deep electronic music

Mir war mal so...

D&B, aus den frühen 2000'ern, so wie ich ihn sehr mochte. Viel von LTJ und Big Bud natürlich, meinen Helden...

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

Seit mehr als einem Jahr die erste Party im La Leander, wo ich das erste Mal 1999 spielen durfte. Es war ein wahres Fest, zeitweise viel zu voll für den kleinen Raum und die vielen Quietschenden. Gespielt habe ich insbesondere zum Ende hin doch sehr klassischen House und Technotrax und die eins, zwei "Leander Hits" aus vergangenen Tagen. Es war mir eine Freude! Hier ein "kleiner" Ausschnitt...

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!