Dance Classics by PartyFavorz

This episode is a dance X-Mas mix from 2017 intended as a seamless, two-hour holiday set that blends club energy with seasonal classics. X-mas Dance Mix 2K17 gathers house, dance, and funky remixes to create a playlist meant for parties or solitary listening through the holidays.

Highlights thread modern remixes and classic vocal moments: Mariah Carey appears in several club turns (Low Sunday, Ralphi Rosario), George Michael’s Last Christmas gets a fresh 2017 remix, and Band Aid’s Do They Know It’s Christmas receives a club rework. Kristine W’s Oh Holy Night and Hard Candy Christmas add diva-led club drama, while Dirty Disco’s Santa Baby with Jeanie Tracy and Christina Aguilera’s Thunderpuss take keep the set firmly in remix territory.

At just over two hours, the mix favors extended edits and smooth transitions to sustain momentum without losing the songs’ seasonal warmth. It’s curated for repeat plays when you want a holiday soundtrack that dances as much as it celebrates.

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This episode is a dance holiday mix from the X-mas Dance series, originally compiled in 2016 to bring house, disco, and funky club energy to the Thanksgiving‑to‑Christmas stretch. The nearly two‑hour megamix was reposted to ease seasonal stress and supply a single party-ready set for fans who prefer high‑bounce takes on familiar songs.

Expect reimagined holiday classics and pop favorites stitched into a continuous club flow. Highlights include The Weather Girls’ cheeky Dear Santa, Kylie Minogue in Stock Aitken Waterman form, Donna Summer’s extended club turn, and a Low Sunday extended mix of Mariah Carey’s All I Want For Christmas Is You. Remix work from Dave Aude and Thunderpuss pops up alongside Kristine W’s house-ready holiday cuts, keeping momentum through mixes, bootlegs, and exclusive Party Favorz edits.

If you want one festive dance mix this season, this is the one to play — built for holiday parties, late drives, or anywhere you want a familiar soundtrack with a club pulse.

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This episode is a 90s house mix — Let There Be House, Volume 10 (2017) — assembled as a tribute to the decade that helped bring house to the masses. The set mines both the singalong and peak-time sides of the era, collecting club edits and inventive remixes that kept dancefloors moving across the decade.

Highlights include the reggae-tinged opener from Beats International, Heavy D & The Boyz’ David Morales remix, and The Bucketheads’ KenLou groove. MK’s Real Dub on Saundra Williams and Armand Van Helden’s Drum n Bass take on CJ Bolland show how 90s producers stretched house into new textures, while Deskee’s Let There Be House (WestBam Mix) closes the mix with a defiantly club-first credo. Expect familiar hooks, inventive reworks, and a pacing that lets classic house breathe without losing the floor energy.

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90s House Classics, Volume 9 (2017): Surrender Yourself is a focused tribute to the era when piano-driven house and remix culture began seeding today’s circuit-house sound. This mix collects 14 tracks that map that transition, serving as both a primer for newcomers and a deep-dive for long-time clubheads.

Highlights include Junior Vasquez’s club take on Shades Of Love’s “Body To Body,” an edited Soul Solution remix of So Pure’s “Changes” (tightened here for flow), and Underground Resistance’s club mix of The Reese Project’s “The Color Of Love.” Other standout moments come from MK feat. Alana’s NY Stomp remix of “Always,” Full Intention’s vocal-ready “America [I Love America],” and Satoshi Tomiie’s interpretation of Patra’s “Worker Man.” The set favors remix-driven textures and dancefloor-ready edits, offering a warm, DJ-friendly sequence that recalls 90s club touchstones without overstating their case.

Put this on for steady late-night momentum or as a reminder of how remix culture shaped modern house sound.

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This episode is a 90s House Music Classics mix — House Music Classics of the 90s Volume 8 from 2017 — assembled as a short history lesson in club sound. The set foregrounds influential remixes and vocal-driven floor cuts that helped shape modern dance music and keeps the focus on tracks that endured on club charts and playlists.

Highlights include Brothers In Rhythm’s Such A Good Feeling (DMC Remix by Dimitri), Urban Soul’s Show Me (Def Club Mix), and Me'Shell Ndegeocello’s rework of Who Is He And What Is He To You (DT’s N.Y.D.C. Mix). Vocal moments from Jaki Graham’s Ain’t Nobody (Love To Infinity Classic Paradise Mix) and Deskee’s Dance Dance (Tony Humphries Mix) trace the sample-based and soulful strands of the decade, while Blondie’s Atomic (Diddy’s 12" Mix) offers a crossover nod to pop/club fusion.

At about 1:30, this volume serves as a tidy closing statement to the series, useful for longtime ravers and newcomers curious about 90s house lineage.

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This episode is a 2017 mixtape from the Eurodance Classics series, revisiting 90s house, techno and Eurodance with extended mixes and club edits assembled for sustained DJ-style flow. Part 2 collects peak-era dancefloor moments designed to capture the transition from rave energy to melodic French and Italian house. Highlights include The Blackout Allstars’ D'Ambrosio Club Mix and the Slammin' Vocal Club Mix of C+C Music Factory’s “Gonna Make You Sweat,” alongside Stardust’s looped French-house gem and Daft Punk’s extended “Around the World.” The Shamen bring psychedelic techno textures while Erasure’s trance-dance rework adds a synth-pop counterpoint, and Abigail’s extended techno interpretation of “Losing My Religion” reframes an alternative anthem for the floor. Clocking roughly two hours and thirteen minutes, the mix balances singalong hooks and peak-time edits for listeners who want a concise trip back to the 90s club sound.

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This 2017 mix is part of the EuroDance Classics collection and gathers 90s house, techno and Eurodance into a two-hour-plus party-ready set that extends the Backspin mixes. It’s designed to stitch radio-friendly singalongs to deeper club cuts, recreating the era’s ebb and flow while leaving room for a bit of purposeful cheese. Highlights move between trance-tinged and pop-leaning moments and tougher underground territory. Expect Enigma’s Sadness and Eurodance staples from 2 Brothers on the 4th Floor and La Bouche, balanced by The KLF’s Justified And Ancient and the club-essential Give It Up by The Goodmen. Garage-house textures from Armand Van Helden’s remixes add grit, and the sequence was curated to lead straight into a second part dropping soon.

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This Legacy Dance Tribute from 2017 presents a focused house-music retrospective celebrating David Morales and his knack for turning pop, disco, and soul into club-ready moments. The mix traces Morales’ work across decades, from '70s and '80s source material to his definitive '90s Def Mix-era reworks, with the aim of highlighting his range rather than offering a strict chronology. Highlights include Morales’ club takes on Donna Summer’s “Melody of Love,” First Choice’s “Love Thang,” and Janet Jackson’s “When I Think of You,” alongside '90s club favorites by Jody Watley and Lisa Fischer and pop remixes for Mariah Carey. Across roughly 87 minutes the set balances gospel-tinged uplift, peak-time edits, and melodic pop reimagined for the dancefloor, making this volume a concise listen for fans of Morales’ signature remix craft and anyone curious how classic songs were reframed for clubs.

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House Legacy tribute, 2017 — Volume 3 celebrates David Morales and his long-running ability to turn pop and R&B into gospel-tinged club anthems. This mix focuses on Morales’ transformative remixes and productions, highlighting his work with Mariah Carey alongside standout turns for Toni Braxton and Deborah Cox. It’s presented as both a primer on his signature sound and a focused deep-dive for fans.

Expect Morales’ big-room dynamics and organ-driven climaxes across familiar vocals: Mariah Carey’s re-recorded, club-ready “My All” and “Honey,” Toni Braxton’s “You’re Makin’ Me High,” Deborah Cox’s “Who Do U Love,” and Suzanne Palmer’s “Luv 2 Luv” all get the Morales treatment. The set also reminds listeners he’s a producer as well as a remixer, with originals like “Here I Am” featuring Tamra Keenan and a club-ready take on Kristine W’s “One More Try.” At roughly 1:39, it’s a concise survey of how Morales bridges pop, gospel, and house without losing the dancefloor.

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This Legacy dance tribute (2017) honors David Morales’s commercial-meets-underground approach to house, mapping how he refashions pop, Urban, and Latin originals into cohesive club statements. Volume 2 spotlights Morales’s ability to preserve a song’s soul while reworking it for peak-time floors, turning familiar radio moments into extended dance journeys.

Highlights include Morales’s Choice Mix of CeCe Peniston’s “Finally,” the club reworking of Lara Fabian’s “I Will Love Again,” and his Latin-tinged remixes for Gloria Estefan, alongside sharp edits of Heavy D & The Boyz, a Morales take on Spice Girls, and an Enrique Iglesias club mix. Running just over ninety minutes, the set reads like a compact history of crossover dance production—nostalgic, well-curated, and consistent in its thread of Morales’s signature rhythmic polish.

Find more Legacy Dance Tribute mixes from Party Favorz at https://partyfavorz.com/category/legacy-dance-tribute/

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