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“The heavens have never seen such an ignominious Patsak as you, Violinist. It grieves me deeply.”
A Satirical Take on Soviet Society
Kin-Dza-Dza!, a 1986 Soviet science fiction comedy film directed by Georgiy Daneliya, was initially met with skepticism by Soviet authorities due to its satirical nature. However, Daneliya persevered and managed to get the film made, despite the challenges of filming in the hot Turkmenistan desert and dealing with bureaucratic red tape that delayed production. Join us – Pete Wright and Andy Nelson – as we wrap up this return to our Soviet Sci-Fi series with a conversation about Daneliya’s 1986 film Kin-Dza-Dza!.
Diving into the Absurdist World of Kin-Dza-Dza!
We explore the film's absurdist humor and how it effectively satirizes various aspects of Soviet society, such as the rigid caste system, the limitations on free speech, and the devolution of language. We discuss how the film's low-budget, dystopian aesthetic contributes to its commentary on consumerism and environmentalism, drawing comparisons to other works like Idiocracy and the films of Terry Gilliam and Jean-Pierre Jeunet.
The Strengths of Soviet Science Fiction
Throughout our discussion, we highlight how Kin-Dza-Dza! exemplifies the strengths of Soviet science fiction in its ability to critique contemporary society through a futuristic lens. We also touch on:
Kin-Dza-Dza! stands as a unique and entertaining entry in the Soviet science fiction canon, successfully blending biting social commentary with absurdist humor. Its ability to critique Soviet society while still being an engaging and entertaining film is a testament to Daneliya's skill as a filmmaker and the power of science fiction to reflect on contemporary issues. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
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“I don’t want to live among the fishes anymore. I’ll die of loneliness.”
A Soviet Sci-Fi Fairy Tale of Love and Science
In the 1960s, during the Khrushchev Thaw, Soviet filmmakers were given more creative freedom to explore stories beyond the typical Stalinist propaganda. This period saw a surge in sci-fi films, including the 1961 classic Amphibian Man, directed by Vladimir Chebotaryov and Gennadiy Kazanskiy. Based on the novel by Alexander Beliaev, the film tells the story of a man with surgically implanted shark gills who falls in love with a young woman, despite the disapproval of her capitalist suitor. Join us – Pete Wright and Andy Nelson – as we kick off a short return to our Soviet Sci-Fi series with a conversation about the 1961 film Amphibian Man.
Diving Deep into the Story's Themes and Motifs
In our discussion, we explore how Amphibian Man weaves together elements of science fiction, romance, and social commentary. The film's protagonist, Ichtyandr, embodies the Soviet ideal of scientific progress, while his love interest, Gutiere, represents the allure of a world beyond his underwater utopia. We also examine the film's villain, Don Pedro, as a classic capitalist exploiter, showcasing the Soviet critique of Western values.
Throughout our conversation, we delve into the fairy tale aspects of the story, the believability of the romance, and the tragic ending that subverts expectations. We also discuss the technical achievements of the underwater cinematography and the film's influence on modern directors like Guillermo del Toro.
Other Topics Covered in the Episode
A Timeless Tale of Love and Progress
Amphibian Man may not be a perfect film, but it remains a fascinating example of Soviet sci-fi cinema during a period of creative liberation. Its blend of science, romance, and social commentary creates a timeless fairy tale that continues to captivate audiences decades later. Despite some plot inconsistencies and missed opportunities, the film's core themes and visual splendor make it a worthwhile entry in the genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
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“I’ve got a weird sense of humor, man.”
Pushing Boundaries in Found Footage Horror
Mark Duplass, known for his contributions to the mumblecore movement, teamed up with newcomer Patrick Brice to create a low-budget indie horror film that would challenge conventions and explore the unsettling nature of human interactions. With Duplass's experience in crafting authentic, character-driven stories and Brice's fresh perspective, they set out to push the boundaries of the found footage genre. Armed with a minimal crew, a largely improvised script, and a shared vision, they embarked on a journey that would result in the creation of Creep. Join us – Pete Wright and Andy Nelson – as we return to our Found Footage series with a conversation about Brice’s 2014 film Creep.
Authenticity, Eccentricity, and Malevolence
In our discussion of Creep, we explore how the film navigates the spectrum between authenticity, eccentricity, and malevolence. We examine Mark Duplass' portrayal of Joseph, a character who initially comes across as genuine and relatable but gradually reveals a darker, more unsettling side. The found footage aesthetic enhances the sense of unease, blurring the lines between reality and fiction. Additionally, we delve into the movie's ability to subvert audience expectations and keep viewers on edge throughout.
Other Points of Discussion
Creeping into the Horror Genre
Creep showcases the potential of low-budget, independent filmmaking to create a memorable and unsettling horror experience. Mark Duplass' expertise in crafting authentic characters, combined with Patrick Brice's fresh perspective, results in a film that pushes the boundaries of the found footage genre. Despite some pacing issues, Creep's exploration of the darker aspects of human nature and its ability to keep the audience guessing make it a worthwhile addition to the horror genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
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What are some other ways you can support us and show your love? Glad you asked!
“It’s called ‘Murdered Man’.”
Roger Corman's Comical Foray into Beatnik Horror
In the late 1950s, American International Pictures approached Roger Corman to create a low-budget horror film in just five days, using sets from another project. Corman, along with screenwriter Charles B. Griffith, decided to take a satirical approach, crafting a black comedy that poked fun at the beatnik culture of the era. The result was A Bucket of Blood, a quirky and entertaining film that showcases Corman's ability to deliver a memorable movie on a shoestring budget. Join us – Pete Wright and Andy Nelson – as we continue the member bonus Roger Corman series with a conversation about A Bucket of Blood.
Sculpting a Masterpiece of Macabre Humor
In our discussion of A Bucket of Blood, we delve into the film's clever satirical elements and its comical take on the horror genre. We explore how the movie lampoons both the beatnik scene and the pretentiousness of the art world, with Corman and Griffith drawing from their own experiences and observations. The film's lead actor, Dick Miller, delivers a standout performance as the lovable yet misguided busboy-turned-artist Walter Paisley, whose quest for fame and acceptance takes a dark and murderous turn.
Corman's Signature Style and Social Commentary
Throughout our conversation, we touch upon various aspects of the film that showcase Roger Corman's signature style and his ability to infuse social commentary into his low-budget productions. We examine how A Bucket of Blood addresses themes of social mobility, the search for identity, and the folly of pursuing success at any cost. Additionally, we discuss how the film fits into the broader context of 1950s cinema, drawing comparisons to other notable works of the era, such as Rebel Without a Cause and film noir.
Other points covered in our discussion include:
A Timeless Tale of Ambition and Morality
A Bucket of Blood may be a product of its time, but its themes and humor remain relatable and entertaining decades later. Corman's ability to craft a compelling and thought-provoking story within the constraints of a tight budget and schedule is a testament to his skill as a filmmaker. While the film's low-budget origins are evident, its clever writing, memorable performances, and biting satire more than compensate for any technical limitations. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
“Did someone hear a woman cry?”
A Haunting Guatemalan Ghost Story
In 2019, Guatemalan filmmaker Jayro Bustamante released his third feature film, La Llorona, a haunting ghost story that explores the aftermath of the Guatemalan genocide. The film premiered at the Venice Film Festival and was selected as the Guatemalan entry for the Best International Feature Film at the 93rd Academy Awards. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about La Llorona.
Women Confronting the Horrors of the Past
In our discussion of La Llorona, we focus on how the film centers around the women in a retired general's family as they grapple with the accusations of genocide against him. Through the mysterious presence of their new housekeeper, Alma, and the visions she induces, the general's wife, daughter, and granddaughter are forced to confront the truth about his actions and their own complicity in the horrors of the past. As the story unfolds, the general becomes an increasingly antagonistic figure, unable to face the consequences of his past deeds.
Blending the Ghost Story Genre with the La Llorona Myth
La Llorona effectively combines elements of the traditional ghost story genre with the well-known Latin American folktale of La Llorona, the weeping woman. Bustamante skillfully weaves these two narrative threads together, creating a haunting and atmospheric tale that slowly reveals the truth behind Alma's presence and her connection to the general's victims. The film's use of water imagery and the unsettling presence of ghostly figures further enhances the eerie and unsettling tone.
Other topics covered in our conversation include:
A Thought-Provoking and Haunting Film
La Llorona is a powerful and thought-provoking film that uses the ghost story genre and the La Llorona myth to shed light on the horrors of the Guatemalan genocide. Through its haunting atmosphere, strong performances, and exploration of intergenerational trauma, the film leaves a lasting impact on its viewers. La Llorona is a compelling and important work that deserves to be seen and discussed. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
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What are some other ways you can support us and show your love? Glad you asked!
“You know, if they take a personal belonging, something that you treasure, then there’s no escape from them. You’ll be marked and they’ll always know how to find you.”
Uncovering the Horrors of War and Gender Inequality
Iranian filmmaker Babak Anvari's directorial debut, Under the Shadow, hit the festival circuit in 2016, garnering critical acclaim and numerous awards. Set in Tehran during the Iran-Iraq War of the 1980s, this Persian-language horror film delves into the personal and societal struggles of a mother and daughter as they face both the terrors of war and the oppression of gender inequality. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about Under the Shadow.
Peeling Back the Layers of Fear
From the ever-present threat of war to the social horror of gender inequality, Anvari masterfully weaves together a tapestry of terror that keeps viewers on the edge of their seats. We discuss how the film's supernatural elements, in the form of malevolent spirits known as djinn, serve as a metaphor for the protagonist's internal struggles and the trauma she faces.
Throughout our conversation, we explore the powerful performances of the film's lead actors, particularly Narges Rashidi as the mother, Shideh. Her portrayal of a woman grappling with the loss of her dreams and the pressures of motherhood in a war-torn, patriarchal society is both haunting and inspiring. We also touch on the film's effective use of sound design and cinematography to create an atmosphere of unease and dread.
Digging Deeper into the Discussion
Unveiling the Significance of Under the Shadow
Under the Shadow is a testament to the power of horror cinema to explore complex social and political issues. By blending the supernatural with the all-too-real horrors of war and gender inequality, Anvari has crafted a film that is both terrifying and thought-provoking. Despite some minor criticisms regarding the clarity of certain plot points, we ultimately find Under the Shadow to be a compelling and essential addition to the canon of international horror cinema. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
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“Maybe, he suddenly just wanted to die. I get that way sometimes.”
The Rise of J-Horror in the International Spotlight
Japanese horror, or J-Horror, has a rich history dating back decades, with influential works like Masaki Kobayashi's Kwaidan (1964) and Nobuhiko Obayashi's House (1977) paving the way for the genre. However, it was in the late 1990s and early 2000s that J-Horror truly gained international recognition, thanks to a wave of innovative and terrifying films that captivated audiences worldwide. One of the most significant and thought-provoking films of this era was Kiyoshi Kurosawa's 2001 masterpiece, Pulse. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about Pulse.
Exploring the Depths of Loneliness in a Connected World
At its core, Pulse is a haunting meditation on the themes of isolation and disconnection in an increasingly technology-driven society. Kurosawa skillfully weaves a narrative that blurs the boundaries between the physical and digital realms, as the characters become entangled in a supernatural world accessed through the internet. As the film progresses, it becomes clear that the true horror lies not in the ghostly apparitions, but in the profound sense of emptiness and loneliness that permeates the characters' lives. Throughout our discussion, we examine how Pulse effectively communicates these themes through its atmospheric storytelling, unsettling imagery, and nuanced performances.
Crafting an Unforgettable Atmosphere
Pulse's Lasting Impact on J-Horror and Beyond
More than two decades after its release, Pulse continues to stand as a landmark film in the J-Horror genre and a testament to Kiyoshi Kurosawa's visionary directorial prowess. The film's exploration of the potential dangers lurking within our increasingly connected world remains as relevant as ever, striking a chord with contemporary audiences. While the narrative's pace may prove challenging at times, Pulse's ability to provoke introspection and unsettle viewers is undeniable. Its influence can be seen in numerous subsequent horror films, both in Japan and internationally, cementing its status as a true classic of the genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
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What are some other ways you can support us and show your love? Glad you asked!
“You’re mine now. From now on, you must devote your whole life to me.”
A Ghost Story as a Statement on Pride and Greed
Kenji Mizoguchi's 1953 film Ugetsu, based on stories by Akinari Ueda and Guy de Maupassant, is a haunting tale set in war-torn 16th century Japan. The film follows two peasant couples whose lives are upended by the devastation of war and the allure of ambition. Ugetsu masterfully blends the supernatural with the harsh realities of the human condition, creating a timeless masterpiece that continues to captivate audiences. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about Ugetsu.
Ugetsu: A Dive into the Ethereal and the Earthly
In our discussion of Ugetsu, we explore how Mizoguchi seamlessly weaves together the ghostly and the mundane to create a powerful narrative. The film's central character, Genjuro, a potter, becomes consumed by his desire for wealth and fame, ultimately falling under the spell of a mysterious noblewoman who turns out to be a ghost. This supernatural element serves as a metaphor for the destructive nature of unchecked ambition and pride.
We also delve into the film's portrayal of the effects of war on the peasant class, particularly the women who are left behind to fend for themselves while their husbands pursue their dreams. Mizoguchi's empathetic lens highlights the resilience and strength of these women in the face of unimaginable hardship.
Other Facets of Ugetsu
A Timeless Tale of Human Fallibility
Ugetsu is a film that transcends its historical setting to deliver a powerful message about the dangers of pride, greed, and the pursuit of glory at the expense of what truly matters. Mizoguchi's masterful direction, combined with the film's haunting visuals and compelling performances, cements Ugetsu's place as a true classic of world cinema. We thoroughly enjoyed discussing this thought-provoking and emotionally resonant film. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
What are some other ways you can support us and show your love? Glad you asked!
“Anyone trying to leave the train by force will be stopped by force.”
An All-Star 70s Disaster Film Mash-Up
The 1970s saw a surge in the popularity of disaster films, with movies like The Poseidon Adventure, The Towering Inferno, and Earthquake captivating audiences. In 1976, director George P. Cosmatos and producer Carlo Ponti joined forces to create their own entry in the genre: The Cassandra Crossing. With an all-star ensemble cast including Sophia Loren, Richard Harris, Burt Lancaster, Martin Sheen, OJ Simpson, and Ava Gardner, the film aimed to capitalize on the decade's love for big-budget spectacles filled with peril and suspense. Join us – Pete Wright and Andy Nelson – as we wrap up this return to our Disease Films series with a conversation about The Cassandra Crossing.
Sneezing in Rice and Other Disastrous Delights
In this episode, we dive into the various disasters that unfold throughout The Cassandra Crossing. From the initial release of a deadly virus on a train to the impending collapse of the titular bridge, the film keeps the stakes high and the tension palpable. And know that we say that you have to go into this movie ready for its not-so-great quality that makes it fun... at least to us. We discuss how the movie effectively captures the sense of paranoia and fear surrounding the spread of disease, a theme that resonates strongly within our series. Additionally, we explore the film's campy and over-the-top moments, such as the infamous scene involving a sneeze and a bowl of rice, which contribute to its overall entertainment value.
Exposing the Flaws and Celebrating the Fun
While we acknowledge some of the film's shortcomings, such as the reliance on stereotypes and the clunky exposition, we also celebrate the elements that make The Cassandra Crossing an enjoyable viewing experience for us. From the performances of the all-star cast to the violent final crash, the movie offers plenty of reasons to sit back and enjoy the ride. Again... be in the mood for it or it may not work for you as well as it did for us.
Other topics covered in this episode include:
• The impressive ensemble cast and their performances
• The film's commentary on government secrecy and the U.S. military's involvement in bioweapons research
• The effectiveness of the movie's score in heightening the suspense
• The role of Lee Strasberg and his character's surprising backstory... and exposition
A Thrilling Journey Worth Taking
Despite its flaws, The Cassandra Crossing remains a perhaps junky but goofy-fun-if-you’re-in-the-right-mood example of the 1970s disaster film genre, delivering a thrilling and entertaining journey from start to finish. Its exploration of themes related to disease and paranoia, combined with its star-studded cast and grand-scale spectacle, make it a film worth discussing and revisiting. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
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What are some other ways you can support us and show your love? Glad you asked!
“The reason, Mr. Gashade, for the hunt is the kill.”
A Low-Budget Western from the Corman-Hellman-Nicholson Trio
After impressing producer Roger Corman with their previous work, director Monte Hellman and actor Jack Nicholson presented him with a spec script, but Corman had a different idea. He proposed that they make two Westerns instead, giving them three weeks to shoot each film. Hellman and Nicholson agreed, and the result was a pair of existential Westerns – The Shooting and Ride in the Whirlwind – shot in 1965 in Utah. Join us – Pete Wright and Andy Nelson – as we continue our 12-episode, 14th season-long Roger Corman series with a conversation about The Shooting, our second installment and member bonus episode.
Unraveling the Mysteries of The Shooting
In this episode, we delve into the enigmatic world of The Shooting, discussing the film's unique narrative structure and the questions it raises. We explore the mysterious characters, their motivations, and the shocking revelation at the end. The story follows a former bounty hunter turned miner who is hired by a woman to track down an unknown individual. As they embark on their journey, they are pursued by a menacing gunslinger clad in black. Throughout our conversation, we examine how the film's minimalistic approach and existential themes set it apart from traditional Westerns of the era.
The Corman Connection and the Film's Place in Cinema History
We discuss how The Shooting fits into the larger context of Roger Corman's productions and its significance in the careers of Monte Hellman and Jack Nicholson. The film's low-budget, experimental nature aligns with Corman's reputation for producing cost-effective, boundary-pushing cinema. We also explore how The Shooting, along with its companion piece, Ride in the Whirlwind, served as a precursor to the independent, counterculture-influenced films of the late 1960s and early 1970s.
A Divisive Film: Contrasting Opinions
While Andy enjoyed The Shooting, finding its fatalistic and existential themes compelling, Pete struggled to connect with the film. He found the experimental editing choices and the overall pacing to be challenging, making it a difficult watch for him. Despite their differing opinions, both hosts agree that the film's ambiguity and unconventional approach make it a unique entry in the Western genre.
Other Topics Covered in the Episode
A Thought-Provoking and Unconventional Western
While Andy appreciated The Shooting's ambiguity and haunting atmosphere, Pete ultimately deemed it a "Casablanca movie," alluding to the exchange between Rick and Ugarte in the classic film: "You despise me, don't you?" "If I gave you any thought, I probably would." Despite their contrasting views, both hosts agree that the film remains a testament to Corman’s passion for cranking out low budget films and giving experimenting filmmakers like Monte Hellman and Jack Nicholson the chance to play. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
The podcast currently has 1,841 episodes available.
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