db Artists Musique

Artistically born in 1990 during a performance at the Alter Ego, a well-known club in Verona (Italy) Marco Dionigi’s particular style was immediately noticed by the renowned Art Director Andrea Oliva, who apparently remained enchanted by the miscellaneous of electro-beat and experimental, which clear allusions to the 80s’ electro wave characterized at the time Dionigi’s compositions.

Thanks to the peculiar sounds of his style, Dionigi soon became one the most appreciated Italian DJs, and the pieces created in his own studio with the inspiring name of Ursa Major (founded in 1991) developed into instant successes on the dance floors nation-wide. Meanwhile, Alter Ego is turning into one of the main Italian Clubs.

In 1993 Dionigi creates a new sound called Slow Motion by merging BPM bass with hypnotic melodies and top resonances of new age/ethno dark wave. This is also the year of the foundation of “Tube Records”, a label that will expand Dionigi’s success across Europe with the unforgettable tracks, Anaconda, Heaven Flute, Le Serpent, Way Out, The Hard Rocks, Seregenti, Manta, Freefall, I’m Not Invisible, Le Tambura, The Ghost, Very Interesting, Cross, If You Wanna Party and Holiday in Africa.

Under the artistic direction of Andrea Oliva, Dionigi starts a collaboration with the Mazoom Club, where, for seven years, he basically invents the trendiest Friday nights’ events called “Love Afterhours”. After that he started to experiment the first Vestax CD Player thanks to the birth of laser technology through compact disks.

Dionigi enthusiastically jumps into the computer era by realizing sophisticated pieces that are immediately sought by the most famous Italian Clubs: Mazoom, il Muretto, Kinky, Ecu, Area City, and Cocorico. In 1994 the successful partnership with the father of all Italian DJs: Daniele Baldelli, the creator of the Cosmic Sound – a friendship that will inspire important electro-funk projects for several years, and countless pieces of music such as Cosmicdiba and Dibadub (Gomma Records, 1999); the celebrated, particularly in Canada, Funkadiba - The Future Funk (Jaywork, 2003); the Alien Picnic album (Jaywork, 2002), entirely realized by Dionigi.

The Dionigi-Baldelli team created their own label, “Pedivelle Records”, which immediately attracts attention with the track I Must Feel Better and the second brilliant album Those Lights (Marco Dionigi). They get noticed by “Eskimo Recordings” and were invited to remix pieces realized by famous artists, among who Holger Czukay, Alicia, Bridges, Spirit, Bronx Irish, Kevin Harrison, The Dream Syndicate, Richard Bone, Torch Song and Arpadis – all tracks are included in the Cosmic Rock album produced by “Eskimo Recordings”.

Dionigi currently collaborates with “Prismatikone Records”, with the new branch “Quantistic Division” where he is the A&R Manager

Artistically born in 1990 during a performance at the Alter Ego, a well-known club in Verona (Italy) Marco Dionigi’s particular style was immediately noticed by the renowned Art Director Andrea Oliva, who apparently remained enchanted by the miscellaneous of electro-beat and experimental, which clear allusions to the 80s’ electro wave characterized at the time Dionigi’s compositions.

Thanks to the peculiar sounds of his style, Dionigi soon became one the most appreciated Italian DJs, and the pieces created in his own studio with the inspiring name of Ursa Major (founded in 1991) developed into instant successes on the dance floors nation-wide. Meanwhile, Alter Ego is turning into one of the main Italian Clubs.

In 1993 Dionigi creates a new sound called Slow Motion by merging BPM bass with hypnotic melodies and top resonances of new age/ethno dark wave. This is also the year of the foundation of “Tube Records”, a label that will expand Dionigi’s success across Europe with the unforgettable tracks, Anaconda, Heaven Flute, Le Serpent, Way Out, The Hard Rocks, Seregenti, Manta, Freefall, I’m Not Invisible, Le Tambura, The Ghost, Very Interesting, Cross, If You Wanna Party and Holiday in Africa.

Under the artistic direction of Andrea Oliva, Dionigi starts a collaboration with the Mazoom Club, where, for seven years, he basically invents the trendiest Friday nights’ events called “Love Afterhours”. After that he started to experiment the first Vestax CD Player thanks to the birth of laser technology through compact disks.

Dionigi enthusiastically jumps into the computer era by realizing sophisticated pieces that are immediately sought by the most famous Italian Clubs: Mazoom, il Muretto, Kinky, Ecu, Area City, and Cocorico. In 1994 the successful partnership with the father of all Italian DJs: Daniele Baldelli, the creator of the Cosmic Sound – a friendship that will inspire important electro-funk projects for several years, and countless pieces of music such as Cosmicdiba and Dibadub (Gomma Records, 1999); the celebrated, particularly in Canada, Funkadiba - The Future Funk (Jaywork, 2003); the Alien Picnic album (Jaywork, 2002), entirely realized by Dionigi.

The Dionigi-Baldelli team created their own label, “Pedivelle Records”, which immediately attracts attention with the track I Must Feel Better and the second brilliant album Those Lights (Marco Dionigi). They get noticed by “Eskimo Recordings” and were invited to remix pieces realized by famous artists, among who Holger Czukay, Alicia, Bridges, Spirit, Bronx Irish, Kevin Harrison, The Dream Syndicate, Richard Bone, Torch Song and Arpadis – all tracks are included in the Cosmic Rock album produced by “Eskimo Recordings”.

Dionigi currently collaborates with “Prismatikone Records”, with the new branch “Quantistic Division” where he is the A&R Manager

Artistically born in 1990 during a performance at the Alter Ego, a well-known club in Verona (Italy) Marco Dionigi’s particular style was immediately noticed by the renowned Art Director Andrea Oliva, who apparently remained enchanted by the miscellaneous of electro-beat and experimental, which clear allusions to the 80s’ electro wave characterized at the time Dionigi’s compositions.

Thanks to the peculiar sounds of his style, Dionigi soon became one the most appreciated Italian DJs, and the pieces created in his own studio with the inspiring name of Ursa Major (founded in 1991) developed into instant successes on the dance floors nation-wide. Meanwhile, Alter Ego is turning into one of the main Italian Clubs.

In 1993 Dionigi creates a new sound called Slow Motion by merging BPM bass with hypnotic melodies and top resonances of new age/ethno dark wave. This is also the year of the foundation of “Tube Records”, a label that will expand Dionigi’s success across Europe with the unforgettable tracks, Anaconda, Heaven Flute, Le Serpent, Way Out, The Hard Rocks, Seregenti, Manta, Freefall, I’m Not Invisible, Le Tambura, The Ghost, Very Interesting, Cross, If You Wanna Party and Holiday in Africa.

Under the artistic direction of Andrea Oliva, Dionigi starts a collaboration with the Mazoom Club, where, for seven years, he basically invents the trendiest Friday nights’ events called “Love Afterhours”. After that he started to experiment the first Vestax CD Player thanks to the birth of laser technology through compact disks.

Dionigi enthusiastically jumps into the computer era by realizing sophisticated pieces that are immediately sought by the most famous Italian Clubs: Mazoom, il Muretto, Kinky, Ecu, Area City, and Cocorico. In 1994 the successful partnership with the father of all Italian DJs: Daniele Baldelli, the creator of the Cosmic Sound – a friendship that will inspire important electro-funk projects for several years, and countless pieces of music such as Cosmicdiba and Dibadub (Gomma Records, 1999); the celebrated, particularly in Canada, Funkadiba - The Future Funk (Jaywork, 2003); the Alien Picnic album (Jaywork, 2002), entirely realized by Dionigi.

The Dionigi-Baldelli team created their own label, “Pedivelle Records”, which immediately attracts attention with the track I Must Feel Better and the second brilliant album Those Lights (Marco Dionigi). They get noticed by “Eskimo Recordings” and were invited to remix pieces realized by famous artists, among who Holger Czukay, Alicia, Bridges, Spirit, Bronx Irish, Kevin Harrison, The Dream Syndicate, Richard Bone, Torch Song and Arpadis – all tracks are included in the Cosmic Rock album produced by “Eskimo Recordings”.

Dionigi currently collaborates with “Prismatikone Records”, with the new branch “Quantistic Division” where he is the A&R Manager

Artistically born in 1990 during a performance at the Alter Ego, a well-known club in Verona (Italy) Marco Dionigi’s particular style was immediately noticed by the renowned Art Director Andrea Oliva, who apparently remained enchanted by the miscellaneous of electro-beat and experimental, which clear allusions to the 80s’ electro wave characterized at the time Dionigi’s compositions.

Thanks to the peculiar sounds of his style, Dionigi soon became one the most appreciated Italian DJs, and the pieces created in his own studio with the inspiring name of Ursa Major (founded in 1991) developed into instant successes on the dance floors nation-wide. Meanwhile, Alter Ego is turning into one of the main Italian Clubs.

In 1993 Dionigi creates a new sound called Slow Motion by merging BPM bass with hypnotic melodies and top resonances of new age/ethno dark wave. This is also the year of the foundation of “Tube Records”, a label that will expand Dionigi’s success across Europe with the unforgettable tracks, Anaconda, Heaven Flute, Le Serpent, Way Out, The Hard Rocks, Seregenti, Manta, Freefall, I’m Not Invisible, Le Tambura, The Ghost, Very Interesting, Cross, If You Wanna Party and Holiday in Africa.

Under the artistic direction of Andrea Oliva, Dionigi starts a collaboration with the Mazoom Club, where, for seven years, he basically invents the trendiest Friday nights’ events called “Love Afterhours”. After that he started to experiment the first Vestax CD Player thanks to the birth of laser technology through compact disks.

Dionigi enthusiastically jumps into the computer era by realizing sophisticated pieces that are immediately sought by the most famous Italian Clubs: Mazoom, il Muretto, Kinky, Ecu, Area City, and Cocorico. In 1994 the successful partnership with the father of all Italian DJs: Daniele Baldelli, the creator of the Cosmic Sound – a friendship that will inspire important electro-funk projects for several years, and countless pieces of music such as Cosmicdiba and Dibadub (Gomma Records, 1999); the celebrated, particularly in Canada, Funkadiba - The Future Funk (Jaywork, 2003); the Alien Picnic album (Jaywork, 2002), entirely realized by Dionigi.

The Dionigi-Baldelli team created their own label, “Pedivelle Records”, which immediately attracts attention with the track I Must Feel Better and the second brilliant album Those Lights (Marco Dionigi). They get noticed by “Eskimo Recordings” and were invited to remix pieces realized by famous artists, among who Holger Czukay, Alicia, Bridges, Spirit, Bronx Irish, Kevin Harrison, The Dream Syndicate, Richard Bone, Torch Song and Arpadis – all tracks are included in the Cosmic Rock album produced by “Eskimo Recordings”.

Dionigi currently collaborates with “Prismatikone Records”, with the new branch “Quantistic Division” where he is the A&R Manager

Artistically born in 1990 during a performance at the Alter Ego, a well-known club in Verona (Italy) Marco Dionigi’s particular style was immediately noticed by the renowned Art Director Andrea Oliva, who apparently remained enchanted by the miscellaneous of electro-beat and experimental, which clear allusions to the 80s’ electro wave characterized at the time Dionigi’s compositions.

Thanks to the peculiar sounds of his style, Dionigi soon became one the most appreciated Italian DJs, and the pieces created in his own studio with the inspiring name of Ursa Major (founded in 1991) developed into instant successes on the dance floors nation-wide. Meanwhile, Alter Ego is turning into one of the main Italian Clubs.

In 1993 Dionigi creates a new sound called Slow Motion by merging BPM bass with hypnotic melodies and top resonances of new age/ethno dark wave. This is also the year of the foundation of “Tube Records”, a label that will expand Dionigi’s success across Europe with the unforgettable tracks, Anaconda, Heaven Flute, Le Serpent, Way Out, The Hard Rocks, Seregenti, Manta, Freefall, I’m Not Invisible, Le Tambura, The Ghost, Very Interesting, Cross, If You Wanna Party and Holiday in Africa.

Under the artistic direction of Andrea Oliva, Dionigi starts a collaboration with the Mazoom Club, where, for seven years, he basically invents the trendiest Friday nights’ events called “Love Afterhours”. After that he started to experiment the first Vestax CD Player thanks to the birth of laser technology through compact disks.

Dionigi enthusiastically jumps into the computer era by realizing sophisticated pieces that are immediately sought by the most famous Italian Clubs: Mazoom, il Muretto, Kinky, Ecu, Area City, and Cocorico. In 1994 the successful partnership with the father of all Italian DJs: Daniele Baldelli, the creator of the Cosmic Sound – a friendship that will inspire important electro-funk projects for several years, and countless pieces of music such as Cosmicdiba and Dibadub (Gomma Records, 1999); the celebrated, particularly in Canada, Funkadiba - The Future Funk (Jaywork, 2003); the Alien Picnic album (Jaywork, 2002), entirely realized by Dionigi.

The Dionigi-Baldelli team created their own label, “Pedivelle Records”, which immediately attracts attention with the track I Must Feel Better and the second brilliant album Those Lights (Marco Dionigi). They get noticed by “Eskimo Recordings” and were invited to remix pieces realized by famous artists, among who Holger Czukay, Alicia, Bridges, Spirit, Bronx Irish, Kevin Harrison, The Dream Syndicate, Richard Bone, Torch Song and Arpadis – all tracks are included in the Cosmic Rock album produced by “Eskimo Recordings”.

Dionigi currently collaborates with “Prismatikone Records”, with the new branch “Quantistic Division” where he is the A&R Manager

Artistically born in 1990 during a performance at the Alter Ego, a well-known club in Verona (Italy) Marco Dionigi’s particular style was immediately noticed by the renowned Art Director Andrea Oliva, who apparently remained enchanted by the miscellaneous of electro-beat and experimental, which clear allusions to the 80s’ electro wave characterized at the time Dionigi’s compositions.

Thanks to the peculiar sounds of his style, Dionigi soon became one the most appreciated Italian DJs, and the pieces created in his own studio with the inspiring name of Ursa Major (founded in 1991) developed into instant successes on the dance floors nation-wide. Meanwhile, Alter Ego is turning into one of the main Italian Clubs.

In 1993 Dionigi creates a new sound called Slow Motion by merging BPM bass with hypnotic melodies and top resonances of new age/ethno dark wave. This is also the year of the foundation of “Tube Records”, a label that will expand Dionigi’s success across Europe with the unforgettable tracks, Anaconda, Heaven Flute, Le Serpent, Way Out, The Hard Rocks, Seregenti, Manta, Freefall, I’m Not Invisible, Le Tambura, The Ghost, Very Interesting, Cross, If You Wanna Party and Holiday in Africa.

Under the artistic direction of Andrea Oliva, Dionigi starts a collaboration with the Mazoom Club, where, for seven years, he basically invents the trendiest Friday nights’ events called “Love Afterhours”. After that he started to experiment the first Vestax CD Player thanks to the birth of laser technology through compact disks.

Dionigi enthusiastically jumps into the computer era by realizing sophisticated pieces that are immediately sought by the most famous Italian Clubs: Mazoom, il Muretto, Kinky, Ecu, Area City, and Cocorico. In 1994 the successful partnership with the father of all Italian DJs: Daniele Baldelli, the creator of the Cosmic Sound – a friendship that will inspire important electro-funk projects for several years, and countless pieces of music such as Cosmicdiba and Dibadub (Gomma Records, 1999); the celebrated, particularly in Canada, Funkadiba - The Future Funk (Jaywork, 2003); the Alien Picnic album (Jaywork, 2002), entirely realized by Dionigi.

The Dionigi-Baldelli team created their own label, “Pedivelle Records”, which immediately attracts attention with the track I Must Feel Better and the second brilliant album Those Lights (Marco Dionigi). They get noticed by “Eskimo Recordings” and were invited to remix pieces realized by famous artists, among who Holger Czukay, Alicia, Bridges, Spirit, Bronx Irish, Kevin Harrison, The Dream Syndicate, Richard Bone, Torch Song and Arpadis – all tracks are included in the Cosmic Rock album produced by “Eskimo Recordings”.

Dionigi currently collaborates with “Prismatikone Records”, with the new branch “Quantistic Division” where he is the A&R Manager

Now based in Barcelona, Pilar Molinero is an Argentine-born DJ and producer whose journey has taken her from Buenos Aires’ underground scene to the vibrant heart of Europe’s electronic music landscape. Pilar’s musical roots trace back to her childhood, where her father’s vinyl collection introduced her to legends like Alan Parsons Project, Supertramp, The Police, Deep Purple, Led Zeppelin and the list go on and ond.

As a child, she immersed herself in each song, imagining elaborate visual stories—a creative spark that still drives her music today.

In her teens, Pilar explored Hip Hop, Downtempo, Trip hop, Space age and Pop music before discovering electronic music in 2012 at an underground event in Buenos Aires. This experience ignited her curiosity for the electronic realm, where she quickly gravitated toward the house, microhouse, deep house, minimal sounds of artists like Delano Smith, Pepe Bradock, So Inagawa, Andrey Pushkarev, Mihai Popoviciu, Varhat, Janeret among many more.

Over time, she expanded her influences to include acid, nu-disco, funk, and house, forming a successful DJ duo inspired by DamSwindle, Fouk, Blackloops, that led her to perform alongside talents like Bushwacka and Purple Disco Machine.

Her passion for a unique, synthetic sound ultimately led her to pursue an independent path, diving deeper into music production and sound design.

After relocating to Europe in 2021, she began releasing original music on respected labels like YEG Ya Estamos Grandes, and Memento Records, contributing remixes and productions that showcase her signature blend of creativity and technical skill.

Driven by a desire to foster community, Pilar founded Fullhouse, an electronic music event series that over ten years has evolved from intimate gatherings to outdoor festivals in Barcelona, connecting people through shared musical experiences. In 2021, she took this vision further with the launch of her vinyl label, Quantum Records, dedicated to promoting emerging talents with support from established artists, creating a platform where fresh voices and renowned figures collaborate.

Now a resident DJ at Club Macarena for Memento Records’ Monday nights, Pilar performs alongside underground icons like Robert Drewek, Idriss D. In 2024, she joined the lineup at Brunch Festival BCN, performing alongside world-renowned names like Helena Hauff, Jamie Jones, Nightmares on Wax, Dixon, marking a high point in her career.

Pilar’s influence extends beyond the stage, as she engages with Barcelona’s creative scene as a member of the Algorythm collective and collaborated with cultural spaces like Perros Mediterráneos. Her journey is one of constant evolution and a deep commitment to sound exploration, making her a key figure in today’s electronic music landscape

Now based in Barcelona, Pilar Molinero is an Argentine-born DJ and producer whose journey has taken her from Buenos Aires’ underground scene to the vibrant heart of Europe’s electronic music landscape. Pilar’s musical roots trace back to her childhood, where her father’s vinyl collection introduced her to legends like Alan Parsons Project, Supertramp, The Police, Deep Purple, Led Zeppelin and the list go on and ond.

As a child, she immersed herself in each song, imagining elaborate visual stories—a creative spark that still drives her music today.

In her teens, Pilar explored Hip Hop, Downtempo, Trip hop, Space age and Pop music before discovering electronic music in 2012 at an underground event in Buenos Aires. This experience ignited her curiosity for the electronic realm, where she quickly gravitated toward the house, microhouse, deep house, minimal sounds of artists like Delano Smith, Pepe Bradock, So Inagawa, Andrey Pushkarev, Mihai Popoviciu, Varhat, Janeret among many more.

Over time, she expanded her influences to include acid, nu-disco, funk, and house, forming a successful DJ duo inspired by DamSwindle, Fouk, Blackloops, that led her to perform alongside talents like Bushwacka and Purple Disco Machine.

Her passion for a unique, synthetic sound ultimately led her to pursue an independent path, diving deeper into music production and sound design.

After relocating to Europe in 2021, she began releasing original music on respected labels like YEG Ya Estamos Grandes, and Memento Records, contributing remixes and productions that showcase her signature blend of creativity and technical skill.

Driven by a desire to foster community, Pilar founded Fullhouse, an electronic music event series that over ten years has evolved from intimate gatherings to outdoor festivals in Barcelona, connecting people through shared musical experiences. In 2021, she took this vision further with the launch of her vinyl label, Quantum Records, dedicated to promoting emerging talents with support from established artists, creating a platform where fresh voices and renowned figures collaborate.

Now a resident DJ at Club Macarena for Memento Records’ Monday nights, Pilar performs alongside underground icons like Robert Drewek, Idriss D. In 2024, she joined the lineup at Brunch Festival BCN, performing alongside world-renowned names like Helena Hauff, Jamie Jones, Nightmares on Wax, Dixon, marking a high point in her career.

Pilar’s influence extends beyond the stage, as she engages with Barcelona’s creative scene as a member of the Algorythm collective and collaborated with cultural spaces like Perros Mediterráneos. Her journey is one of constant evolution and a deep commitment to sound exploration, making her a key figure in today’s electronic music landscape

Sublee is one full-pack artist, being able to perform and spread a blissful energy through his sets, reinforce the general production patterns and conquer the people; he has that sort of presence that instils immediate trust – or better yet, the promise of a good time. Soulful sounds that break house and techno boundaries, adding just a bit of a touch of minimal to make it just right.

This specific personal touch emphasizes his capability of always offering something you cannot expect from a normal DJ. Pouring his soul into production results into him threading the needle between different strands of the electronic music, an upbringing, yet rough-and-ready attribute.

Sublee is one full-pack artist, being able to perform and spread a blissful energy through his sets, reinforce the general production patterns and conquer the people; he has that sort of presence that instils immediate trust – or better yet, the promise of a good time. Soulful sounds that break house and techno boundaries, adding just a bit of a touch of minimal to make it just right.

This specific personal touch emphasizes his capability of always offering something you cannot expect from a normal DJ. Pouring his soul into production results into him threading the needle between different strands of the electronic music, an upbringing, yet rough-and-ready attribute.