This episode is an 80s Dance Music Classics megamix from 2017, a BackSpin compilation that traces the era’s darker electronic and industrial-leaning club sounds. It’s designed as a continuous set highlighting how industrial textures crossed into pop and dancefloors, with extended mixes and classic remix labels anchoring the sequence.

Highlights include club-ready versions of Yello’s “Oh Yeah,” New Order’s “Blue Monday ’88,” and Depeche Mode edits alongside M.A.R.R.S.’s seminal “Pump Up The Volume,” Pet Shop Boys’ Ultimix of “West End Girls,” and Frankie Goes To Hollywood’s “Relax.” The mix leans into 12-inch culture and remix-era staples—Razormaid, Ultimix, and Hot Tracks turn edits you remember into a single 1:27:42 listening experience. There’s a bit of contextual storytelling about early computer culture and the scene that helped shape these sounds, but mostly this is about the grooves and the remixes that kept dancefloors moving.

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This is an 80s alternative dance megamix from 2017, a BackSpin-style set that revisits the decade’s clubpiercing synths and post‑punk energy with a personal touch. Party Favorz curates selections that reflect the end‑of‑decade tastes—less obvious hits, more dancefloor edits and Razormaid/Hot Tracks remixes—to capture that darker, arty side of 80s club culture.

Expect extended mixes and classic remixes from Yaz, New Order, Erasure, Bronski Beat and more, plus unexpected entries like Dominatrix and Front 242 that push the set toward industrial and EBM textures. Highlights include Razormaid treatments of “Bizarre Love Triangle” and “Hit That Perfect Beat,” S‑Express and Information Society turns that keep the groove rolling, and a nostalgic nod to the DJ’s formative mixtape era.

The mix runs like a late‑night radio program for listeners who remember the original scene and for newer fans tracking where today’s indie and electronic influences originated. Enjoy the arrangement and the era-specific remix aesthetic.

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This episode is a dance X-Mas mix from 2016 — a continuous holiday megamix in the X-mas Dance series assembled to revisit club-ready seasonal cuts. Party Favorz and friend Marshall B. stitched together leftovers from earlier X-mas Dance sets plus new entries to create one extended, cohesive set that spans remixes from the 1970s through modern house and funky dance edits. Highlights include club-centric turns from The Weather Girls, Donna Summer, Kylie Minogue, Mariah Carey, Christina Aguilera and Kristine W, plus exclusive Party Favorz mixshow edits woven into the flow. Expect familiar sing-along moments reworked for the dancefloor — extended remixes, classic production touches and a few surprising transitions that keep the energy moving across the show's nearly two-hour runtime. As noted by the host, this may be the final entry in the X-mas Dance category, making it a fitting seasonal send-off and a durable holiday mix for fans.

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Disco — the Trash Disco series finale from 2016 — arrives as a tight, genre-blurring megamix built for throwback dance floors. This installment stitches together late‑70s disco and its 80s sister sounds to close out an eight‑part run, pulling in remaining Chic staples and a handful of modern edits to keep the energy fresh. Highlights include updated takes on Chic alongside Marvin Gaye’s groove, Cherrelle’s sleek 80s soul rework of “Saturday Love,” Dr. Packer’s remix of Gwen Guthrie’s “Ain’t Nothing Going On but the Rent,” and a gritty Digital Visions spin on Lakeside’s “Fantastic Voyage.” The set balances classic vocal disco, funkier deep cuts, and tasteful reworks by contemporary bootleggers and re-edit artists, making it a satisfying endcap for listeners who followed the series or anyone hunting well-curated disco edits for a retro party set.

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This is a 2016 Trash Disco Classics megamix assembled for rump-shaking disco parties and late-night dance floors. The set runs about 98 minutes and eases from roughly 128 BPM up to around 134 BPM, giving the mix a steady lift across its seven-part sequence.

Highlights include re-edits and remixes of Peaches & Herb, Dan Hartman, Donna Summer, A Taste of Honey, Evelyn Champagne King, and Anita Ward, with new Digital Visions and WhiteNoize treatments pushing familiar vocals into club-ready tempos. The cover nod to Amii Stewart’s Knock on Wood didn’t make the cut here—kept for a future set—so the focus stays on driving disco edits that keep momentum without losing classic hooks.

If you want something breezy but geared for dancing, this final Trash Disco installment is built to keep feet moving until the last beat. Enjoy, and expect a Madonna birthday mix next week.

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Disco mix from the Trash Disco Classics series, 2016: Groove Line is a nostalgia-forward megamix built for late-night boogie and radio-ready floor moments. This hour-plus set gathers chart-minded disco anthems and contemporary edits into a continuous listen, with a few brand-new Dr. Packer remixes woven into the sequence.

Highlights include Odyssey’s Native New Yorker and Heatwave’s Groove Line positioned alongside Chic’s Le Freak and Diana Ross’s Upside Down, all presented in fresh Digital Visions or remix edits. The set also spots Patrice Rushen’s Forget Me Nots and First Choice’s Let No Man Put Us Under in Dr. Packer treatments, giving familiar favorites a slightly modern club sheen without erasing their original warmth.

If you’re after classic disco energy with tasteful re-edits, this Groove Line megamix is pitched for both relaxed listening and getting into platform-shoe mode on the dancefloor.

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Disco mix from the Original Trash Disco Series (2016) built for rump-shaking floorwear — this megamix collects updated 70s and 80s disco classics with a modern edit sensibility. DJ FreddyG a.k.a. Digital Visions provides the backbone here, with a string of his re-edits alongside a Joey Negro take on Chic’s “Everybody Dance,” all presented as a continuous, dancefloor-ready set. Highlights include Digital Visions reworks of B.B. & Q. Band, Rose Royce, Lipps Inc and Andrea True Connection, plus a Joey Negro edit and selections that nod to Philadelphia soul and classic Hustle-era grooves. The mix leans on bootlegs and fresh edits pulled from SoundCloud and Juno Downloads, keeping familiar hooks but tightening beats and transitions for club play. At 1:11:42 the set moves briskly through favorites like “Everybody Dance,” “Car Wash,” “Funkytown” and “More, More, More,” sticking to tasteful re-edits rather than full club reconstructions. It’s a good listen for DJs and disco fans who want classic vocal and instrumental moments with contemporary bounce.

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This episode is Disco, part of the Trash Disco Classics run from 2016, assembled as a holiday-ready megamix to soundtrack Memorial Day weekend parties. Party Favorz pulls together re-edits, bootlegs and classic floor fillers for roughly an hour and a half of nonstop groove, with a particular nod to DJs who rework disco staples for modern play.

Highlights include a Dr. Packer edit of Gene Chandler’s “Get Down,” Digital Visions re-edits of Dazz’s “Brick” and Rose Royce’s “Car Wash,” plus Joey Negro’s take on Karen Young’s “Hot Shot.” The mix also threads in Grace Jones’ “Pull Up To The Bumper,” Sister Sledge’s “He’s The Greatest Dancer,” and other familiar favorites turned into DJ-ready versions. If you’re a fan of tasteful disco re-edits and bootleg culture, this set showcases several fresh-sounding treatments while keeping the original funk and energy intact.

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This is a disco-focused Trash Disco Classics megamix from 2016, built as a deep-digging dance set for the Memorial Day weekend. The mix runs 1:42:16 and gathers disco, funk, and soul reworks and edits — many tracks are rare or retitled, with several modern remixes and club edits woven into the flow.

Highlights include reworked versions of Diana Ross, Donna Summer, Earth, Wind & Fire, Prince, Loleatta Holloway, and Candi Staton, plus edits and remixes by producers such as Dr. Packer, 7th Heaven, and Joey Negro. The post explains the labor-intensive process of hunting down obscure originals and sample sources, and the set showcases both classic vocal moments and extended dance mixes designed for continuous play. If you enjoy carefully curated disco with modern club polish, this Trash Disco Megamix is aimed squarely at that sound and era.

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Disco, Trash Disco Classics, 2016 — Volume 2 of the Disco Hits Remixed & Re-imagined series arrives as a loose, groove-forward megamix meant to get you moving. This installment was posted as a free on-the-house set while the subscription service was being finalized, and it leans into extended edits and playful reworks that bridge classic songwriting with modern house sensibilities. Highlights include tough remixes and edits of Gino Soccio, Blondie, Chic, Loleatta Holloway, Patrice Rushen, and Cheryl Lynn, with contributions labeled from Alien Disco Sugar, Dr. Packer, Shep Pettibone, and CHKBRND. Clocking in at roughly an hour and twenty minutes, the mix favors dancefloor momentum and nostalgic disco hooks reimagined for contemporary club play.

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