In very loose terms, James K's (@jamesk_1) music operates at the fringes of the pop world. It is experimental and industrial, packed with hooks and riddled with dreamy textures that show off her mastery of synths. She has released it in album form with Dial and Incenso, dropped EPs on AD 93 and collaborated with the likes of Drew McDowall and Stefan Maie, and always manages to imbue her adventurous arrangements with real-world emotions and anxieties. This year she will join us at Dekmantel Festival but not before serving up this week's podcast.

It's the sort of rhythmically thrilling workout that has always stood James apart: jittery drum patterns and kinetic grooves that unfold at 100 miles an hour as a barrage of caustic motifs, hypnagogic melodies and hyper-real colours all bounce about the mix. There is an ever-present sense of tension in the way things are assembled - it's as if they might implode or explode at any minute, and it all sounds fantastically futuristic.

Priori (@priori-ties) has always explored a wide range of techno from dense and introspective to more joyous, often against the backdrop of technological possibilities. He hails from Canada and has been prolific since first emerging with two full-lengths to his name on his own NAFF label. They pair dubby undercurrents with crystalline melodies and contain the sort of unresolved tensions that keep you locked in for the ride. This weekend he plays Dekmantel Naarm 2024 but first has served up this new mi for us.

Priori says this is the first dance mix he's done in a long time, adding "It's an hour and a half of fresh rhythms and rave sounds that I recorded while on tour in Australia. It features a few tracks I have been playing a lot lately and some forthcoming bits by myself and some friends." In just over 90 minutes he works through a rollercoaster of deep techno rhythms that are firmly focused on the future and flow as fluidly as water.

Mia Koden (@miakoden) first emerged as half of Sicaria Sound but since breaking out alone has established her own musical identity. It draws on her South Sudanese heritage and music from across the African continent and beyond, not least her current surroundings in South London and the city's rich sound system culture. Often operating around the 140BPM mark, she dropped two head-turning tracks ‘Hot Take' and 'I Did’ early last year then debuted on Ilian Tape with a dark and irresistible EP that traverses multiple bass-heavy genres.

Mia does the same with her mix for us this week with, in her words, "bass, percussive, 2step, 140BPM, dubstep, dub, dub techno and breaks" all coming thick and fast at up to 150 beats per minute. It's a breathless 90-minute selection of global body music packed with lively percussion, big on low ends and not afraid to get rhythmically inventive while also dropping in the odd playful vocal from the worlds of grime and r&b. Both technically sound and tastefully assembled, it's a thrilling statement from the vital Koden.

British-Nigerian-born, Berlin-based Richard Akingbehin (@richard-akingbehin) is behind many crucial projects in electronic music, and most of them revolve around his exploration of deep and dubby sounds. Not only is he a co-founder of the excellent Refuge Worldwide radio station, but he also runs the experimental label Kynant Record and has some key residencies when not headlining other cult clubs around the world. His label recently released the first new album from dub techno don Tikiman in almost 20 years and this summer the pair will be playing together again as part of a mini tour.

Ahead of joining us at Dekmantel Selectors later this year, Richard recorded this week's mix for us in the Refuge Worldwide studio with the aim of showcasing what he is playing in the clubs at the moment. It takes in his signature blend of dub techno styles with music from the likes of Parallel 9, Tikiman, Dialog and Delano Smith. It's spacious and unhurried but slowly ramps up the pressure to get you on your toes and vibing to his ever-warm, supple and minimal rhythms.

AGY3NA (@agy3na) draws on many different things when it comes to the music he plays and the messages he shares. There is an intersectionality to his identity as a gay black man growing up in Germany that informs everything he does from DJing to promoting parties. He has a background playing baritone and percussion, has a degree in psychology and a master's in cognitive science, and continues with academic research alongside his music pursuits which blend house, electro and Afrofuturism in all new ways. What underpins it all is his focus on feelings of freedom and playful rhythms from across many different genres and decades.

All that bares out across this week's mix which unravels over the course of 90 subtly uplifting minutes. It's a peaceful selection to start with where gentle rhythms and organic pads awaken the soul before vibe-fuelled house ups the energy levels. AGY3NA unobtrusive, efficient mixing style then works through Afro-centric grooves, broken beats, and worldly percussion which all bring vigour and vitality and leave you feeling high on life.

Dutch-born but Brussels-based Zeta Lys aka Lucia (@zetalys) has a club-ready sound that draws on a world of broken rhythms and heavy percussion. Her influential radio show at The Word Radio finds her head into all new genre pockets around the globe and she has previously stood out at our Dekmantel Selectors festival. Lucia also composes for film and video and techniques from both disciplines inform and inspire her work with the result being music that is rich in dynamic narrative and ever-evolving mood.

Her selection for us is prickly and fizzing with fresh rhythmic patterns. Static electricity, warped basslines and distorted synths bring great movement from the off as mutated and broken techno, dystopian jungle and deconstructed club rhythms all collide at great speed. It's an involving selection that combines many different worlds with great control, ramping up and then smoothing out the grooves at whim.

@animisticbeliefs bring energy and innovation in equal measure whenever they serve up one of their electrifying sets or thrilling tunes. They are most at home when on stage cooking up captivating mixes of IDM, club music and drum & bass with smart infusions of influences from South East Asia and a sense of spiritualism that sees all things as equal. Their productions have come on labels like Cultivated Electronics and Pinkman and always push technical and emotional boundaries.

The pair will be joining us at Dekmantel Festival 2024 in August and here offer up a teaser of what you might get: darkly involving moods, industrial textures and otherworldly timbres that are paired to a wide range of rhythms and tempos. There is a looseness to the set that keeps your body in constant motion while the details woven in between the beats keep your mind just as busy. From unusual instrumentation to foreign language vocals, this is an action-packed selection for peak-time dance floor fun.

Vlada (@playvlada) has been playing all over the globe since just 18 years of age. Russia-born but Berlin-based for many years now, her sound is defined by a long, winding mixing style and is built on hypnotic basslines that slowly but surely zone you out.

That very much comes out in this week's mix which initially locks you into a signature meditative pace but then builds with smart gear shifts and technical mixes. There are acid flashes to liven things up, bright synths spiraling around electrifying techno, broken beats to keep things moving then more stark industrial and metallic textures that place you at the heart of a strobe-lit and floor. It is another masterful mix full of must-find tunes from this ever more essential selector.

@sedefadasi's style is impossible to pin down. Embarking on her sonic journey, she fearlessly navigates her craft through a multifaceted universe of rhythms and genres, captivating dance floors with her everlasting groove and electrifying embrace. The best place to experience this rollercoaster is her own monthly HAMAM party at City club in Augsburg where she has invited plenty of international guests to join her. The Turkey-born, Germany-based artist is also a resident at Blitz Music Club and is set to join us at Dekmantel Selectors later in the summer, but first comes this week's podcast.

It launches in seductive fashion with the moonlit deep house of Chicagoan Ben 'Cosmo' D then cruises through smooth but punchy grooves that stay low and bring hints of old-school cool in the basslines, stabs and drum breaks. Adasi's shift through the gears is almost imperceptible here as the pace quickens and the drums grow more physical. That is a testament to not only her smart selections but also to her ability to thread together these sounds quite so seamlessly.

Not only is @theokottis joining our podcast series this week, but early next month he will join the label family too. His new Lighthouse EP is a perfect encapsulation of the Scotsman's style - house, techno and electro fusions with a knowing nod to the 90s and plenty of both physical and emotional impact. It's his first work since a "self-imposed creative reset" and comes after previous outings on the likes of Permanent Vacation and DGTL that have established the Space Dust label and party founder as someone who is as effective as he is unpretentious whether making or playing records.

His mix for us is inspired by recent gigs and is made up of tracks that were particularly well-received by the crowds. It's two hours of slick selections cross the house, techno and electro spectrum so, says Theo, "there's something for everyone to dance their way into 2024." And he's not wrong: this is exactly the sort of impossibly groovy soundtrack you want to warm you up and get you going with just the right balance between head and heel.