Cut and Paste

From a modern-day operatic tribute to “The Goose That Laid the Golden Egg” to a woman interacting with a toy chicken, St. Lou Fringe offers entertainment that can’t be found on any other local stage. But can the Fringe still fly without its original founder? Em Piro is leaving the organization after its fifth festival, which opens Friday. In our latest Cut & Paste podcast , we talk with Piro about her collaborative approach, how the festival has grown in step with St. Louis’ arts community

Before Rosa Parks refused to give up her seat, before Freedom Riders headed to segregated bus stations, before Martin Luther King Jr. led his first march, there was Katherine Dunham. The dancer and choreographer stood up to discrimination as far back as 1944. She railed against a system in which hotels wouldn’t book her and theaters wouldn’t let her black and white fans sit together, according to Washington University professor Joanna Dee Das . Das has written a book about the legendary artist

As a child in Meridian, Miss., Treasure Shields Redmond donned special shoes nearly every Sunday — a black patent leather pair that skipped after her mother as they walked to the Baptist church. By high school, she’d traded her Mary Janes for Nikes, and hymns like “Swing Low, Sweet Chariot” for Public Enemy's “Party for Your Right to Fight.” The daughter of East St. Louis Poet Laureate Eugene Redmond is now a poet and performing artist, and an English professor at Southwestern Illinois College.

Do you ever wonder why St. Louis Public Radio covers a particular concert but not an art show opening on the same night? Or a certain play but not a simultaneous music festival? Editors are instrumental in these kinds of decisions. And we’ve got a new editor for our arts and culture team, who’s come to town with some new ideas. David Cazares (pronounced CAH-sar-ehs ) comes to us from Minnesota Public Radio, where he served as a web editor and music writer with an emphasis on jazz.

“What fools these mortals be!” Puck famously utters in Shakespeare’s “A Midsummer Night’s Dream.” St. Louis audiences may be fooled in Shakespeare Festival St. Louis' production that lets the spritely Puck be two places at once. The secret? Puck is played by identical twins, Austin and Ryan Jacobs, transplants from Houston. The brothers, who just graduated from Webster University, join us for our latest Cut & Past podcast to talk about sharing the role in the play and a childhood on the

Even if the iconic German-language writer Franz Kafka doesn’t cross your mind on a regular basis, you may still hear the adjective “Kafkaesque” from time to time and think: gloomy, nonsensical. But a St. Louis translator says Kafka was darn near a jolly, optimistic fellow. In our latest Cut & Paste podcast , we talk with Washington University professor Kurt Beals, who recently translated a book about the author’s life. He tells us Kafka foresaw modern media, was interested in fitness and

Baseball is a game of numbers: batting average , RBIs. ERA. But Connor Wright had to come up with a different kind of number for a project honoring St. Louis Cardinals legend Stan Musial: how many Rubik’s Cubes it would take to create a 205-square-foot mural with a trio of images of the famous #6.

The generation gap is said to be narrowing as more millennials move back in with, and seek advice from, their parents. But in St. Louis, the chasm may be growing for one group of young adults. Two decades ago, Bosnian genocide survivors arrived in St. Louis penniless and ravaged by war. In one generation, they’ve built businesses, bought homes and raised children who are succeeding at high school and college — and assimilation. A new Mustard Seed play, “Bosnian/American: The Dance for Life,”

A new experimental documentary provides a snapshot of what it was like to grow up in north St. Louis in the 1970s. The project began when artist William Morris discovered in the basement of his family home 30 rolls of Super 8 movies, shot by his mother, Annie Morris. He paired them with original and existing music as well as audio interviews of her talking about growing up in a Mississippi sharecropping family in the 1930s and 40s.

Illustrators are storytellers who synthesize thousands of words into just a few images, or even a single frame. We recently invited three prominent local illustrators to tell stories about drawing for a living, in the first live recording of our Cut & Paste arts and culture podcast. Nearly 100 people showed up to hear our guests — Washington University professor John Hendrix and his former students Fox Smith and Vidhya Nagarajan — talk about the ups and downs of their profession. Emerging