We revisit the last days of Laura Palmer, a Twin Peaks without Mark Frost, and more hints at the fate of Agent Cooper. And we’re joined by the inimitable Sarah Lane.

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It’s the last episode of season two and there’s SO much to absorb. So much that we call on Gabriel Hardman and Conor Kilpatrick to help process The Black Lodge, BOB and all the other David Lynch goodness for Twin Peaks swan song on TV…for now.

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It’s the social event of the season, the Miss Twin Peaks pageant and who better to join us to experience it than Francine The Lucid Dream from the The Pink Room Burlesque!

BONUS: The David Lynch Movie Music Video!

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The $500 prize for winning Miss Twin Peaks can change lives and we thank Anthony Carboni of We Have Concerns and The Star Wars Show for reminding us of that.

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Enter the Heavy Metal Youth and a comically large move made by Windom Earle. We compare Twin Peaks to the  Star Wars Prequels and more with guest Joseph Scrimshaw.

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Love is in the air and Gordon Cole can hear Shelly clear as a bell. Bryan Burnett joins us to partake in some counter esperanto of our own.

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Whose outfits are more ridiculous: Windom Earle’s or Billy Zane’s? We welcome Scott Johnson to help us figure it out.

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Enter: Billy Zane. Joining us to celebrate Billy Zane, Norma and Ed and Josie’s fate is screenwriter and filmmaker Mallory O’Meara

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A big episode, directed by Diane Keaton, brings a special guest with John Thorne of Wrapped In Plastic. Just how Twin Peaks can Twin Peaks get?

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We move to releasing episodes twice a week until season 3 starts and to kick things off, we welcome Brian Ibbott of Coverville and The Morning Stream to join us as things start to wrap up, and in some cases, resolution can’t come soon enough.

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