Your transcendence is already on sale.

Written & Produced by: Neural Nets and Pretty Patterns

Olivia, Cruise Director – Bliss Blank

Alistair, CEO of Neuroplex – Jericho Caine

Holly surfaces into full conditioning.  She’s beatific and certain, convinced she’s the one doing the tempting. The Captain and Olivia review her status with the brisk efficiency of people who have already decided what she’s worth and are simply working out the logistics. She’ll be renamed Dizzy.

Most performers get lines.  Dizzy Dollie gets an ORIGIN STORY, highlighting her indispensable role on the Chthonic and in the Neuralverse.

She’ll be installed in the observation spa in a collar with her name on it, holding poses for guests while her neural feeds stream to subscribers. The bio-ink sigil goes at the base of her spine and glows when she begs. Alistair notes that truth is profitable. Fion, who is present and increasingly uncomfortable, attempts a mild objection on legal grounds.

Holly, meanwhile, has something to report.  She heard it in the water. The Captain is going to open a door during the rave, using the chaos of sound and neon as cover for a summoning.  She says this like she’s revealing a secret. Olivia grins. The Captain says they’ll let her shine on the brochure. Holly takes this as praise.

Holly and Fion are alone in the lotus chamber. Holly is deep in the conditioning and generous with it, offering Fion the peace she’s been watching from the outside. Fion is exhausted, running calculations on everything, envying Holly’s certainty even as she can see exactly what produced it. Holly teaches her the liturgy. Fion repeats it. Holly whispers a numerical sequence and the restraints disengage. Fion steps into the device alongside her. She’s been objecting to this operation for eight episodes. She stops objecting now. The lotus blooms and so do they.

This is the rave. Deep bass psytrance is layered with whale song samples.  (The whale song samples are real; they’re bowhead whales pitched up 12 octaves to sound human.)

Sarah, Mairead, Emma, Selene, and Kara are in the depths of the ship as the ritual converges. Sarah has definitely stopped being the careful one.  Kara confirms that every drop of the music is laced with bowhead frequencies, filtered through spectrograms and dreams. The whales don’t just guide them; they compose them.

Selene names what’s happening: the trifold resonance. Bride, goddess, penitent. All three wrapped together.  Emma understands her function at last. She was sung into being before she had a name.

Undergloom is the episode where desire horror earns its name most completely. The three women in the depths of the ship aren’t being overcome. They’re arriving. Sarah has been the careful one for eight episodes and she stops being careful here not because the machinery broke her down but because she finally decided the caution wasn’t worth what it cost. Mairead has been chasing dissolution since she first appeared and she finds it here on her own terms. Emma has been the most mysterious figure in the arc and Undergloom resolves her: she was always the bridge, always more than a passenger, always the hinge the summoning turns on.

The horror isn’t in the ecstasy. The horror is in the comodification logic: every moment of their genuine transcendence has been captured. The recording equipment was running. The neural feeds were streaming. Alistair already knows what subscriptions will look like. The Old Ones get their rite and Vale Four gets its content and the women in the lotus get something real, which is the cruelest part of the design.

The poster image for this arc was created by Echo Doll in collaboration with Neural Nets and Pretty Patterns. Layer art overlays are used to vary each iteration of the image.

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The manipulative elements depicted are fictional and intentional. Undergloom contains ritualistic horror, adult themes, and scenes of supernatural encounter. All performances are works of fiction and take place within a consensual creative context.

ISNI 0000 0005 2877 6254

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You’ve been here before. You don’t remember, but the ship does.

Written & Produced by: Neural Nets and Pretty Patterns

Olivia, Cruise Director – Bliss Blank

Alistair, CEO of Neuroplex – Jericho Caine

Captain Dyer and Olivia review surveillance footage of the previous chapter’s final moments from the control deck.   Alistair takes the blame for the near miss with Holly.  Olivia takes credit for everything else.

Nikki arrives to report and receive her gold star, which she treats with the reverence of a sacrament. She’s been tracking Holly’s movements through the archive.  Every piece of naditu lore Holly believes she discovered has been seeded, curated, and salted with triggers designed specifically for her. Every lecture she attended was funded, archived, and catalogued by the organization she thinks she’s escaping. Her rebellion is the maze, and she’s been running it by design.

Holly, Sarah, Selene, and Mairead move through the ship’s lower corridors with focused urgency. Whale song bleeds through the walls. Mairead confirms what Fion told her: the bulkhead at deck nine is structurally compromised.  Eldritch is not good engineering. Holly leads them to a research node where pre-contact texts are catalogued alongside data pulled from the sea floor.  They begin searching for rituals.  Holly says she believes might protect Emma, whose readiness she’s decided is the hinge the entire summoning turns on. What she finds is a cleansing rite and she begins to perform it. Sarah follows. Mairead breaks open and confesses everything. Holly offers absolution through surrender and the words she uses are the same words the organization uses.

Selene stops it. She’s the only one in the corridor who can see that liberation has been scripted just as carefully as compliance, and she pulls Sarah out before the rite completes. Holly stays. She’s decided she’ll be the perfect vessel, and she says it like it’s a revelation she arrived at herself.

The Chthonic arc is all about the architecture of belief, how faith and programming occupy the same neural real estate.  Tessellated is where that interest becomes structural. The surveillance deck and the lower corridors are running parallel operations with identical mechanics: Nikki receives gold stars and calls it spiritual growth, Holly performs naditu rites and calls it resistance, and neither of them is wrong.

A tessellation is a pattern that covers a surface completely without gaps or overlaps, each piece fitting against the next so precisely that the seams disappear. That’s what the Chthonic has built. Not a prison with walls but a pattern with no outside. Holly thinks she’s found the edge; She’s found another tile.

Selene is the episode’s moral center not because she has better information but because she’s the only character who insists that choice must survive even when it’s compromised. That’s a harder position than surrender and a harder position than resistance. It’s the position the series keeps returning to: the maze is real, the programming is real, and you still have to walk.

The poster image for this arc was created by Echo Doll, under a creative collaboration with Neural Nets and Pretty Patterns.

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The manipulative elements depicted are fictional and intentional. Tessellated contains ritualistic horror, adult themes, and dystopian power geometries. All performances are works of fiction and take place within a consensual creative context.

ISNI 0000 0005 2877 6254

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The veil lifts, and the ceremony deepens. A garter coils and slithers.

Welcome to Episode 6 of Deep Dream State, where the rituals no longer pretend.

Sarah follows a mysterious note into the stone corridors beneath the Chthonic complex, believing she is close to uncovering the truth behind the Institute’s rituals. She is met instead by Nikki and Fion, two insiders who claim to be acting on her behalf. They warn that her investigation has gone too far, that every riddle she has chased was planted to lure her deeper.

They offer her a glowing book hidden in the vault. A vaccine, they call it. A controlled dose of the power she has been chasing. Reluctant but intrigued, Sarah agrees to read a single page. The words seem harmless at first. The air shifts as if they carry intent.

What begins as an intervention becomes a conversion. Nikki and Fion fall into unison. The chamber becomes a mirror of the Chthonic’s larger seduction: clarity disguised as surrender, safety offered through submission. By the time Sarah kneels before the text she can no longer tell whether she is uncovering a secret or becoming one.

The spell breaks with Holly and Selene’s intervention, exposing the exploitation behind the ritual and revealing that the Chthonic’s dream technology is real and spreading. What seemed like a private awakening has been a performance staged for power and profit.

Garter stands as one of Deep Dream State‘s most haunting chapters. Intimacy becomes a conduit for control, and resistance takes the form of reclaiming one’s own mind. The episode closes with a reminder that in the Chthonic’s labyrinth, even freedom may be scripted.

Ship’s Crew

Guests

Deep Dream State is written, produced, and directed by Neural Nets and Pretty Patterns. Sound design, editing, and scoring by Neural Nets and Pretty Patterns.

New productions and the full catalog are available through Patreon. Your support sustains independent audio drama and the ongoing expansion of the Neuralverse.

This episode contains adult themes and ritualistic horror. Intended for mature audiences only.  This is a work of fiction, not a guide to real life phenomenona.

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This world’s an illusion.  You just need it washed away.

Amanda and Brittany surface from a shower neither of them turned on, finishing each other’s sentences about a dream they both had. Below decks, the crew watches and crosses them off the list. What the entity wants is a mind that still resists and Sara and Kara have been resisting all voyage.

Written & Produced by: Neural Nets and Pretty Patterns

Ship’s Crew

Guests

Deep Dream State uses an index system to give you more information about the show. We strive for clarity. /sincere

Each episode has a Global ID — its position in the Deep Dream State chronological sequence. Simple count. That’s the number you’d see on IMDb or in the MusicBrainz catalogue. It also corresponds to the episode numbering in the RSS feed and podcast apps — when Apple Podcasts or Spotify show you a number, that’s the Global ID.

Each episode also has a Local ID, which includes:

This episode is #5. That’s the Global ID.

This episode is also A1C3E5. It’s in the Chthonic arc (Arc 1), the Cloud Cycle (Cycle 3). It’s episode 5 within that arc.

If you find the archive system confusing, you can just refer to the Global Number and it’ll be fine.

Somewhere below decks, Amanda and Brittany are sharing a shower neither of them remembers turning on. The crew watches on monitors and evaluates. What the entity they serve actually wants is a mind that still pushes back, and Sara and Kara have spent the entire voyage doing exactly that in the ship’s library, chasing whale prophecies and binding rites down a trail the crew planted for them. A hidden note sends Sara deeper into the ship alone. Kara stays behind with a knife and a deadline and the growing suspicion that following the breadcrumbs and walking into the trap are the same thing.

Shower opens in the Chthonic’s surveillance room, where Captain Dyer and her senior crew are reviewing the progress of a passenger named Emma. She’s been through multiple cycles of adjustment, and she still isn’t what they need. She hesitated. In the world the Chthonic’s crew are building, hesitation is disqualifying. The conversation between Dyer, Alistair, Olivia, and Holly is the language of people running a program rather than a cruise. What emerges from it is the outline of something with serious infrastructure behind it: trials, wipes, cycles, and a very specific end goal that Emma’s softness has put at risk.

Below decks, two other passengers are having a different kind of morning. Amanda was the responsible one in her social group, the woman who kept the sorority from burning down, and now she can’t string two thoughts together without giggling. Brittany describes the feeling as pink fog, and Amanda finds she can’t argue. Their conversation loops and doubles, sentences finishing in unison, memories failing to reconstruct. The shower in their cabin is already running when they notice it, and neither of them turned it on. They work out slowly that they dreamed it at the same time: standing under the water while something hummed through everything. They’ve always heard it, they agree. They’re not suffering and that’s precisely what makes it frightening.

Back in the surveillance room, Dyer and Alistair watch Amanda and Brittany on the monitors and write them off as too far gone to be useful. Holly tells them that the entity the entire operation is designed to serve doesn’t want empty vessels. She knows because she hears it when she’s the offering. What it wants is something left to corrupt: resistance, consciousness, the specific quality of a mind that hasn’t yet surrendered. Amanda and Brittany are kept aboard as warnings rather than candidates, while the crew turns its attention to Sara and Kara, who have spent the voyage chasing every strange thing they’ve noticed and getting closer to the truth than the crew expected.

Sara and Kara have independently arrived at the same conclusion from different directions. Every coastal mythology they can find points toward the same structure: brides of the sea, offerings to the deep, binding rites that appear from Norse tradition to Polynesian sacred sites. A text called The Binding of Waters names it directly, referencing a bride, a vessel, and an entity it calls the Old Groom. The hundreds of whales circling the ship outside with no feeding pattern and no migration logic match the prophecy exactly. What Sara and Kara believe is an investigation is the final stage of their own selection. Their compulsion to understand, their refusal to stop pulling at the thread: these are the exact qualities that made the crew plant the trail for them in the first place.

When a handwritten note falls out of one of the archive books directing Sara toward a secondary archive elsewhere on the ship, Kara calls it immediately: it’s a trap, horror trope central, hard pass. Sara goes anyway because knowing less at this point feels worse than the risk. They split up, Sara heading deeper into the Chthonic’s interior while Kara waits in the library with a knife and a thirty minute deadline. Shower ends there, not with a revelation but with a door opening further in, Sara walking toward whatever the Old Groom has been patient enough to wait for, and Kara alone in the library with the realization that understanding a trap and escaping it are not the same thing.

Neural Nets and Pretty Patterns — IPI: 01346215566 | IPI: 01346215468

Series artwork for this arc was created by Echo Doll in collaboration with Neural Nets and Pretty Patterns. Deep Dream State uses human art at every stage of the creative supply chain.

Adult production. Cosmic horror, erotic content, ritual transformation, devotional surrender, boundary dissolution, encounters with ancient non-human entities.

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. All performances are scripted works of fiction in which consent is clearly stated. ISNI 0000 0005 2877 6254

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There is a world behind this world. You just need to look in the mirror.

The ceremony is not for any human bride. The midnight rite binds flesh and will in a covenant older than the ship or the civilization that built it. Emma stands at the altar, and the abyss has been waiting.

Written & Produced by: Neural Nets and Pretty Patterns

Ship’s Crew

Guests

Deep Dream State uses an index system to give you more information about the show. We strive for clarity. /sincere

Each episode has a Global ID — its position in the Deep Dream State chronological sequence. Simple count. That’s the number you’d see on IMDb or in the MusicBrainz catalogue. It also corresponds to the episode numbering in the RSS feed and podcast apps — when Apple Podcasts or Spotify show you a number, that’s the Global ID.

Each episode also has a Local ID, which includes:

This episode is #4. That’s the Global ID.

This episode is also A1C2E4. It’s in the Chthonic arc (Arc 1), the Ceremony Cycle (Cycle 2). It’s episode 4 within that arc.

If you find the archive system confusing, you can just refer to the Global Number and it’ll be fine.

Asunder unfolds at the height of the Chthonic cruise. The passengers are summoned to a midnight ceremony led by Captain Dyer and Olivia, the ship’s Cruise Director. The bride Emma stands trembling on the threshold of the ship’s altar, surrounded by bridesmaids who chant in voices no longer entirely their own.

The sea answers, and the wedding march becomes an invocation.

The crew call down forces from beneath the waves, binding flesh and will in a rite older than the ship or the civilization that built it. Tentacles, hymns, and deep harmonics mingle as devotion gives way to something that hasn’t got a human word at all.

Olivia and Holly guide the ritual with unsettling precision while Kara, a supernatural guest, warns of what lies deeper than the ceremony itself. Their exchange exposes the fault line the episode’s been building toward: a struggle between those who’d claim the abyss and those who’d dissolve within it. The Captain preaches that the old order’s made of sand. What rises from the deep obeys older laws entirely, and the crew respond in ecstatic unison.

Emma accepts the abyss within her, renouncing the boundaries of self for something vast and ancient and patient.

Within the Neuralverse, Asunder is a pivotal revelation. It exposes the dystopian vision at the heart of Deep Dream State and foreshadows the darker architectures of Incognitoh and Sitri Center. Every subsequent arc carries its fingerprints: ancient covenant, ecstatic surrender, the moment human ambition meets something that was never human at all.

Neural Nets and Pretty Patterns — IPI: 01346215566 | IPI: 01346215468

Series artwork for this arc was created by Echo Doll in collaboration with Neural Nets and Pretty Patterns. Deep Dream State uses human art at every stage of the creative supply chain.

Adult production. Cosmic horror, ritual transformation, devotional surrender, encounters with ancient non-human entities.

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. All performances are scripted works of fiction in which consent is clearly stated. ISNI 0000 0005 2877 6254

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The tide is rising. And shame makes a sound.

Mairead’s gambling debt has come due, and the Chthonic’s leadership has been watching the whole time. The captain’s mast isn’t just a disciplinary hearing. It’s a recruitment. Mairead gets her assignment and her uniform and her smile, and the bachelorette party decides karaoke is a crime against humanity and makes a break for it. The question’s always – what are they escaping INTO?

NNPP | Spotify | iHeart | IMDb | Listen Notes

Written & Produced by: Neural Nets and Pretty Patterns

Ship’s Crew

Guests

Deep Dream State uses an index system to give you more information about the show. We strive for clarity. /sincere

Each episode has a Global ID — its position in the Deep Dream State chronological sequence. Simple count. That’s the number you’d see on IMDb or in the MusicBrainz catalogue. It also corresponds to the episode numbering in the RSS feed and podcast apps — when Apple Podcasts or Spotify show you a number, that’s the Global ID.

Each episode also has a Local ID, which includes:

This episode is #2. That’s the Global ID.

This episode is also A1C1E2. It’s in the Chthonic arc (Arc 1), the Maiden Cycle (Cycle 1). It’s episode 2 within that arc.

If you find the archive system confusing, you can just refer to the Global Number and it’ll be fine.

Maiden Voyage established that the ship is running a conspiracy. Cringetide shows how it sustains itself: through debt, surveillance, and the specific leverage that comes from watching someone in a moment they believed was private. The captain’s mast isn’t punitive. It’s onboarding. Mairead isn’t being punished for her indiscretions. She’s being converted into an asset, which is what the Chthonic does with every vulnerability it documents.

Fion’s opening confrontation is the episode’s most honest scene and its most painful. She names everything accurately – the addiction, the debt, the pattern. None of it changes anything. Mairead knows Fion is right. The system knows it too, and it has already factored in the part where people who know they have a problem still can’t stop. That’s not a flaw in the design. That’s the design.

Emma, Kara, and Sarah watching the Yo Ho Hos perform while the machinery of the ship closes around everyone. The comedy isn’t relief. It’s the tide coming in.

Fion walks in on Mairead onboarding Nikki at the spa and immediately detonates. The argument covers everything: the gambling debt, the lying, the pattern of dragging Fion into situations she didn’t choose, and the specific indignity of being broke in Alaska. Nikki absorbs this with the composure of someone taking useful notes. When Fion leaves, Nikki offers what she has: she hears things, nobody notices the maid, and she knows which of Alistair’s arrangements cost money and which ones don’t. The conversation is interrupted by Alistair and Holly arriving for their three o’clock.

Alistair’s session with Mairead and Nikki establishes the terms of Mairead’s debt repayment with the brisk efficiency of someone who has run this accounting before. He documents everything. He makes Mairead say what she needs. He puts the embarrassing moment on the big screen. Holly assists with the precision of a partner who knows her role in the operation. Olivia interrupts and removes Mairead from the room.

The captain’s mast is where the episode turns. The Chthonic has been recording everything – the spa, the arrangements, all of it – and the contract Mairead signed covers surveillance in any area of the ship including workstations. The captain isn’t interested in firing her. He’s interested in the excursion leaving tomorrow.

Mairead’s assignment is simple: guide the passengers and make sure they don’t find the things they’re not supposed to find. In exchange, the indiscretions disappear. Mairead agrees.

Olivia tells her to fix her attitude and get in uniform. It’s showtime.

Showtime is karaoke. Olivia introduces Mairead to the assembled passengers as May May, which Mairead visibly hates, and Mairead delivers an archaeological briefing about the Tunngavik site with the energy of someone who has just had the worst afternoon of her life. Olivia takes the mic back before she can finish. The Yo Ho Hos perform a pirate-themed number for Emma’s bachelorette party while Emma, Kara, and Sarah watch from the back of the room with increasing desperation. Kara knows a place. They leave.

Neural Nets and Pretty Patterns — IPI: 01346215566 | IPI: 01346215468

Series artwork for this arc was created by Echo Doll in collaboration with Neural Nets and Pretty Patterns. Deep Dream State uses human art at every stage of the creative supply chain.

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The elements depicted are fictional and intentional. All performances are works of fiction and take place within a consensual creative context. ISNI 0000 0005 2877 6254

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The Chthonic sets sail. And the sea does not forget.

The luxury cruise ship Chthonic embarks on a voyage overseen by the Dagon Dream Group. As passengers settle into their cabins and experience disturbing dreams, the ship’s leadership begins orchestrating something far more sinister. Behind the scenes, the captain and his associates identify vulnerable travelers and set a methodical plan in motion. What appears to be a luxury getaway conceals a coordinated conspiracy with mysterious depths.

Written & Produced by: Neural Nets and Pretty Patterns

Ship’s Crew

Guests

Deep Dream State uses an index system to give you more information about the show. We strive for clarity. /sincere

Each episode has a Global ID — its position in the Deep Dream State chronological sequence. Simple count. That’s the number you’d see on IMDb or in the MusicBrainz catalogue. It also corresponds to the episode numbering in the RSS feed and podcast apps — when Apple Podcasts or Spotify show you a number, that’s the Global ID.

Each episode also has a Local ID, which includes:

This episode is #1. That’s the Global ID.

This episode is also A1C1E1. It’s in the Chthonic arc (Arc 1), the Maiden Cycle (Cycle 1). It’s episode 1 within that arc.

If you find the archive system confusing, you can just refer to the Global Number and it’ll be fine.

The cruise begins with Cruise Director Olivia Naylor greeting passengers and outlining the itinerary under the Dagon Dream Group banner. She promotes nightly bells, a wellness center managed by Mairead, and the Dagon app controlled by crew member Nikita. Captain Will Dyer, Chief Engineer Fion Morgan, and Chief Purser Selene round out the leadership presented to guests. The atmosphere appears welcoming and professionally managed.

In their cabin, bachelorette party guests Emma, Tiffany, Brittany, Kara, and Sarah share unsettling nocturnal experiences. Strange sounds come through the ship’s walls, and their collective nightmares involve tentacles and the sensation of being observed. When Captain Dyer and Olivia briefly check on them, the passengers mention nothing specific, and the leadership departs without investigation.

Behind closed doors, the captain confronts Olivia with explicit demands for absolute obedience tied to the tank and entities called the Old Ones, specifically invoking Abyssrath. Olivia submits without resistance. Later, Alistair Howell, owner of Neuroplex and the ship’s true architect, uses Olivia for control exercises and instructs her to identify new targets. Crew members Nikita, Mairead, and Fion witness the ship’s darker reality. Selene reveals that she has worked such vessels before and that formal complaints are deliberately ignored. She performs a cryptic shanty referencing judgment from the waters.

A casino night attracts Mairead, who is financially desperate and mathematically convinced she can gain advantage through high-stakes poker. She loses to Alistair and accumulates debt. Captain Dyer reviews surveillance footage and identifies Mairead as the ideal mark: vulnerable, broke, and isolated. Olivia agrees to leverage the ship’s systems, the nightly bell, and the Dagon app as tools for entrapment. The episode closes with the machine set in motion to deliver Mairead into the hands of those orchestrating the voyage.

Neural Nets and Pretty Patterns — IPI: 01346215566 | IPI: 01346215468

Series artwork for this arc was created by Echo Doll in collaboration with Neural Nets and Pretty Patterns. Deep Dream State uses human art at every stage of the creative supply chain.

Cosmic horror, eldritch entities, ritual, surveillance, adult themes, dream manipulation.

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The elements depicted are fictional and intentional. Maiden Voyage contains cosmic horror, ritual content, surveillance themes, and adult themes. All performances are works of fiction and take place within a consensual creative context.

ISNI 0000 0005 2877 6254

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