This week, we decompress from SXSW 2018 (http://www.dailydot.com/tags/sxsw/) and look back on what we saw and what we learned. One of the things we learned: Thandie Newton's response (https://www.dailydot.com/upstream/westworld-sxsw-panel/) to being asked what it's like to play a strong female character during the Westworld panel is the only answer.
(https://www.dailydot.com/wp-content/uploads/cfd/d9/a8d377face7a5b97.gif)
It was a big year for TV at SXSW, for both indie creators and marquee names: Tracy Morgan debuted his new TBS show The Last O.G., Netflix rallied for its hip-hop doc Rapture (https://www.dailydot.com/upstream/netflix-rapture-review/), and Westworld recreated (https://www.dailydot.com/upstream/westworld-sxsw/) Sweetwater, pushing fans to contemplate their moral color scheme.
Plus! We've got streaming recommendations for spring, including the new Dave Franco-Abbi Jacobson drama 6 Balloons (https://www.dailydot.com/upstream/6-balloons-review-netflix-sxsw/), the unreal cult documentary Wild Wild Country (https://www.dailydot.com/upstream/wild-wild-country-review-netflix/), and more.
Theme Music: "Late Night Tales" & "Credit Roll" by Lee Rosevere is licensed under a Creative Commons Attribution-ShareAlike License.
http://freemusicarchive.org/music/Lee_Rosevere/ (http://freemusicarchive.org/music/Lee_Rosevere/)
http://creativecommons.org/licenses/by-sa/4.0/ (http://creativecommons.org/licenses/by-sa/4.0/)