“I know when they're going to come because a few seconds earlier, I feel something. The doctors call it ‘aura’.”

Into the Mind of a Taxidermist: Exploring The Aura
Fabián Bielinsky's final film The Aura (2005) marked his second and tragically last collaboration with Argentine star Ricardo Darín before the director's untimely death at age 47. Following their success with Nine Queens, this psychological thriller follows an epileptic taxidermist who becomes entangled in a casino heist after accidentally killing a man during a hunting trip. The film showcases Bielinsky's masterful direction and Darín's nuanced performance in what would become one of Argentine cinema's most compelling neo-noir entries. Join us—Pete Wright and Andy Nelson—as we return to our Ricardo Darín series with a conversation about The Aura.

A Study in Point of View
Pete and Andy explore how Bielinsky crafted the film's unique perspective, particularly through the protagonist's epileptic seizures. The hosts discuss the innovative camera techniques used to convey these moments, including the circular dolly track combined with zoom effects that create a deeply unsettling viewer experience. They note how this technical prowess serves the larger narrative about perception and reality.

Criminal Aspirations vs. Reality
The conversation delves into Darín's character Esteban, a taxidermist who fantasizes about perfect heists but struggles with human relationships. Andy highlights how the film subverts heist movie tropes, while Pete observes how Esteban's professional isolation mirrors his social limitations. Both hosts praise the film's exploration of the gap between criminal fantasy and brutal reality.

Key Discussion Points:

• The film's distinctive green color palette and its relationship to the protagonist's mental state
• A masterful transition sequence between airplane and jeep that impressed both hosts
• The significance of the protagonist's profession as a taxidermist
• How the episodic structure of days creates distinct character studies
• The role of the dog in the narrative's darker elements
• Bielinsky's planned trilogy and what might have been

Visual Storytelling and Technical Achievement
The hosts examine how Bielinsky and cinematographer Checco Varese created the film's distinctive look, praising their ability to make the forest environment both beautiful and menacing. Pete particularly notes how the desaturated green palette reinforces the protagonist's alienation from his environment.

Legacy and Impact
Andy and Pete reflect on the film's place in Argentine cinema and its tragic position as Bielinsky's final work. They discuss how The Aura builds on themes from Nine Queens while creating something entirely unique in the crime genre. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!

🎬 Watch & Discover

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• 🍿 Watch the Film: Cinema of the World | Amazon | Letterboxd
• 📽️ Original Theatrical Trailer

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