deep electronic music

deep electronic music

By gaya kloudMusic
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deep electronic music episodes

  • Superkessel 2018 - ambient edition
    In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

    Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

    And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:
    www.minmon.de/category/base/dates/
    And - I really appreciate feedback on my mixes!

    Thanks!

    Thanks!
    1 hr 20 min
  • gaya kloud in the mix - D&B 2018 Vol. II
    In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

    Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

    And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:
    www.minmon.de/category/base/dates/
    And - I really appreciate feedback on my mixes!

    Thanks!

    Thanks!
    1 hr 2 min
  • gaya kloud - Noch 1 Seebär auf der Havel - 26.05.2018
    In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

    Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

    And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:
    www.minmon.de/category/base/dates/
    And - I really appreciate feedback on my mixes!

    Thanks!

    Thanks!
    3 hr 9 min
  • gaya kloud in the mix live at 1st of May, Open Air Borkheide
    In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

    Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

    And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:
    www.minmon.de/category/base/dates/
    And - I really appreciate feedback on my mixes!

    Thanks!

    Thanks!
    1 hr 3 min
  • gaya kloud in the mix - live at Einstürzende Altbauten Potsdam 14.04.2018
    In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

    Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

    And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:
    www.minmon.de/category/base/dates/
    And - I really appreciate feedback on my mixes!

    Thanks!

    Thanks!
    3 hr 22 min
  • gaya kloud in the mix - April 2018
    In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

    Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

    And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:
    www.minmon.de/category/base/dates/
    And - I really appreciate feedback on my mixes!

    Thanks!

    Thanks!
    2 hr 7 min
  • Gaya Klound in the mix - March 2018
    In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

    Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

    And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:
    www.minmon.de/category/base/dates/
    And - I really appreciate feedback on my mixes!

    Thanks!

    Thanks!
    1 hr 15 min
  • gaya kloud in the mix - D&B special 2018
    In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

    Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

    And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:
    www.minmon.de/category/base/dates/
    And - I really appreciate feedback on my mixes!

    Thanks!

    Thanks!
    1 hr 5 min

About deep electronic music

From the publisher's feed

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.