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Join Christian as he sits down with Professor Hakim and they dig into all things percussion, including his love of Zildjian cymbals. Widely acclaimed for his versatility, technological prowess and groove, Omar Hakim is one of the most successful drummers and session men of the past forty years.
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The Zildjian story spans two continents and four centuries, but at its essence, it is an American story. So the show begins with the story of Zildjian’s move to America, in the closing years of the 1920s. This old-but-new American company has only been operating a few weeks when the Great Depression hits, but Zildjian somehow manages to survive, and eventually, to prosper.
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Bill Bentley is the former A&R Director at Concord Music Group and Vice President of Warner Bros. Records. He has been a drummer, record store clerk, DJ, concert promoter, music producer, and record label publicist. Through it all he has been a writer; in 2007 he received the ASCAP Deems Taylor award.
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Bob Heil is a legendary sound and radio engineer most well known for creating the template for modern rock sound systems. He founded the company Heil Sound in 1966,which went on to create unique touring sound systems for bands such as The Grateful Dead and The Who.
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In this episode of DDiR, Christian has the privilege of chatting with someone who basically helped create the world of punk, post-punk, alternative rock before Year Zero in New York City. None other than Richard Lloyd, co-founder of the band Television and a spark that helped ignite the punk movement at CBGB's.
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Rock N Roll is fueling a new wave of musicals both on and off Broadway and one that caught our eye was the recent opening of 'Red Roses, Green Gold'. The musical is a comedic tale of a family looking to con its way to fortune in Maryland in the Twenties, featuring songs by Jerry Garcia and Robert Hunter. The characters have names like "The Candy Man" and "Bertha," and for added jam-band authenticity, Furthur and Dead & Co. keyboardist Jeff Chimenti was hired as musical director.
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Christian is in NYC to sit down and chat with renowned record collector and frontman of Endless Boogie, Paul Major. Paul is the focus of 'FEEL THE MUSIC: The Psychedelic Worlds of Paul Major' a new book chronicling his decades spent unearthing the rarest and strangest from the realms of lost heavy psych masterpieces, unheard private press loner folk jams, demented lounge artifacts and every other conceivable and inconceivable genre in between.
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'Keith Moon: The Real Me' explodes on the stage with the turmoil and excitement of the wildest drummer in rock and roll. A living legend during his lifetime, Keith Moon still stands as the pinnacle of rock-star extremism—both in life and music. The play explores the mind of Keith Moon, as he attempts to save himself from the unbearable burden of living up (or down) to his self-created legend of ‘Moon the Loon'.
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With permission to come aboard, Christian has embarked on a voyage with a man who was involved in running two of the biggest bands on the planet - Sam Cutler. Sam was tour manager for the Rolling Stones at some of their major gigs in the late sixties, including the infamous concert at Altamont. Appearing in the recent 'Long Strange Trip: The Untold Story of the Grateful Dead', Sam recounts times he had managing tours for the Grateful Dead .
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Christian gets in-depth with Dick Boak. Dick nearly lost his eyesight at the age of six and ever since, has concerned himself with visual details. He focused on drawing, woodworking, writing and music. In his teens, he self-published two booklets of poetry, immersed himself in technical drafting, and began to experiment with musical instrument design and construction
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