@poly-chain very much takes electronic much into the future. The Kyiv artist born Sasha Zakrevska uses IDM, electro, and techno as building blocks to construct her own eerie, intense, and atmospheric sound worlds that are as cinematic as they are physical. Her edgy melodies are inventive, and her machine rhythms are hugely distinctive. She has not only written solo albums but has composed for theatre and museums, collaborated with Nene H, and released charity albums for Ukraine as part of her ongoing musical resistance.

For this week's podcast, Poly Chain has sent us the recording of the very special live show she played at Dekmantel Festival this summer. It is an absorbing hour of beatless sound that will move you as much as any drum track. There are storytelling chapters to the set that takes you from darkened underworlds to starry cosmic expanses as the moods go from reflective and calming to more intense and unsettling. It is very much the sound of tomorrow, today.

@le-motel is a film composer, graphic designer and producer who draws on his worldly travels to make richly immersive music. It comes detailed with field recordings from remote locations, visual cues from his design work and a mix of the organic and the synthetic and has mixed up everything from jazz to juke, techno to hip hop. As well as running Maloca Records he has picked up props from Gilles Peterson for an album for New Zealand’s Cosmic Composition, has collaborated with Fuzati on Ombrage Éditions went solo into a breaks, bass and grime fusion on YUKU in summer.

Now the Kiosk Radio resident arrives in our podcast series with 60 minutes of earth-quaking global rhythms. The tempos are slow to start with but the impact is heavy from off. Lithe minimal drums fizz with dystopian energy and evolve from deep and dubby to broken and intense as Le Motel ramps up the pressure and keeps your body moving in ways only he can.

@loekfrey is a name that now sits up there with some of the most exciting talents to have emerged from the Dutch scene in recent times. It's his unique blend of IDM, techno, breakbeat and drum & bass that has turned so many heads, not least with his Decipher album on home label Omen Wapta which was a widescreen soundscape of varying intensities and tempos. His ability to veer from the intricate and experimental to the hallucinatory and vibrant is second to none as he proves with his mix for us this week.

It is a special one that is fully live and made up entirely of his own productions so makes for a perfect window into his world. Inside you will find 60 atmospheric minutes that soon immerse you in cinematic cosmic ambiance and hurried minimal rhythms embellished with ghoulish voices and dark undertones that unite both body and mind. It's a sleek and linear journey defined by the constant presence of a supple and pulsing bassline that transports you to distant future worlds in style.

As the updated old saying might go, life is like a Lydo set - you never know what you're gunna get. This New York City-based interdisciplinary artist has plenty of tricks up their sleeve and a real love of mixing up genres in ways you wouldn't think possible. They have done so across Europe and North America and have a hardcore following at home where they run the legendary X-TRA.SERVICES. It makes regular seasonal appearances at BASEMENT, where LYDO (@lydole) is also a resident, and is a safe place to party for queer, trans, and non-binary people of colour.

LYDO's selections for us this week blow open the usual boundaries of techno. It's a mix of contrasts, where barrages of noise and malfunctioning machines are lit up by the most gorgeous melodies. Thumping and heavy rhythms are offset by wispy and light-emitting synth leads as energy levels are masterfully controlled. They build to moments of real intensity before being boiled down to pent-up promise and heads-down grooves. Somehow these sounds are both retro yet future, animalistic yet human, and they are proof that LYDO is a standout contemporary talent.

Benedikt Frey (@freybenedikt) has been on a journey of musical adventure and exploration over the last 15 years. He has made everything from deepest house to bottomless dub, UK jungle to irresistible edits of Notorious BIG. Those early forays came on labels like Nous'klaer Audio and Hivern Discs but in the years since the German has looked more to industrial and post-punk for inspiration. His Fastlane album on ESP Institute this summer blended those vibes with his own take on techno and resulted in his most accomplished and singular work yet.

Now, the Lopasura label head steps up with an extra special two-hour mix that peers into the farthest corners of his sound. It is the sort of all-consuming trip that plays out like a mind movie as it works through serval different chapters - some heady and deep, some direct and unsettling, always with great control. Whether laying down electro, wave, techno or serious bass weight, Benedikt Frey is always taking you somewhere new.

African Head Charge is a legendary psychedelic dub outfit who have recently returned to their home label On-U Sound with A Trip To Bolgatanga, their first new album in 12 years. As always it finds the peerless Adrian Sherwood at the controls and joins the dots between what the collective has done before and what they are doing now, all with a distinctly Ghanian twist. The signature drums and chants remain at the core of the album of course, as well as plenty of other thrilling new sonic concoctions on keys, guitar, percussion, strings, vocals, kologo and more. It's the latest chapter in a fascinating story that has already seen them release some 16 albums since its inception in 1981.

This week's mix is a deep dive into the uniquely melon-twisting sounds of African Head Charge. Sherwood's mastery at the controls means sound is twisted and contorted, dubbed out and reverb-rich from start to finish. Traditional dub sounds melt away into ghoulish vocal passages, unhinged instrumentals come and go and the collective's signature sense of dark soul and mystic ritual holds the whole thing together in a spellbinding fashion.

@surusinghe is one of many exciting Naarm/Melbourne artists to have broken through in the last couple of years. She has been working behind the scenes in the industry for a decade but only started to release her own music in 2022. Now based in London where she has co-founded the Phenomena label, she has an international mix of influences that make her club-ready sounds utterly thrilling. They all draw on the fact that she is a clubber first and foremost, and one proud of her Sri Lankan heritage.

She goes big over the course of an hour for us this week and threads together plenty of body-popping rhythms from dembow to techno to wobbly London dubstep. She drops in several of her own tunes, one of which is unreleased, as are two others from Doctor Jeep and Tom Kami. It's a fresh and futuristic workout of high-octane sound from an adventurous DJ who always brings the party in fresh new ways.

After a busy few weeks having plenty of festival fun, our podcast is back and rolling with self-certified 'rave mom' Partok next up. He's played standout sets at Glastonbury and Panorama Bar this summer and still regularly returns home to Israel to play all-night-long sets. It is there, as a resident at the Tel Aviv club The Block that he first made an impression many years ago. Since then his endless explorations of all forms of techno have earned him an international following.

Partok brings his own distinctive party sound to our series this week with an electrifying mix of peak-time fun. He packs plenty in, too, dextrously switching up the mood as he weaves through evocative and emotional sounds that aren't afraid of a tender melody or soulful vocal, but are always powered by crisp drums. From banging grooves and brain-frying synth textures to psychedelic loops and hands-in-the-air piano chords, it's a high-definition, big-hearted selection that leaves you feeling good.

Back from another festival dream, we’re kicking off September with a razor-sharp mix by @mariemontexier. Fully based on the artist’s exceptional vinyl collection, this Dekmantel Podcast is a must-hear introduction to a future star.

Australian Kia very quickly rose up through the grimy after-hours rave scene of Melbourne to make her mark on the international stage. Now Berlin-based, her unique grasp of rhythm is rooted in a love of bass, IDM and deeper techno though she is adept at exploring a wide range of moods within those worlds. She has done so at places like ADE and our own festival and extends her good taste to the curation of her Animalia imprint and its ambient sub-label Cirrus as well as her own original tracks on Nous'klaer Audio.

In this week's mix, Kia showcases a colourful and kaleidoscopic take on techno which she says was awakened by an early trip to Japan's famously head Labyrinth festival. It's a hi-fidelity feast of supple rhythms, icy synths and deep space ambiance that unfolds in late-night fashion. The melodies are as delicate as silk, the drums rubbery yet punchy. It's high-paced future music that manages to be as delicate and beautiful as it is dynamic.