When you think of building an art practice, your mind might go to all of your favorite artists. You think of their social media feeds and the gallery shows they promote. You dream about having one of their pieces in your home some day… and maybe you can. Because they SELL their work.

But building an art practice is not the same as building an art business. And while the benefits of an art business are many… we don’t talk enough about the costs. Because if you do decide to sell your work, there ARE costs. 

Let’s explore the physical, time, and physiological costs to selling your work. And then armed with this knowledge, you can make a more intentional decision about whether selling now, selling later, or selling never is right for you and your goals learning to paint.

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Welcome to the conversation with William A. Schneider.

FEATURE

In the conversation you'll learn the general proportions of the face and how to adjust them for the specific face you're painting, you’ll discover a bunch of great exercises to improve your skills, plus you’ll explore the 5 buckets of knowledge that every painter needs to learn to be able to tackle, well, kind of everything. Plus a whole lot more.

In the interview Schneider mentions a free ebook download called, “Mastering Proportions of the Face.” You can find that here.

EXTENDED CUT BONUS [Art Club]

In the extended cut bonus conversation you’ll discover what you need to get correct so that you can push your color, and we talk about why your negative self talk is hurting you more than you think and what to do about it. Find it here.

Art Club: Ad free feature  here. 

Learn more about Schneider here:

WEBSITE / WORKSHOPS / INSTAGRAM / FACEBOOK / BLOG

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There are so many reasons why you might want to pack up a bunch of supplies and carry them off to a family trip or exotic local.

There are great reasons to try just this.

But there are also reasons to leave your supplies at home.

So in today's mini, let's talk about why you might want to keep working while traveling, why you might NOT want to, and then if yes, how do you set yourself up for success.

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Welcome to the conversation with Sterling Edwards. Inside you’ll learn why your next go-to watercolor brush might actually be one designed for oil painters. You’ll discover a smart way to prep your paints so your colors stay clean and travel with ease. Plus you’ll find out what to look for in a photo reference that leads to a stronger design.

See his painting, Entwined here. 

Extended Cut Bonus [Art Club]

The conversation with Edwards continues in the Art Club. You’ll get a simple trick to make sure your center of interest feels integrated, not pasted on, and how using the power of opposites can instantly strengthen your paintings. Find it here.

Learn more about Sterling Edwards:

WEBSITE / WORKSHOPS / FACEBOOK / INSTAGRAM

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Each week, discover 3 ideas you can put to work in your next painting. Sign up for free here: www.learntopaintpodcast.com/newsletter

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If you love it...it should be easy, right? RIGHT?!

But it turns out there are some challenging parts of learning to paint. Even before you can figure out technique or styles or concepts... you actually have to start. 

In today's mini episode, let's talk about the different places you'll be starting, why starting is so hard and what you can do about it. 

Guests mentioned in the episode:

Mark Mehaffey, Ep.5

Sterling Edwards, Ep.116 (coming soon)

Lisa Daria Kennedy, Ep.14

Kimberly Kelly Santini, Ep.97

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Each week, discover 3 ideas you can put to work in your next painting. Sign up for free here: www.learntopaintpodcast.com/newsletter

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In the conversation with Sandi Hester, you’ll discover how to tackle a new medium, what to do if you want to paint plein air but can’t seem to find the right spots, and why it’s so so so important to create protected spaces in your art practice just for the creating part, plus a whole lot more. 

Extended Cut Bonus [Podcast Art Club]

In the Extended Cut Bonus, we talk about focal points and why you may or may not need one and Hester explains how she thinks through what she sees and how she translates that to actual layers of paint. Join the Podcast Art Club here.

Videos Mentioned in the Show:

Hester’s Favorite Supplies

Trip with Hester's Mom and Husband 

Painting Husband at Pool 

Learn more about Sandi Hester here:

WEBSITE / INSTAGRAM / YOUTUBE / SUBSTACK / WORKSHOPS

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Each week, discover 3 ideas you can put to work in your next painting. Sign up for free here: www.learntopaintpodcast.com/newsletter

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In the conversation with Melanie Morris you’ll discover the benefits of painting a reference photo multiple times, how your first steps don’t start with paint, and why a timer may be your key to staying present while you work. Plus a whole lot more.

Ad Free Podcast Art Club Version here.

Extended Cut Bonus [Podcast Art Club]

Morris talks about how to create sky holes in your trees and a really inventive idea for how to get great references when you travel.  Available now in the Podcast Art Club.

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Each week, discover 3 ideas you can put to work in your next painting. Sign up for free here: www.learntopaintpodcast.com/newsletter

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Artist Wayne Jiang works in three distinct styles including one pulled directly from the studios of the Old Dutch Masters. And the reason you might find this especially surprising is because the artist works in acrylics. He takes advantage of acrylics fast drying times and extreme flexibility of the medium to create modern paintings with historical underpinnings. 

In the conversation, you’ll explore how to control the absorbency of your surface—and why that actually matters. You’ll discover how to match your brush to the type of acrylics you’re using, and learn a way to make color choices that support the story you’re trying to tell in your work. Plus a whole lot more. 

Extended Cut Bonus [Art Club]
We talk finding your style, and Jiang gives great advice for how to keep subjects fresh, especially when you’ve been painting them a long time. 

Learn more about artist Wayne Jiang:

WEBSITE/ WORKSHOPS / INSTAGRAM

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When I say sketchbook, you might be thinking of a book with thin paper where you’d use a graphite pencil to draw.

And that absolutely IS a sketchbook. But when guest Steve Griggs talks about sketchbooks he means a book filled with watercolor paper, which he uses for everything, drawing, painting, thinking and maybe most importantly developing ideas.

In this mini episode, you’ll get practical tips for different ways to use a sketchbook. You’ll learn how to walk through the development of an idea to go deeper and you’ll explore how to push past that blank page with a NEW sketchbook.

Learn more about Steve Griggs here:

WEBSITE / WORKSHOPS / YOUTUBE / INSTAGRAM / FACEBOOK

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Each week, discover 3 ideas you can put to work in your next painting. Sign up for free here: www.learntopaintpodcast.com/newsletter

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Welcome to the conversation with Remington Robinson. Inside, you’ll discover what to prioritize in the first 20 minutes of a plein air painting, how to think through your scene in terms of paint, and you’ll get  some great advice for how to make the most of the time when a brush isn't in your hand, plus  a whole lot more.

Special Bonus [Art Club]
When I was interviewing and then editing Robinson’s interview, I was really struck by those Style Development Years. 

We look at Robinson’s work, we scroll through his social media, and say "Oh, yeah, he’s always been painting this way."

But that's not true. His style- like all of ours, developed over time.

And so that’s what I want to talk about in today’s special Art Club Mini. Let’s look at and talk about how Robinson’s style developed over years and what we might learn from it. Listen here.

Learn more about Remington Robinson here:

WEBSITE | INSTAGRAM | TIKTOK | BOOK

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Each week, discover 3 ideas you can put to work in your next painting. Sign up for free here: www.learntopaintpodcast.com/newsletter

Support the show