An old music dictionary’s definition of “nocturne” reads as follows: “A night piece, a musical composition that suggests a nocturnal atmosphere, for example Haydn’s ‘Notturno’ or Mozart’s ‘Serenata Notturna,’ but more specifically a short piece of romantic character. First to use this title for this genre was John Field, followed by Chopin.”

Hundreds of composers since Field and Chopin have tried their hand at writing nocturnes. This particular one was written for flute and guitar by the Boston-based composer Daniel Pinkham, as part of a five-movement suite of Nocturnes, all premiered on today’s date in 1993, at the First and Second Church in Boston.

Now, as any insomniac will tell you, there are all sorts of night moods, and the descriptive titles of Pinkham’s set of five “Nocturnes” ranges from the sprightly to the serene, with others entitled “brooding,” “sultry,” and “restless” tossed in for good measure.

Daniel Pinkham was particularly fortunate in his teachers. Imagine studying composition with Aaron Copland, Walter Piston, and Samuel Barber, or harpsichord with Wanda Landowska and organ with E. Power Biggs. Pinkham did -- and in turn became a successful teacher himself, with a long tenure at the New England Conservatory of Music. He served as music director of Boston’s historic King’s Chapel, and as a composer was particularly honored by his church musician colleagues for his many works for chorus and organ.