Curtain Call Podcast

I know we’ve released these for the 20th anniversary, but this is such a monumental time to reflect on the last quarter of a century.  A period where life sometimes doesn’t seem to have got much better.

The story of Gander is such a feel-good story. Come From Away is a feel good musical.  Welcome to the Rock is a feel good series

So hopefully you’ll leave today’e episode…episode four in the series…in a good mood.

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I know we’ve released these for the 20th anniversary, but this is such a monumental time to reflect on the last quarter of a century.  A period where life sometimes doesn’t seem to have got much better.

The story of Gander is such a feel-good story. Come From Away is a feel good musical.  Welcome to the Rock is a feel good series

So hopefully you’ll leave today’e episode…episode four in the series…in a good mood.

Learn more about your ad choices. Visit megaphone.fm/adchoices

I know we’ve released these for the 20th anniversary, but this is such a monumental time to reflect on the last quarter of a century.  A period where life sometimes doesn’t seem to have got much better.

The story of Gander is such a feel-good story. Come From Away is a feel good musical.  Welcome to the Rock is a feel good series

So hopefully you’ll leave today’e episode…episode three in the series…in a good mood.

Learn more about your ad choices. Visit megaphone.fm/adchoices

I know we’ve released these for the 20th anniversary, but this is such a monumental time to reflect on the last quarter of a century.  A period where life sometimes doesn’t seem to have got much better.

The story of Gander is such a feel-good story. Come From Away is a feel good musical.  Welcome to the Rock is a feel good series

So hopefully you’ll leave today’e episode…episode two in the series…in a good mood.

Learn more about your ad choices. Visit megaphone.fm/adchoices

I know we’ve released these for the 20th anniversary, but this is such a monumental time to reflect on the last quarter of a century.  A period where life sometimes doesn’t seem to have got better.

We’ve had wars, which seem endless.  We’ve had political turmoil across the nation.  We’ve suffered through a global pandemic.  And the threat of radical terrorism across all social and political spheres.

What better way to see the best side of humanity than to listen to a community of people who opened their arms and homes to the world and showed us all what the words “love and acceptance” truly mean.

So we will be releasing the entirety of the Come From Away series, as I personally believe it is the perfect tonic in these times of turmoil.

Thank you and enjoy.

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My fears of suffering by comparison were quashed within the first minute of this highly entertaining, beautifully sung (with musical direction by Tom Scutt) and astonishingly choreographed (kudos to Drew McOnie) production.  The original revival at Regent's Park Open Air Theatre in 2016 was just so good.

Fast forward a decade, and JCS is at The Palladium. It’s just a powerhouse of a revival, and I urge fans of the musical…and sceptics of the musical…to see it before it closes.  

I sat down with the delightful Desmonda in her dressing room (thankfully air-conditioned in this crazy London heatwave) to talk about her journey from Jakarta to London, her career to date and her taking on the iconic role of Mary at the most iconic stage in London.

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Today, we have both a returning guest and a returning show…although not what you’d expect. Listeners of this podcast will remember Jonathan Andrew Hume from the original London Cast of the Olivier Award winning best musical “Come From Away” as one of the Kevins. He was brilliant in that show…and when I was offered a chance to speak to the incoming cast for the revival of Guys and Dolls at The Bridge Theatre right near Tower Bridge in London…I jumped at the chance and asked if I could speak to Jonathan. He’s just one of the loveliest guys in the business…pun intended.

Guys and Dolls Official Website (and Tickets)

Jonathan Andrew Home on Insta

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This is PART ONE of a TWO-PARTER. Listen to The Wrong Cat Died via the links below for the companion episode to this episode.

Mike Abrams is the creator and host of the theatre podcast “The Wrong Cat Died’. Originally conceived as a 10-part mini series, he’s now over 150 episodes in and going strong.

We’ve decided to have each other on…well…each other’s podcasts. It’s something neither of us have done, but thought it would be great to share audiences as we know our listeners, if not already listening to the other’s podcast, will totally get them and love them.

The Wrong Cat Died is an original podcast on the Broadway Podcast Network...where Mike and I met in 2020 during lockdown. The podcast posits that in the musical Cats, Grizabella, the cast chosen to go to the Heaviside Lair , was actually the wrong choice. Only one cat gets chosen. The cat that is deemed most worthy by Old Deuteronomy. Mike’s theory is that Griz wasn’t the worthiest cat, and 150 episodes and thousand stories told by original cast members from dozens and dozens of productions from around the globe…it’s clear that the answer to the question “was Grizablla the correct choice?” is still unclear.

The Wrong Cat Died Official Website

Broadway Podcast Network Website

Listen on YouTube

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This is an attempt to answer the age old theatre questions; “Is it possible to remove expectations and worry over results and create theater that is pure execution? Is there a way to insure that every artist works only from their instinct in creating a play?”

Hmm… So what if an evening was created by randomly pairing artists and have them create new plays under a nearly impossible timeline. Would it remove the luxury of thinking and engage their every artistic instinct necessary to pull off creating a show that didn’t exist before 9am that morning?

This episode, I speak to Markus Flannagan, creator and producer of Same Day Plays, making their inaugural appearance at The Questors Theatre in Ealing, London.

Same Day Plays Official Website

The Questors Theatre Website

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This week, i chat to Olivier Award nominee Anoushka Lucas - actree, playwright, singer, songwriter, composer...I mean, she's defining multi-hyphenate

We first had Anoushka on the podcast in 2016 when she starred in Jesus Christ Superstar at Regents Park Open Air Theatre - a critically acclaimed production which I saw twice, as once wasn't enough. And she's about to be heard again in Part II of a musical that started life in lockdown: U.Me

U.Me: The Complete Musical tells the story of Rose and Ryo, two young strangers who meet online and fall in love during the pandemic, resulting in Ryo flying across the world from Japan to London for Rose. In Part Two, we meet Rose and Ryo again – the relationship takes an unexpected turn and Rose has to take on the deepest challenge of her life. 

U. Me: The Complete Musical Official Page

The Crucible Official Page

Anoushka Lucas Official Website

@johnschwab on all the socials

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