Cyberpunk Apocalypse
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Cyberpunk Apocalypse episodes

  • Philosophy of Time Travel :: Ch 1 :: The Tangent Universe
    The Primary Universe is fraught with great peril. War, plague, famine and natural disasters are common :: The Fourth Dimension of Time is a stable construct, though it is not impenetrable :: Incidents when the fabric of the fourth dimension becomes corrupted are incredibly rare... The linear paradigm of Time as a single "line" is a theory constantly in need of correction :: Potential energy may build in the local collective unconscious, leading to wave interference from a Parallel Universe... If a Tangent Universe occurs, it will be highly unstable, sustaining itself for no longer than several weeks :: Eventually it will collapse inward upon itself, forming a Black Hole within the Primary Universe capable of destroying all existence... A Clock of Spirals and Spheres...A Compass pointing eight ways...Not a calendar counting the years...The Gears of the Clockwork and Eight Compass hands are carved to be spun directly from stone... In the heart of this stone a firestorm flows from the eye of one star to the other... The Stone has been turned :: The Clock Dragons' spoken... and there are none now that live who recall they were woken...For it is the doom of men, that they forget... Return the Crystal Skull :: Return what you have stolen from the People of the Forest :: The Aztec Compass will bring you great danger :: Arguments increase your crime :: No power on Earth can conquer Time :: Illustration extracted from “The Unsolved Case of the Aztec iClock” by London A. Dark “This one thousand pound, hand carved round Aztec Stone which I had found in the dust bins behind the British Museum past midnight, and rolled back to my flat in Soho...Took 6 hours too hoist up the stairs and another day to drag onto the roof to lay it into the garden by the ZaZen Pond... Well, Jack Wilder just spoke to me through our tin can and Secret String Network Web running through Soho, a moment ago and he said this Stone actually does come with two alternative faces... Similar to the moving face on a Steam Clock, I had seen as a child, in my father... I hesitated to recall..in a clockmaker’s shoppe... I changed my mind about mentioning my father, and referred only to “a clockmaker’s shoppe... Jack Wilder and I returned to the dark alley, behind the British Museum where we found Jules Verne, both drunk and lost. We helped him to stand between us and staggered down the Rue du Welles. We remembered we were looking for Stoneworks like clock faces moved on Steam Clocks, but between the Pea Soup fog and the distant white cotton street lamps, we became vague to the observer and somehow as a consequence, our own observations, from our points of view became vague as well.”
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  • Declan Guy and the Chronographic Sky :: LPunk Lament
    “Some people, who travel frequently between the Earth and Mars, have often been quoted as saying the L Punk Attitude and movement began in the Mars Weather Wonderground, shortly after the city was rebuilt. The children of generations of grown ups and adults who lived their entire lives dependent on tick tock Neotek devices and extrema ad astra nano-tek, rejected all such electronic and solar powered devices out of hand. They saw their parents attachment to any such devices as leading to the destruction of their planet, and many went wandering in groups or pairs, out through Galactic Time, in search of themselves, or in other words, in search of their true selves, rather than in search of the typical well traveled places to take more selfies, and wallow in their online persona... The term L Punks is thought to be possibly derived from the word Luddite, describing a person who took part in the great machine rebellion of 1811 in England, in which all the clockwork and industrial factories in Great Britain were smashed and destroyed by mobs of Luddites, for fear they would take away the jobs and livelihoods from human workers on Earth. A similar rebellion took place when the Splinternet on Mars MP, or Mars Prior, had caused all the Digital Disc and LP record stores to fold up and go out of business overnight, due to most music being suddenly and widely available for free by satellite and other various elite connections. And then there are those who say the capital LP in LPunk does rather stand for LP or Long Play Vinyl recordings one might have found in the aforementioned disappearing and now hard to find anywhere, music and record shops. One or two or a few die hards say the L in LP stands for the L train in New York City, on Earth, for no special reason, as anarchy so often does require no special reason. And finally, I myself, personally know of one person, who says the L in LPunk stands for less bread, more taxes. A great slogan of the White Bread wars, and a common saying in the land of Faerie hidden in the forests of England on Earth and in the crystal caves of Mars AM, or Mars at the Moment. The LPunks live above and beyond the circle of technology with no input from any tick tock Neotek device... The LPunks hate “Sickos” and “Scumbags”. Sickos are anyone who takes a picture of themself and scumbags are anyone who talks or sends text on a telephone. The LPunks like robots better than people because robots don't bleed as much when you bash them in the face. The LPunk main preference for social media is sitting in a pub chatting directly with friends. The only other acceptable form of communique, when a friend is not present is proceeding to a post office and sending a telegram. Lpunks live on cookies and milk or full or double cream when they can afford it. “ Musique Mécanique par le Théâtre Électrique :: "We Don’t Need Another Hero" by Terry Briton
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