal realm" finale that strips away the crowd and leaves only two fighters alone in psychological space.
We dig into what the franchise gains and loses by removing the mentor archetype, how Jonathan Majors delivers a transcendent performance as Damian Anderson despite off-screen controversy, and whether the film's mechanical plotting—hidden letters, engineered confrontations, a mother's stroke—earns its emotional payoff or just shortcuts the work. We argue about Jordan's anime influences: does the stylized visual language elevate the boxing realism or pull you out of it? We also unpack the unresolved subplot about Adonis' daughter and violence, Tessa Thompson's underutilized presence, and whether the locker room reconciliation works because of the performances or in spite of the script. It's a film that divides us—Pete sees a four-star movie doing five-star stuff, while Andy wishes the craft had been matched by stronger writing.
We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!
Dig Into Other Shows in Our Family

• Sitting in the Dark: Jonathan Majors starred in Lovecraft Country; we explored more Lovecraft adaptions here
• The Next Reel: Catch Up on our Rocky series and hear us discuss every film that led to this one
• The Film Board: Get more Ryan Coogler conversations with Sinners and Black Panther
• Movies We Like: Hear Creed costume designer Antoinette Messam discuss Amélie

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