Talking with Painters

Daniel Boyd


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Click play for the podcast episode – you can also watch an edited video version of this episode on the TWP YouTube channel

Most artists remember their first show. Maybe they were lucky enough to sell a few works, usually to family and friends. Daniel Boyd remembers his. It was in the year he graduated from university, 2005, but family and friends didn’t stand a chance. The entire exhibition was bought by the National Gallery of Australia. 

Daniel describes himself in those university days in Canberra as ‘a shy young First Nations man from Far North Queensland’. That reserved nature still comes through even though I was speaking with him at the exhibition ‘Treasure Island’ which celebrates his career with over 80 works in one of Australia’s most important art institutions, the Art Gallery of NSW.

Daniel’s First Nations heritage is central to his work. His ancestors were part of the Stolen Generation. Forced to let go of their culture and language, they lived in fear that if they shared it with their children they would be taken away from them. In an interview in the Gallery’s Look magazine Daniel said that that forced  withholding of culture meant that he always felt there was something missing and it was at university that he tried to make sense of that.

One of the striking aspects of Daniel’s work is the way he both reveals and obscures his subject. Using a pointillist technique, he places a multitude of translucent dots over the image creating a series of convex lenses, as he refers to them, and while you can see the image through these lenses the rest of the image is painted out.

Although this creates a visually alluring effect, there’s more to this technique than just the physical use of the material. There are concepts behind it which relate to ways of seeing and perception and which are interestingly explored in the book accompanying the exhibition (see link below).

The show has been curated by Isobel Parker Philip, Senior Curator of Contemporary Australian Art and Erin Vink, curator of Aboriginal and Torres Strait Islander Art, both at the Art Gallery of NSW.

Daniel has exhibited in over 30 solo shows, has won the Bulgari Award amongst others, and his work is held in many other public institutions including the National Gallery of Australia, National Gallery of Victoria and the Natural History Museum in London.

Click play beneath the above feature photo to hear the podcast episode watch the YouTube video of this edited conversation here.

Current exhibition

‘Treasure Island’, Art Gallery of NSW, current to 29 January 2023

Links
  • Daniel Boyd on Instagram
  • Daniel Boyd at Roslyn Oxley9 Gallery
  • Edouard Glissant
  • Daniel Boyd: ‘Treasure Island’, (book accompanying the exhibition) at the Art Gallery bookshop also available through many other online booksellers
  • https://youtu.be/IUlMxJOHjSY

    Untitled 2014 , oil, pastel, archival glue on canvas
    315 x 224 cm
    Collection Art Gallery of New South Wales
    Winner of the Bulgari Art Award 2014
    Photo: AGNSW
    ‘Untitled (FS)’ 2016, 215.0 x 343.0 cm
    oil, charcoal and archival glue on linen
    Collection: Art Gallery of NSW
    ‘Untitled (PI3)’ 2013
    Oil and archival glue on linen
    214 x 300 cm
    Private Collection
    ‘We Call them Pirates Out Here’ 2006 oil on canvas
    226 H x 276 W x 3.5 D cm
    Museum of Contemporary Art Museum of Contemporary Art, purchased with funds provided by the Coe and Mordant families, 2006
    Daniel Boyd Untitled (WWDTCG) 2020
    Oil, charcoal, pastel and archival glue on canvas 87 x 87 cm Collection of Anthony Medich, Sydney
    Installation view of the Daniel Boyd: Treasure Island exhibition on display at the Art Gallery of New South Wales, 4 June 2022 – January 2023, photo © AGNSW, Jenni Carter.
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