Is Iago one of opera’s greatest villains? Or just someone who listened to Steely Dan’s “Dirty Work” one too many times and decided to make it everyone’s problem. Bassist, lecturer, and writer Jerrell Jackson joins us to discuss Verdi’s penultimate opera, in which a storm wrecks Cyprus for five minutes and male insecurity wrecks everything else for the next three hours.

Additional topics include: Classical Music Twitter, the visual spectrum of Plácido Domingo’s blackface Otellos, the New York Times comments section, and the ’90s teen Shakespeare renaissance.

Follow Jerrell on Instagram at @datbassjawn and on Twitter at @datbassjawn.

Full episode notes, including a synopsis of Otello, recommended recordings, and a reading list, at Decanonized.com.

Follow Decanonized on Instagram at @decanonized.

The Bridal March from Lohengrin is a bold wedding choice once you know the rest of the opera. But considering the divorce rate, maybe it’s the most honest one. Critic Benjamin Poore joins us to talk about Wagner’s Swan King opera and ask the important questions: Is Lohengrin really the hero? Is Ortrud the only sane person? And what if Elsa did kill her brother?

Additional topics include: Nazis, doomscrolling, Richard Wagner’s Livejournal, and who could take Norman Lebrecht in a fight.

Don’t ask for Ben’s social media handles, but you can read his writing for VAN.

Full show page, including a synopsis of Lohengrin, recommended recordings, and further reading.

Follow Decanonized on Instagram at @decanonized

Is Peter Grimes the villain, or just his town’s biggest HR violation? Musicologist and Britten scholar Dr. Imani Mosley joins us to discuss the original problematic Grimes. And since Peter Grimes is the only Britten opera on this list, it’s a jam-packed episode as we navigate the seas of judgment in Suffolk, the work’s 1945 premiere, and the lasting influence of Britten on opera.

Follow Imani on Instagram at @idm and on BlueSky at @imanimosley.bsky.social. Listen to her talk about how much Percy Grainger sucked (and heal your inner band kid who had to play “Country Gardens” at every grade-school spring concert) over at This Guy Sucked.

Full show page, including a synopsis of Peter Grimes, recommended recordings, and further reading at decanonized.com.

Is Salome a victim of circumstance, or the destroyer of empire? Mezzo-soprano and one opera’s philosophical fug girls Perri DiChristina joins us to dive head-first into Strauss’s fin-de-siècle shocker. Additional topics include: Greta Thunberg and the Gaza Freedom Flotilla, Oscar Wilde’s moodboard, and why John Pierpont Morgan sucked.

Follow Perri via Thrilled to Announce (also on Substack and Instagram as @thilledtoannounceee), and on Instagram at @pricklyper.

Full show notes, including related reading and recommended recordings at: http://decanonized.com/episodes/strauss-salome

Does Don Giovanni ever actually end? Or are we just living in a constant state of deferral with a final boss that will never be defeated? Critic Sylvia Korman joins us to delve into this question and more, including why this is your favorite philosopher's opera, whether Donna Anna is a Horse Girl, Leporello in the Manosphere, and recent productions of Don Giovanni at the Met and Berlin's Komische Oper.

Additional topics include: tenors who @ Elon Musk, the Oscar Mayer Wienermobile, Kierkegaard, and the Bardo.

Full show page including a synopsis of Don Giovanni, playlist, and recommended reading.
 
More show info at decanonized.com.

Follow Sylvia on Twitter at @cowboyverismo. Follow their alter ego, People Mad at Opera, at @operacomments.

Read Sylvia's opera reviews for Parterre Box.

Sometimes, we can have nice things. Like a bel canto opera where, despite the mad scene stretching across all three acts, the stakes are low, the Fs are high, and everyone is happy at the end. 

Musicologist and critic Aksel Tollåli joins us to discuss a lovely opera about a lovely soprano and her lovely mental breakdown. Topics include Risorgimento chauvinism, opera's girlhood era, Lee Pace as Vincenzo Bellini, and operas whose entire plots would be resolved if the characters had just one (1) conversation. 

Follow Aksel on Instagram and Bluesky.

Full playlist, reading list, and synopsis of I Puritani.

Time, nostalgia, and very fancy lesbians? It must be Der Rosenkavalier. Writer, historian, and co-host of Bad Gays Ben Miller joins us for a discussion of Richard Strauss’s four-and-a-half hour work of where both nothing happens and everything happens.

Topics include: whether Rosenkavalier is a comedy or tragedy, the Viennese aristocracy, opera queens and mezzosexuals, the “German she-devil” who sued the Met (and won), and one of opera’s most problematic characters.

Show page (including a playlist, recommended reading, opera synopsis and more): https://www.decanonized.com/episodes/strauss-der-rosenkavalier
More info: https://www.decanonized.com
Follow Decanonized on Instagram at @decanonized

Follow Ben at: https://benwritesthings.com, on Instagram at @benwritesthings and on Bluesky at benwritesthings.bsky.social

On Episode 1 of Decanonized, mezzo-soprano Nikola Printz joins us to discuss what many consider to be the greatest opera: Georges Bizet's Carmen (1875). Topics include fate, othering, hating cops, whether Carmen really has to die, why Don José would make the worst camping partner, and the dream blunt rotation of Alexander Chee, Tank Girl, and Susan McClary.

For this episode, we saw Carmen live in Berlin via an organ trafficking-coded production by Ole Anders Tandberg at the Deutsche Oper, so bonus digressions on kidney harvesting and bull testicles!

Show page (including a playlist, recommended reading, opera synopsis and more): https://www.decanonized.com/episodes/bizet-carmen
More info: https://www.decanonized.com
Follow Decanonized on Instagram at @decanonized

Follow Nikola at: https://www.nikolaprintz.com and on Instagram at @itisnika