Dance Classics by PartyFavorz

House music · Legacy Dance Tribute · 2017. Volume 1 of this four-part tribute spotlights David Morales’s most influential remixes and productions, assembled as an introduction to the producer’s imprint on club culture. This mix collects Morales’s early floor-fillers and crossover reworks to show why he’s regarded alongside the genre’s defining figures.

Highlights include Shawn Christopher’s Another Sleepless Night (Morales Classic Mix), Whitney Houston’s So Emotional (Emotional Club Mix), and Diana Ross’s The Boss (Def Club Mix), alongside Morales’s definitive takes on Alison Limerick’s Where Love Lives and Basement Jaxx’s Bingo Bango. The sequence also nods to his pop-to-club conversions, such as the Backstreet Boys’ I Want It That Way (Morales Club Vocal), illustrating his range from soulful house to big-room remixes.

This set isn’t exhaustive but serves as a vibrant primer to Morales’s sound—swinging percussion, gospel-rooted vocals, and sculpted club dynamics that have kept dancefloors moving for decades.

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This episode is a 2017 Diva Hall of Fame mix celebrating Inaya Day with a nearly two-hour, circuit- and house-oriented greatest-hits set. Party Favorz finally inducts the long-overdue diva with a selection built for peak-floor energy while nodding to her gospel, R&B, and soul roots.

Highlights include multiple Peter Rauhofer reworks alongside the collaborative Movin' Up cuts with China Ro and DJ Mike Cruz, plus classic club treatments like Thunderpuss and Lenny B. The mix moves through driving circuit anthems and contemporary producer turns, including a dancefloor-ready Denzal Park entry, giving a concise portrait of Inaya Day’s versatility across eras and remix camps.

Curated for DJs and fans who want an extended, high-impact Inaya Day set, this installment doubles as a retrospective and a party-ready toolkit for the circuit crowd.

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This 2017 DIVA Hall of Fame tribute is an 80s dance mix dedicated to Erasure, assembled as a personal and music-first retrospective. The set gathers extended mixes and club edits drawn largely from Pop! The First 20 Hits along with rarities and remix versions that emphasize Vince Clarke’s synthcraft and Andy Bell’s voice. Highlights include emotional nods to “Victim of Love,” “Star,” “Oh L’Amour,” “A Little Respect,” “Chorus,” and “Blue Savannah,” presented in mixes that reframe familiar melodies for the dancefloor. The host frames the collection with memoir-style memories of discovering Erasure in the mid‑80s and how those songs became touchstones in queer life and coming-of-age moments. Carefully sequenced and affectionate rather than celebratory, this nearly two-hour set is meant for longtime fans and newcomers who want a focused primer on Erasure’s early dance legacy. It’s a labor of love that honors the duo’s impact on pop and club culture.

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This episode is an 80s Dance Music Classics megamix from 2017 titled Pure Energy, a BackSpin collection that leans into synth-pop and industrial-tinged club cuts. The set deliberately revisits the decade’s darker electronic edges while still serving up dancefloor-friendly mixes and extended versions for listeners who remember—or are discovering—these tracks. Highlights include Razormaid-style and extended mixes from Erasure, Pet Shop Boys, Dead Or Alive, and New Order, with Information Society’s “What’s On Your Mind (Pure Energy)” and Patrick Cowley’s “Megatron Man” anchoring the sequence. The host reflects on how industrial’s punk-rooted anger worked as poetic repetition and suggests a possible shift toward deeper, more politically pointed selections in future mixes. Runtime is 1:23:23 and the mix balances singalong synth-pop moments with tougher club textures for a slightly darker take on 80s alternative dance.

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This 2017 BackSpin installment is an 80s Dance Music Classics megamix that traces the era’s darker electronic and industrial-leaning club sounds. It’s presented as a continuous 1:27:42 set intended to showcase how industrial textures crossed into pop and the dancefloor, with extended mixes and classic remix labels anchoring the flow.

Highlights include club-ready versions of Yello’s “Oh Yeah,” New Order’s “Blue Monday ’88,” and Depeche Mode edits, plus M.A.R.R.S.’s iconic “Pump Up The Volume,” Pet Shop Boys’ Ultimix of “West End Girls,” and Frankie Goes To Hollywood’s “Relax.” The sequence leans into 12-inch culture and remix-era staples — Razormaid, Ultimix, and Hot Tracks reshape familiar tracks into a single listening experience. There’s also a bit of scene color about early computer culture and the atmosphere that helped shape these sounds, but the focus remains on the grooves, edits, and industrial-pop crossover that kept clubs moving.

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An 80s alternative dance megamix from 2017, built as a BackSpin-style set that revisits the darker, clubpiercing side of the decade. Party Favorz curates selections intended to capture the end-of-decade tastes—less obvious hits, extended edits, and classic Razormaid and Hot Tracks remixes—to reflect the DJ’s personal mixtape era and lifelong fandom. The mix leans into post‑punk, synthpop, and EBM textures with standout turns from Yaz, New Order, Erasure, Bronski Beat, Front 242, and Information Society. Expect Razormaid treatments of “Bizarre Love Triangle” and “Hit That Perfect Beat,” Hot Tracks remixes of Communards and Dominatrix, plus club-ready versions of S‑Express and George Kranz that keep the groove rolling. This set reads like a late‑night radio program for listeners who remember the scene and for newer fans tracing today’s indie and electronic influences back to their 80s roots. It’s a nostalgic, well-edited snapshot of a personal decade in music.

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House / 80s Dance Music Classics tribute, 2016 — this Volume 2 remasters and reimagines George Michael’s dance catalog as a nearly two-hour club-ready set. Produced after his passing, the mix was rebuilt from scratch and meticulously remastered for clearer dynamics and modern listening while preserving the emotional core of his songwriting. The sequence balances Wham!-era origins and later solo work with contemporary club treatments. Standouts include the Freemasons’ electro take on “I Want Your Sex 2010,” the Illicit rework of “Fast Love,” Hex Hector’s 12" vox-up of “Outside,” and classic club reinterpretations by Division 4 and Todd Terry. The Shapeshifters’ remix of “Flawless” and CJ Mackintosh’s robust mix of “As” anchor the set’s peak moments and remind listeners of Michael’s versatility. This volume aims to honor George Michael’s influence on pop and dance music by translating familiar songs into club language without losing their emotional throughline. Fans of house-inflected remixes and dancefloor nostalgia will find a carefully paced tribute designed for continuous play.

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80s Dance Music Classics — Legacy Dance Tribute Volume 1 (2010) reimagines George Michael’s most club-ready moments with a focus on remixes that kept his songs spinning on dance floors. This mix collects era-defining reworks and newer club edits to trace how pop songwriting translated into house and disco-floor energy. Highlights include Jonathan Peters’ take on “As,” the Forthright Club Mix of “Star People ’97,” and Todd Terry’s revamp of “Everything She Wants.” Hex Hector’s uplift of “Outside,” the Freemasons’ I Want Your Sex 2010 update, Full Intention’s house sheen on “Amazing,” and the Sharp Boys’ vocal treatment of “Flawless” are selective nods to the set’s balancing act between nostalgia and contemporary clubcraft. Rather than a greatest-hits recap, this volume reads like a DJ dossier of floor-tested versions: familiar melodies recast with driving beats, disco samples, and peak-time dynamics. Expect a sustained house tempo across thirteen tracks that honor Michael’s songwriting while celebrating the remix culture that extended his pop legacy.

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This is a dance X-Mas mix from 2016 in the X-mas Dance series — a continuous holiday megamix assembled to revisit club-ready seasonal cuts. Party Favorz and Marshall B. stitched together leftovers from X-mas Dance 2010 and 2K14 plus newer entries to build a nearly two-hour set that spans remixes from the 1970s through contemporary house and funky edits.

Expect extended club versions and sleeker reworks of familiar holiday songs, with highlights from The Weather Girls, Donna Summer, Kylie Minogue, Mariah Carey, Christina Aguilera and Kristine W. The flow favors sing-along moments recut for the dancefloor, exclusive Party Favorz mixshow edits, and a string of transitions that keep the energy moving across the runtime.

Marked as potentially the final X-mas Dance entry, this 2016 megamix serves as a seasonal send-off and a durable party-friendly holiday compilation for longtime listeners and newcomers alike.

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Disco Classics — the final Trash Disco megamix from 2016 — lands as a genre-blurring throwback built for party floors and retro sets. This Good Times installment stitches late‑70s disco with its 80s sister sounds across an hour-and-a-half megamix, closing out an eight-part run with carefully chosen classics and contemporary edits.

Highlights thread Chic throughout alongside a Dr. Packer–tinged Marvin Gaye groove and an 80s soul peak in Cherrelle’s “Saturday Love.” The mix leans on tasteful reworks and bootleg edits: Dr. Packer’s take on Gwen Guthrie’s “Ain’t Nothing Going On but the Rent,” Digital Visions’ rugged revisit of Lakeside’s “Fantastic Voyage,” plus fresh spins on Donna Summer and Teena Marie that help bridge vocal disco, funkier deep cuts, and club-ready re‑edits.

If you followed the Trash Disco series, this set wraps up remaining staples and modern touches neatly; for newcomers it’s a concentrated primer of disco edits to drop into a retro DJ set or weekend playlist.

Find more Trash Disco Classics mixes from Party Favorz at https://partyfavorz.com/category/dance-classics/trash-disco-classics/

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