From the Director of ODDTAXI !

In the autumn of 2023, Akutsu—an aging, forgotten inmate serving a life sentence—is nearing death in his prison cell. He receives no visitors, no calls, no letters. Until one day, a touch-me-not flower growing in his cell starts to speak. “What a rotten life you had,” it says. The flower isn’t a hallucination—it’s real. And so begins a strange conversation between man and nature that takes Akutsu, and us, back to the summer of 1986. There, we see a younger Akutsu living with Nana and her son Kensuke in a shabby apartment, surrounded by those same flowers as we witness not the dramatic high points of a yakuza life, but its quiet erosion told through the eyes of a flower, a talking flower.

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The Monster Just Wants to Eat Her.

Hinako, a high school girl living by the sea, drifts through her days haunted by grief with a vague desire to die ever since losing her family in a tragic accident—yet lacks the will to end it herself. One day, everything shifts when Shiori, a strikingly beautiful mermaid, appears from the waves and utters the chilling words: “I’ve come to devour you.” Instead of fleeing, Hinako accepts Shiori’s presence as It turns out that Hinako possesses a strangely irresistible “tastiness” to yokai—spirits and monsters drawn to humans. Shiori proposes a chilling arrangement: she will protect Hinako from other monsters until the day Hinako is at her “tastiest,” at which point she will consume her. And Hinako consents. 

This bizarre bargain sets the stage for a relationship that is part guardianship, part predation, and entirely ambiguous.

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Set in a world where beastfolk live segregated from humans but not entirely on equal footing. High schooler Mari’s life changes when a beastfolk boy, Tsunagu, transfers into her class.

Initially nervous, Mari soon discovers the gentle, pure‑hearted nature beneath his furry exterior. As they spend time together, she finds herself drawn not just to his kindness but to… his body. Their relationship challenges societal prejudice—and Mari’s own perceptions.

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Set in a warped future Japan where seasons are unstable, children under 15 are treated like national treasures, and Santa Claus has been erased from memory, the story follows a timid class rep named Sanda. One day, his classmate Fuyumura—a rebellious, knife-wielding girl stabs Sanda in a desperate attempt to summon Santa Claus.

And it works. Because, as it turns out, Sanda is the direct descendant of the original Santa — and can now transform into a hulking, bearded adult when wearing red or in moments of danger. But with this transformation comes a burden: Sanda is now expected to fulfill Santa’s legacy — granting wishes and protecting children in a society where both are heavily policed.

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At the center of City is Midori Nagumo, a college student with no money, no morals, and no motivation—except to keep the fun going. She’s behind on rent, her landlady is hunting her like a bounty target, and even her best friend won’t lend her money anymore. Most would find a job or clean up their life. Midori? She chooses chaos. She schemes, she scams, she sprints from responsibility, dragging the entire city behind her like a whirlwind.

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The story follows Ruri, a bright-eyed high schooler, doesn’t just like jewelry—she wants to understand what makes stones sparkle. When she meets a quiet mineralogy grad student named Nagi, the two begin traveling across Japan’s rivers, caves, and mountains to uncover nature’s most beautiful secrets.

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Set in a world inspired by Victorian-era Europe, Lord of the Mysteries follows Klein Moretti, an ordinary man who, after mysteriously dying in modern-day Earth, wakes up in another body in an alternate, mystic-industrial world. He becomes entangled in a world of Beyonders, people equipped with magical abilities, secret organizations, tarot cards, ancient gods, and mysterious artifacts as he struggles to survive, understand his powers, and uncover the hidden history of the world.

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Finding Freedom through Hip-Hop

Prioritizing freedom through movement and emotional sincerity over tired tropes or melodrama, the story follows Kaboku starting high school and he plans to do what he's always done: go along with his friends, keep quiet, and not draw too much attention to himself. After all, it's hard enough to get by with a stutter like his—why make things worse by standing out from the crowd? But then he sees another first-year, Wanda, dancing like no one is watching—or like she doesn't care who sees her. It makes Kaboku wonder: Could he reach that same freedom? To find his way to Wanda, he does something he never thought he could: He joins the dance club. After all, every routine begins with a single step, right?

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A quiet boy, a fragrant girl, and a romance that defies school walls.

Set in a town divided by two neighboring high schools — Chidori High, a rough-edged boys’ school with a reputation for underperformance, and Kikyo Girls School, a prestigious institution known for its academic excellence — the story follows Rintaro Tsumugi, a quiet yet kind-hearted second-year at Chidori. His path crosses with Kaoruko Wakuri, a gentle girl who regularly visits his family’s cake shop. Despite the long-standing animosity between their schools, the two form a warm and genuine bond.

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A romance between an Unlucky boy, and the constantly worried classmate !

The comedy centers on Yano, the perennially unlucky high school boy, and Yoshida, the classmate that constantly worries for him. Yoshida sees Yano come into school injured, and Yoshida begins following Yano out of concert for him, observing his unlucky daily life, and resolving to support him. 

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