A queer, Black folk artist who records like she's casting a spell, on seasons, loss, and choosing optimism on purpose.
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Naomi Westwater makes folk, soul, and ritual that doubles as a survival practice. A few weeks after releasing her album Cycle and Change, she sat down with Jason English to talk about writing a record that moves through the seasons, recording it in a converted 1800s church for the natural light and reverb, and finding her footing through a hard year that included losing her father. She is candid about being a queer, Black artist in a folk world that isn't always diverse, about reclaiming the word witch, and about the Reclaiming Folk and We Make Noise events she built to make room for other artists. What does it take to choose optimism when the easier thing would be to give up on it?
🎵 Naomi Westwater's latest: Cycle and Change (2025)
⏱️ CHAPTERS
0:00 Introduction
1:03 Summer Solstice and Manifesting
2:09 A Season of Transition
3:22 Her Father, Cape Cod, and the Seasons
5:19 Early Feedback on the New Record
7:19 Writing an Album Without Realizing It
8:45 Songs Written Across the Seasons
11:07 A Song That Isn't For Anyone
14:02 Moving Through a Hard Winter
17:00 Why the Album Works as One Piece
19:55 Still Believing in the Album
21:21 Recording in an 1800s Church
23:26 Salem, Witches, and Reclaiming a Word
25:57 Parents Who Were Completely Woo
30:37 Berklee, Spain, and Cape Cod Roots
33:42 Being a Black Artist in Folk
35:49 Reclaiming Folk, Day to Day
40:48 The Freelance Musician's Many Hats
44:30 We Make Noise Fest
47:19 60 Seconds of Curiosity
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ABOUT CURIOUS GOLDFISH
A music podcast about more than music. Inspired by Ted Lasso. I talk with singer-songwriters and bands in Americana, folk, roots, and country about the lives behind the songs: resilience, faith, marriage, the business of music, and what keeps an artist going. Every episode ends with the same question about curiosity, and no two answers are alike.
New episodes every other week.
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