Dancecast

Rethinking Assistive Technologies

PODCAST BY SILVA LAUKKANEN

https://usf.academia.edu/MerryMorris

In this episode of DanceCast, Silva interviews Dwayne Scheuneman of REVolutions Dance in Tampa, Florida, whose background in wheelchair sports led him to co-founding Tampa’s first integrated dance company. Dwayne discusses his passion for education and the difficulty starting classes for children with disabilities from scratch, his relationship dancing with AXIS Dance Company and how it has informed the development of REVolutions Dance, and his international work in Russia and China teaching community workshops.

http://www.revdance.org

In Between Dance and Musical Theater

PODCAST BY SILVA LAUKKANEN

In this episode of DanceCast, Silva interviews Meredith Aleigha Wells, a dancer with Dancing Wheels Company in Cleveland, OH. The Massachusetts native has a background in musical theater, and started using a wheelchair while in college. She discusses the support she received in college, how the process of translating able-bodied dance onto her body has given her technical and choreographic skills, and the similarities and differences between having a disability in dance versus musical theater. She recently ended her contract with Dancing Wheels, and looks forward to freelancing more in musical theater.

http://stanceondance.com

Experimentation and Inclusivity

In this episode of DanceCast, Silva interviews Eric Kupers, a director, choreographer and performer in the Bay Area. He is the co-director of Dandelion Dancetheater and director of Bandelion (the interdisciplinary ensemble within the company). Eric discusses his experimental approach to dance-making, the creative significance of inclusivity (both in terms of different bodies as well as different artistic genres), his intro to performance through folk dance at his public elementary school and why exposure to dance is imperative in education, and his development of an inclusive dance program at Cal State University East Bay.

http://www.dandeliondancetheater.org/

Creating a More Inclusive World

PODCAST BY SILVA LAUKKANEN

In this episode of DanceCast, Silva interviews Marisa Hamamoto, founder and director of Infinite Flow, the first inclusive ballroom dance company in the US. She shares her myriad experiences with inclusion and why it became such an important concept for her, her difficult history pursuing dance before founding Infinite Flow, why the #MeToo conversation needs to be integrated more into the dance world, and how the discovery of ballroom put her on a new trajectory empowering herself and others to dance.

http://stanceondance.com

Embodying the Conversation on Arts and Social Justice

In this episode of DanceCast, Silva interviews Adam McKinney, cofounder of DNAWORKS, an arts and service organization committed to dialogue and healing through the arts. He discusses how he became involved in race and trauma work; how dance can build community and address oppression; DNAWORKS programming exploring layers of identity; and the importance of keeping intersectionality in mind when teaching and leading.

Adam McKinney is a classically trained dancer and former member of the Alvin Ailey American Dance Theater, Béjart Ballet Lausanne, and Alonzo King LINES Ballet. He holds an M.A. in Dance Studies with concentrations in Race and Trauma theories. Adam served as the inaugural Chair of the Dance Department at the New Mexico School for the Arts in Santa Fe for six years, and is currently an Assistant Professor of Dance at Texas Christian University in Fort Worth.

Text by Emmaly Wiederholt

http://dnaworks.org

In this episode of DanceCast, Silva interviews Adam Benjamin, a pioneer and much esteemed choreographer and teacher in the field of integrated dance. Based in the United Kingdom, he describes his introduction to disability through a visual arts residency at a spinal injury clinic, and how it led to a moment of a woman in a wheelchair supporting himself, an able-bodied man, subverting gender and able-ist norms, and thus initiating CandoCo Dance Company. He discusses the importance of marrying choreography with education, the question of who can and can’t dance professionally with regards to learning disabilities, the process of making a university dance program accessible to students with disabilities, and the value of writing about his work and sharing it with others. Text by Emmaly Wiederholt

http://stanceondance.com
http://www.bodyshift.org
https://www.adambenjamin.co.uk
http://www.candoco.co.uk
https://www.facebook.com/Integrated-Dance-Company-響-Kyo-356292594582053/

In this episode of DanceCast, Silva interviews Wagner Moreira, a Brazilian dancer, choreographer and teacher living and working in Dresden, Germany. Wagner and Silva discuss the in-between place of living in one country but being from another, the role of Wagner’s father in helping him find dance and his choreographic tribute to him 18 years after he took his own life, the use of nudity in dance and the idea of provocation instead of confrontation, the process of making/becoming/identifying as a dancer, and how technology is changing our modern concept of time.

https://wlmoreira.wordpress.com

In this episode of DanceCast, Silva interviews Douglas Scott, artistic director of Full Radius Dance in Atlanta, Georgia. Silva and Douglas discuss, among other things, the importance and challenge of transposing movement for bodies of different abilities, the choice of the word “transposing” and how it is borrowed from music, the need for a university dance program that welcomes disabled students, and the development of the Dance and Disability Affinity Group with Judith Smith (found of AXIS Dance Company) and Dance/USA. Text by Emmaly Wiederholt

Headshot - photo by Bubba Carr

https://www.fullradiusdance.org

In this episode I speak with Maija Karhunen about her work and life as a dancer.

In this episode of DanceCast, Silva interviews Maija Karhunen, a dancer and performer based in Helsinki, Finland. Maija discusses the practicalities of touring as a disabled dancer, attitudes in Europe toward disability, how to navigate the special attention that disability voices receive, and her desire to grow in both her professional and personal identity. Text by Emmaly Wiederholt.

Maija Karhunen is a dancer and performer based in Helsinki. She works with choreographers and directors in Finland and Europe. She studied dance and choreography in Finland, the Netherlands and Germany. Karhunen's interests lie in the all-encompassing performativity of the human, questions of power, intimacy, the personal and the grotesque. She works also in the field of (dance) writing and critique.

http://keshetarts.org