This two-hour funky house mix is part of the Millennial Dance Classics collection and was released in 2018 as a sunny follow-up to Volume 1. It’s built as a feel-good set meant to bridge posts and lift the mood, stacking classic vocal house and club remixes into a continuous, upbeat flow for weekend listening.

Highlights include Full Intention and Soulshaker reworks, with Bob Sinclar’s Love Generation (Full Intention Club Mix) and Robin S’s Show Me Love 2008 (Soulshaker Remix) anchoring the early set. Booty Luv’s Boogie 2nite (Moto Blanco Club Mix), David Morales’ Here I Am (Full Intention Vocal Mix), Buzz Junkies feat. Alison Limerick’s Where Love Lives (Club Mix), and a late-career Spanish Fly remix of Mary J. Blige’s Family Affair round out a tracklist that favors soulful vocals, roomy basslines, and big-room remix treatments. It’s a concise, nostalgia-leaning journey through turn-of-the-century house edits designed to brighten a weekend or power a party playlist.

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Funky house mix, Millennial Dance Classics series, 2018 — this Volume 1 set collects upbeat club cuts and remixes meant to brighten the late-winter slump. Party Favorz revisits early‑2000s through 2011 material, favoring alternate versions and rarer edits to avoid repeating prior Pride Classics sets while keeping the energy familiar and singable. Highlights include big-room reworks and floor favorites from Freemasons feat. Amanda Wilson, a Harry “Choo‑Choo” Romero take on Modjo’s “Lady,” Moto Blanco’s club spin on Leona Lewis, and Cahill’s edit of Agnes’ “Release Me.” Quentin Harris’ Todd Terry 12" vocal and the Bini & Martini re-vocal of Praise Cats’ “Shined On Me” sit alongside Soulshaker and Wideboys remixes, giving the mix a balance of radio-friendly hooks and deeper dancefloor gems. The compiler promises more obscure finds in a planned two-volume follow-up for summer; for now, Volume 1 is structured to lift the mood and remind listeners why these mixes remained staples in millennial house sets. Expect roughly two hours of remixed classics and thoughtful sequencing to carry you through the final weeks of winter.

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This episode is a holiday dance mix—X-mas Dance Mix 2K17—built to be a seamless, two-hour celebration of seasonal club classics. Party Favorz pulls together dance, house, and funky remixes from 2017 and earlier to deliver a festive set that works for both parties and solitary listening.

Highlights include reworked favorites from Mariah Carey, George Michael (Last Christmas), Band Aid, and Christina Aguilera, alongside club-ready turns from Kristine W, Dirty Disco & Jeanie Tracy, and Kelly Clarkson. The mix leans into extended club edits and smart transitions—Low Sunday and Ralphi Rosario turns for Mariah, Thunderpuss for Christina, plus a Kaskade take on Bing Crosby—that keep momentum while honoring the songs’ seasonal warmth.

If you want one holiday dance mix that stitches classic vocal performances to modern remix energy, this is the set. At just over two hours, it’s designed for sustained listening and repeat plays through the holidays.

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This episode is a Christmas dance mix (X-mas Dance series), originally compiled in 2016 to bring club energy to the holiday season and ease the usual Thanksgiving-to-Christmas chaos. The set runs nearly two hours and trades traditional sentiment for high‑bounce remixes and festive club edits meant for holiday parties, late-night drives, or any place you want familiar songs with a dancefloor pulse.

Highlights include reimagined holiday classics and pop faves from The Weather Girls, Kylie Minogue, Donna Summer, Pet Shop Boys, Mariah Carey, and Kristine W, plus remix work by names like Dave Aude and Thunderpuss. Expect upbeat takes on “Dear Santa,” “Every Day’s Like Christmas,” and a Low Sunday extended mix of Mariah’s signature seasonal hit, stitched together to keep momentum through the set.

This post is a repost of the 2016 X-mas Dance Mix meant for fans who prefer their holiday music with house, disco, and funky club flavor. If you want one festive dance mix this season, this is the one to play.

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This episode is a 90s House Music Classics mix — Let There Be House, Volume 10 (2017) — assembled as a tribute to the decade that helped bring house to the masses. The set revisits floor-ready anthems and club edits that defined the era, with a selection that emphasizes both the soulful and experimental edges of 90s dance culture.

Highlights include the reggae-tinged opener Beats International feat. Lindy Layton, Heavy D & The Boyz’s David Morales remix, and The Bucketheads’ KenLou-scented groove. MK’s Real Dub take on Saundra Williams’ yearning vocal cut, Armand Van Helden’s Drum n Bass rework of CJ Bolland, and the namesake Deskee WestBam mix round out a mix that balances singalong moments with peak-time club energy. Expect familiar hooks, inventive remixes, and a pacing that lets classic house breathe while still keeping a dancefloor pulse.

Whether you’re rediscovering these tracks or hearing them in sequence for the first time, this volume aims to capture the spirit of 90s house without turning nostalgic into static. Press play and let the decade’s grooves marinate.

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90s Classic House Music, Volume 9 (2017) — Surrender Yourself is a curated tribute to the era when chunky piano stabs and remix culture began seeding today’s circuit house sound. This episode collects 14 tracks that bridge deep club history and the dancefloor polish that followed, spotlighting key remixes and producers that shaped the decade.

Highlights include Junior Vasquez’s take on Shades Of Love’s “Body To Body,” an edited Soul Solution remix of “Changes” (noted here for a tighter listen), and an Underground Resistance club mix of The Reese Project’s “The Color Of Love.” MK’s NY Stomp remix of “Always” featuring Alana, Full Intention’s vocal-ready “America [I Love America],” and Satoshi Tomiie’s interpretation of Patra add variety across house and early circuit flavors. It’s a warm, DJ-friendly sequence meant for both dedicated house heads and anyone wanting a concise rundown of 90s club touchstones.

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This is a 90s House Music Classics installment — House Music Classics of the 90s Volume 8 from 2017 — assembled as a dance-floor history lesson and a closing statement to the series. The mix highlights how many contemporary grooves trace back to this decade, collecting floorwise staples and charting influential remixes that shaped club sound.

Expect DMC-era house and vocal-driven club cuts across the set. Highlights include Brothers In Rhythm’s Such A Good Feeling (DMC Remix by Dimitri), Urban Soul’s Show Me (Def Club Mix), and Me’Shell Ndegeocello’s DT remix of Who Is He And What Is He To You. Jaki Graham’s Ain’t Nobody (Love To Infinity Classic Paradise Mix) and Deskee’s Dance Dance (Tony Humphries Mix) bring the vocal and sample-based lineage into focus, while Blondie’s Atomic (Diddy’s 12" Mix) nods to crossover moments that kept house alive on mainstream dancefloors.

Run time is about 1:30:06, and the set leans into remixes that defined the era rather than original releases, offering a tidy, nostalgic deep-dive for longtime ravers and newer listeners alike.

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This episode is a 90s Eurodance, house and techno mixtape from the Eurodance Classics series, released 2017, assembled as Part 2 to revisit the era’s peak club moments. It collects extended mixes and club edits designed for sustained dancefloor flow, totaling two hours and thirteen minutes of uninterrupted nostalgia. Expect big-room club energy alongside melodic French house and rave-era techno textures. Highlights include The Blackout Allstars' D'Ambrosio Club Mix and the Slammin' Vocal Club Mix of C+C Music Factory’s “Gonna Make You Sweat,” plus Stardust’s looped French house classic and Daft Punk’s extended “Around the World.” The Shamen and Erasure bring psychedelic and synth-pop crossovers, while Abigail’s extended techno take on “Losing My Religion” reimagines an alternative anthem for the floor. Curated for listeners who miss the late‑90s club transition points between house, techno and Eurodance, the mix balances singalong hooks with peak-time club edits.

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This 2017 mix is a 90s Eurodance, House and Techno Classics installment in the Eurodance Classics collection, assembled as a party-ready extension of the Backspin mixes. It brings together radio favorites, underground club cuts and cheeky pop-cheese moments to recreate that era’s dancefloor flow. Highlights thread through Enigma’s trance-tinged Sadness and Eurodance staples from 2 Brothers on the 4th Floor, La Bouche and Real McCoy, while deeper club territory turns up with The KLF’s Justified And Ancient and The Goodmen’s Give It Up. Armand Van Helden’s garage reworks of Sneaker Pimps and Tori Amos provide gritty house textures, and yes, Aqua’s Barbie Girl slips in as one of the era’s lovable guilty pleasures. Running just over two hours, this set was curated to bridge obvious singalongs with influential underground cuts and to lead into a second part dropping soon.

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This episode is an 80s alternative dance megamix titled Pure Energy, a BackSpin collection that leans into synth-pop, industrial-tinged club cuts, and nostalgia. Recorded for 2017 listeners, the mix revisits the decade’s darker electronic edges while still serving up dancefloor-friendly versions of familiar hits.

Highlights include extended and Razormaid-style mixes from Erasure, Pet Shop Boys, Dead or Alive, and New Order, with Information Society’s “What’s On Your Mind (Pure Energy)” and Patrick Cowley’s “Megatron Man” anchoring the set. The host reflects on how industrial and punk-influenced electronic tracks delivered a stripped-down, angry poetry that still resonates, and previews a possible shift toward deeper, more politically pointed selections in future mixes.

Run time is 1:23:23 and the set mixes commercial synth-pop with tougher underground textures, offering both singalong moments and harsher, club-oriented cuts for listeners who remember — or are discovering — 80s alternative dance.

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