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You cannot kiss an idea, cannot touch it, or hold it. Ideas do not bleed, they do not feel pain, they do not love...

The (relatively) recent news that Stephen Colbert's show was cancelled put Emily in mind of the fate of Stephen Fry's character Gordon Dietrich in the 2005 film V for Vendetta, which is why she decided to revisit this pop culture mashup that took Alan Moore's graphic novel response to 1980s Thatcherism and updated it with early 2000s American angst over Bush-era government overreach.

The result, written by the Wachowski sisters and directed by their protege, James McTeigue, in his directorial debut, offers hope through beautiful storytelling, empowering feminism (even if the film doesn't exactly pass the Bechdel Test), and a partial breakdown of the psychology of fascism. Moore, who famously hates every adaptation of his work, specifically hates this film because it makes the fascist Norse Fire government look stable, when part of his cultural commentary in the original graphic novel was pointing out the inherent instability of authoritarianism. Rewatching this classic film in the current social environment did reinforce Moore's point to Emily, considering how generally competent everyone in the government appears to be in this movie.

Still, the message of hope and resilience in V for Vendetta is a welcome one, even if the pop culture revolution isn't exactly like the real world.

Verily, this vichyssoise of verbiage veers most verbose, so why not throw on your headphones and listen to the episode?

Content warning: Mentions of torture, attempted sexual assault, and pedophilia

Mentioned in this episode:

Dominic Noble Lost in Adaptation V for Vendetta

This episode was edited by Resonate Recordings.

Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus episodes, video versions, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls

We are Tracie Guy-Decker and Emily Guy Birken, known to our family as the Guy Girls.

We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com

We're hella smart and completely unashamed of our overthinking prowess. We love movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, and analyzing pop culture for gender dynamics, psychology, sociology, and whatever else we find.

Send us a text

Hockety pockety wockety wack! Odds and ends and bric-a-brac!

In revisiting this classic Disney animation from 1963, Tracie found that the charm she remembered from her childhood wasn't nearly as charming this time around. While the comedy of Merlin, Archimedes the Owl, and Arthur (known as the Wart) was still humorous, the film feels more like a series of unconnected events rather than any kind of storytelling. The only named woman in the story is Madam Mim--although looking for feminism in any kids movies from the 1960s, animation or otherwise, may be a fool's errand--but at least she's a wonderfully subversive pop culture witch who is fun to watch. But the oddest thing about the film is Merlin's ineffectiveness as a teacher. His instruction does nothing to help Arthur pull the sword from the stone. In fact, the wizard is a terrible and irresponsible tutor.

Even with these uncomfortable realizations, there's much to admire. Even though The Sword in the Stone was made during Disney's low period, the animation is lovely and there are several parts that made Tracie laugh out loud. Just make sure that's really a squirrel before you fall head over heels in love with him!

To and fro, stop and go, listening to podcasts makes the world go round!

Mentioned in this episode:

https://disnerdmoviechallenge.com/blog/review-the-sword-in-the-stone-dmc-38

This episode was edited by Resonate Recordings.

Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus episodes, video versions, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls

We are Tracie Guy-Decker and Emily Guy Birken, known to our family as the Guy Girls.

We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com

We're hella smart and completely unashamed of our overthinking prowess. We love movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, and analyzing pop culture for gender dynamics, psychology, sociology, and whatever else we find.

Send us a text

"To die would be a grand adventure!"

Emily is delighted to welcome her dear childhood friend--and lifelong Peter Pan enthusiast--Jenn Book Haselswerdt to the podcast this week to discuss Steven Spielberg's 1991 film Hook. Although this fantasy film suffers from a lack of editing as well as some lazy 90s pop culture stereotypes regarding fatphobia and distracted dads, Jenn explains how magical it felt to see this love letter to Peter Pan in the theater as a child.

While the storytelling gives Peter a number of strange opportunities for romance (which is partially a vestige of J.M. Barrie's personal antipathy to romance and his period-typical view of women as jealous), Jenn finds some delightful feminism in the film, especially in the form of Peter's daughter Maggie. The 7-year-old girl never backs down, even in the face of Dustin Hoffman's campy turn as the evil Captain Hook.

Jenn and the Guy sisters also talk about the deeper meaning the Neverland myth, considering the fact that Peter Pan was based on Barrie's deceased brother who never had a chance to grow up. Together, they wonder why pop culture has embraced the concept of a boy who never grows up and what it means to be a child who is never and adult, as in the original story, and an adult who was never a child, as Robin Williams' Peter Banning is at the beginning of this film.

Your adventures aren't over! To listen...to listen to this episode would be an awfully big adventure!

You can find Jenn on Instagram at https://www.instagram.com/sunbonnet_sue_is_tired/

We are Tracie Guy-Decker and Emily Guy Birken, known to our family as the Guy Girls.

We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com

We're hella smart and completely unashamed of our overthinking prowess. We love movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, and analyzing pop culture for gender dynamics, psychology, sociology, and whatever else we find.

Send us a text

Though it's now consistently named #1 on IMDB's top 250 list of classic movies, Frank Darabont's 1994 film The Shawshank Redemption started out as a commercial flop with no pop culture cache. It's understandable why Shawshank struggled to find its audience: there's no romance or women, the storytelling is slow with anything resembling action occurring in the final 30 minutes, and nearly the entire film takes place within the walls of a prison. But just as the story takes its time to explore the psychology of Andy Dufresne, the innocent banker who refuses to let the brutality of prison break his spirit, the film itself took its time to find that audiences appreciated its message of hope, resilience, and redemption.

In this episode, Emily never once utters the phrase "shenanigans ensue" about this gorgeous film. She and Tracie unpack the cognitive dissonance of this film topping Americans' list of favorites even while our country's prison system continues to institutionalize men like Red, Brooks, and Andy and discuss the Christian allegories within the film that they may have missed, as nice Jewish girls. The sisters also discuss the rarity of watching male friendship on screen and how Andy's view of money resonated with Emily even before she became a financial writer.

I guess it comes down to a simple choice, really. Get busy listening on your headphones or get busy listening on your bluetooth speaker.

Content warning: Discussion of sexual assault and physical and emotional abuse

Mentioned in this episode:

Why ‘The Shawshank Redemption’ is the best movie about investing ever made

We are Tracie Guy-Decker and Emily Guy Birken, known to our family as the Guy Girls.

We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com

We're hella smart and completely unashamed of our overthinking prowess. We love movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, and analyzing pop culture for gender dynamics, psychology, sociology, and whatever else we find.

Send us a text

I have my eyes... I have my cunning... and I have my strength.

This obscure sword-and-sorcery fantasy film from the early 1980s was a staple of the Guy sisters' formative pop culture years because it was on regular rotation on HBO (which people jokingly claimed stood for "Hey! Beastmaster's on!"). This week, Tracie delves back into the bizarre five act storytelling choices that animate the journey of Marc Singer's Dar, a prince stolen from his mother's womb by an evil priest--played by Rip Torn in a prosthetic nose--who is telepathically connected to animals. 

The Guy girls remembered Dar's animal companions with fondness, especially his little ferret friends, and the over-the-top level of male nudity (it was a lot even for the early 1980s) was certainly, ahem, interesting in ways Tracie and Emily couldn't articulate as small children, but the movie offers some ugly cultural commentary about race, women, romance, consent, and sexuality, not to mention the film's covert reference to blood libel in Rip Torn's big-nosed child-sacrificing religious leader. The Beastmaster also weirdly subverts storytelling expectations by continuing past the third act, making a relatively short film feel way too long. Still, there are many pretty people, cool animals, and fascinating storytelling details to admire in this forgotten 80s cult favorite.

No need for bat-people hearing. Just put on your headphones and listen in!

This episode was edited by Resonate Recordings.

Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus episodes, video versions, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls

We are Tracie Guy-Decker and Emily Guy Birken, known to our family as the Guy Girls.

We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com

We're hella smart and completely unashamed of our overthinking prowess. We love movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, and analyzing pop culture for gender dynamics, psychology, sociology, and whatever else we find.

Send us a text

Draw me like one of your French girls...

This week, Emily finally introduces Tracie to the pop culture juggernaut Titanic, which the elder Guy sister somehow completely missed. Even in 1997, Emily appreciated how the spectacle, costumes, special effects, and even the storytelling serve writer and director James Cameron's purpose, because the rich girl/poor boy romance allows us to see the entire ship. 

But Cameron's purpose doesn't seem to amount to anything more than "this is a thing that happened." Like Cameron's occasional pop culture examination of social class, feminism, and mental health within the 3+ hour runtime, the film shows us things that happened with no moral, thesis, or commentary. Which is why Emily appreciates a fan theory that Jack is actually a trans man. This puts a different spin on the relationship, turning Jack from a Manic Pixie Dream Boy who is practically perfect to a kindred spirit who understands being trapped by society.

No matter your opinion about Jack's ability to fit on that door, throw on your headphones and take a listen!

This episode was edited by Resonate Recordings.

Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus episodes, video versions, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls

We are Tracie Guy-Decker and Emily Guy Birken, known to our family as the Guy Girls.

We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com

We're hella smart and completely unashamed of our overthinking prowess. We love movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, and analyzing pop culture for gender dynamics, psychology, sociology, and whatever else we find.

Send us a text

It was a run-by fruiting!

Revisiting the beloved 1993 Robin Williams film Mrs. Doubtfire this week was a reminder to Tracie that you can never go home again. Though she was expecting some early nineties transphobia (and was mostly pleased at its absence), she was horrified to realize the film's plot relied on a kind of men's rights activist feminist backlash, where every woman and girl in the movie represented a different feminist stereotype, from the humorless social worker to the ball-busting workaholic wife. Tracie had also forgotten how much of the film's humor came from cringe comedy, which both Guy sisters find unbearably painful, making the rewatch more of a squirm-fest than she anticipated. There are still some sweet moments and genuine humor underneath the regressive hijinks and heavy makeup--just recognize how deep you might have to dig for them.

Carpe podcast. Seize the headphones and take a listen!

This episode was edited by Resonate Recordings.

Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus episodes, video versions, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls

We are Tracie Guy-Decker and Emily Guy Birken, known to our family as the Guy Girls.

We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com

We're hella smart and completely unashamed of our overthinking prowess. We love movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, and analyzing pop culture for gender dynamics, psychology, sociology, and whatever else we find.

Send us a text

Two things I love to do: fight and kiss boys!

This week, Emily revisits another of the silly Pygmalion movies from the Guy girls' childhood: Michael Gottlieb's 1987 film Mannequin, starring Kim Cattrall, Meshach Taylor, and Andrew McCarthy. While the story of an underemployed Philadelphia artist who falls in love with a department store mannequin is as insubstantial as dandelion fluff, the film slipped some delightfully subversive and progressive gay representation into the movie with the character of Hollywood Montrose, played to flamboyant-but-fleshed-out perfection by Meshach Taylor. Not only is this one of the few movies of the era to allow a gay character to have a romantic and sexual life (off-screen, unfortunately), but Gottlieb's script allows Hollywood to be a hero, friend, and integral part of the plot of the film. Additionally, the scene where Hollywood holds off the police-coded bad guys using a firehose is both hilarious and historically powerful, making it even more impactful by being included in an unserious romcom.

Be careful! If you stand very still while you listen, someone might think you're a mannequin.

Mentioned in this episode:

Hollywood Montrose: Mannequin's Gay Hero

https://www.rogerebert.com/reviews/mannequin-1987

This episode was edited by Resonate Recordings.

Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus episodes, video versions, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls

We are Tracie Guy-Decker and Emily Guy Birken, known to our family as the Guy Girls.

We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com

We're hella smart and completely unashamed of our overthinking prowess. We love movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, and analyzing pop culture for gender dynamics, psychology, sociology, and whatever else we find.

Send us a text

So, what would you little maniacs like to do first?

This week, Tracie takes a deep dive into Weird Science: yet another of the John Hughes movies that helped to define Gen X pop culture. This 1985 teen comedy is a modern retelling of Pygmalion, the Greek myth that finds a sculptor falling in love with his artwork that comes to life. Except in this version, Anthony Michael Hall's Gary and Ilan Mitchell-Smith's Wyatt create Lisa (played by Kelly LeBrock) via Memotech MTX 512 microcomputer, because 1980s movies taught us computers are magic.

While Tracie was pleased to find the raunchy comedy isn't as bad as she expected—Lisa, as a benevolent agent of chaos, has more agency than anyone else, which is a definite improvement over Galatea in the original Greek myth and Eliza Doolittle in My Fair Lady—the movie struggles to universally apply the message that you don't have to change to be worthy of love. And like many movies continue to do in 2025, Weird Science treats Gary and Wyatt's teenage love interests as prizes to be won. 

On the bright side, now we know that computers can't magic Kelly LeBrock from the ether.

No need to wear a bra on your head. Just some headphones will do.

This episode was edited by Resonate Recordings.

Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus episodes, video versions, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls

We are Tracie Guy-Decker and Emily Guy Birken, known to our family as the Guy Girls.

We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com

We're hella smart and completely unashamed of our overthinking prowess. We love movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, and analyzing pop culture for gender dynamics, psychology, sociology, and whatever else we find.

Send us a text

Welcome to Earth.

The 1996 Roland Emmerich-helmed film Independence Day was one of the touchstone movies for Emily's generation, so her flabber was absolutely gasted to learn Tracie had never seen it until a few years ago. Just in time for the 4th of July, Emily walks Tracie through what made this movie such a monumental hit in the U.S. and abroad, despite its jingoistic American exceptionalism and skin-deep application of science fiction storytelling tropes. 

Both in 1996 and again in 2025, Emily appreciated feeling seen as an American Jew via the characters of David and Julius Levinson (played by Jeff Goldblum in his absolute prime and Judd Hirsch, respectively) and she loved the way German-born Emmerich celebrates America's diversity as our greatest strength. That celebration of diversity includes Emmerich's behind-the-scenes fight to have Will Smith in the lead role when the executives balked at a Black leading man. 

But this mashup of disaster and sci-fi movies also appeals to some ugly stereotypes Americans believe about the rest of the world while refusing to ask any deeper questions about how aliens or people would react to enormous, world-changing events.

Release…me…   by listening in to this episode!

Mentioned in this episode:

Space Opera by Catherynne Valente

This episode was edited by Resonate Recordings.

Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus episodes, video versions, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls

We are Tracie Guy-Decker and Emily Guy Birken, known to our family as the Guy Girls.

We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com

We're hella smart and completely unashamed of our overthinking prowess. We love movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, and analyzing pop culture for gender dynamics, psychology, sociology, and whatever else we find.