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Can movies mirror the reality of war? Should war movies be entertaining or horrifying? Today is June 6, the anniversary of the Invasion of Normandy in 1944. Films like The Longest Day and Saving Private Ryan capture the heroism and epic sweep of the D-Day invasion to liberate Western Europe from the Nazis, but what do such films leave out of the story? How do popular movies subtly influence our attitudes toward or perceptions of the past, as individuals and in collective memory? In this episode, historian Kevin Ruane reflects on the educational, entertainment, and political angles of our favorite D-Day films.
Kevin Ruane is a By-Fellow of Churchill College, University of Cambridge, a Professor Emeritus of Canterbury Christ Church University, and the Director of the Graham Greene International Festival. He has written and taught on various international topics, including the Second World War, the Cold War, the Vietnam War, the Nuclear Age, and postwar European unity and security. His books include Churchill and the Bomb in War and Cold War (2016). Kevin is also a regular contributor to television, radio, and online history programmes, including, most recently, Churchill at War (Netflix), Britain's Nuclear Bomb Scandal (BBC), and The Manhattan Project in Colour (Channel 4, UK).
By Martin Di Caro4.4
6262 ratings
Can movies mirror the reality of war? Should war movies be entertaining or horrifying? Today is June 6, the anniversary of the Invasion of Normandy in 1944. Films like The Longest Day and Saving Private Ryan capture the heroism and epic sweep of the D-Day invasion to liberate Western Europe from the Nazis, but what do such films leave out of the story? How do popular movies subtly influence our attitudes toward or perceptions of the past, as individuals and in collective memory? In this episode, historian Kevin Ruane reflects on the educational, entertainment, and political angles of our favorite D-Day films.
Kevin Ruane is a By-Fellow of Churchill College, University of Cambridge, a Professor Emeritus of Canterbury Christ Church University, and the Director of the Graham Greene International Festival. He has written and taught on various international topics, including the Second World War, the Cold War, the Vietnam War, the Nuclear Age, and postwar European unity and security. His books include Churchill and the Bomb in War and Cold War (2016). Kevin is also a regular contributor to television, radio, and online history programmes, including, most recently, Churchill at War (Netflix), Britain's Nuclear Bomb Scandal (BBC), and The Manhattan Project in Colour (Channel 4, UK).

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