Experimental sound artist KMRU(@kamarujoseph)is a master of quietness. His music is as much about empty space as it is the delicate field recordings that fill it in. The Kenyan artist has been perfecting this balancing act from his base in Berlin, most notably on 2020 full-length Peel. It's a record of slowly unfolding synth beauty and drawn-out drone mindfulness. Soft focus chords bleed and blend into one another like different shades of watercolour paint and the environmental nature of the sound sources lends it a gorgeously natural atmosphere.

For this week's most meditative mix, KMRU puts together an hour of soothing sound in a painterly fashion. It is unhurried but always going somewhere thanks to a gentle underlapping rhythm, expansive synth arc or little hiss of static. What sounds like distant vocal calls drift in and out of the mix which at times is like a recording from the furthest recess of the cosmos, at others the pleasant ambiance you might hear out of a Berlin window on a sunny afternoon.

@shannensp has made big moves in quick time. After teenage years immersed in the sound system culture of nights like SubDub in Leeds, she moved to London and started working with Hyperdub, produced with hosted on NTS, and then took off as a DJ. She has a sound rooted in the black music that exists around the edges of traditional house and techno. Be it kuduro, dancehall, bass, kwaito, hip hop or whatever else, it is always right at the cutting edge.

As has always been the case with her mixes, this week's podcast is another carefully assembled collection of diasporic sounds. There are high-pressure percussive workouts and juke rhythms, heavy Afrocentric techno sounds and flurries of crashing breakbeats that lead into acid-dancehall. It's an intense selection that could only be held together by a DJ with some serious chops.

@tammohesselink has always been enthralled by rhythm. He explores the unknown areas in between the UK's broken beats and hypnotic trans-Atlantic techno. Hailing from a small town, he did things himself to start with and soon turned heads with his respected The Invariants label. After that began to get wider attention for its spacious and supple sounds, he went on to become a regular on Nous'klaer Audio and has just minted another new label, Real View Memory. The first EP, Borrowed Wheels, touches on percussive techno abstractions, halftime drum & bass and deep, atmospheric bass.

All of that comes out in this week's mix. It is a 90-minute showcase of Tammo's ability to lay down body-popping rhythms. Sometimes they are silky and seductive and worm their way deep into your psyche, at others that are heavy, upfront and smack you over the head. The skillful balance between the moments of airy suspense and dense, unrelenting drums is what makes this selection so compelling.

@adab arrived at a love of electronic music on the dance floor of queer-run techno party In Training in their native Cleveland. Before long, they went on to established themselves as a DJ who plays electric sets of house, techno and club beats as part of a constant quest to "seek the unifying elements in the world and themselves." The Pittsburgh resident and radio regular is now half of Cleveland party Heaven is in You and has an international profile that is only set to grow as they continue to confound expectations with each new set.

That starts with this week's mix, which is an other-worldly trip into genre-less electronics. Dense and cinematic ambiance and sound design set the opening scene - it's a world of searching synths and shadowy alien life forms in which a skeletal rhythm eventually appears. Deconstructed dub, club and jungle flavour the ensuing grooves which are heads down and dark. They evoke all manner of dystopian futures and make for a brilliantly unconventional ride.

Vivian Koch (@kochvivian) has real range. For labels like Life And Death, a.r.t.less and AD 93 she has served up everything from IDM to moody breaks, ambient soundscapes to emotive techno. Her most recent album - last year's ominous but hopeful Beyond Contact - was fine proof of that from the Berlin-based artist who started DJing aged just 16. She has since mastered the art of making and playing club music thanks to her residency at Griessmuehle and her own Olympe party series.

She very much eases into this week with a superb ambient selection. It's broad in its remit, with the most beautiful and suspensory pieces bleeding into gently suggestive rhythms. The moods, too, range from mind-emptying bliss to passages of hopefulness and even romance. It's the sort of cathartic listen we all occasionally need to immerse ourselves in as a way of resetting.

Tarzsa (@tarzsa_williams) has quickly become a firm favourite amongst lovers of electronic soul. From her hometown of Manchester, she secured a radio residency with NTS and DJ residency with the local Swing Ting crew, both of which have served as platforms for her to showcase her selections. They span hip hop, soul, r&b, jazzy dance styles and can go from laidback sessions to peak time party.

Ahead of a busy upcoming festival season, she lays down an uplifting mix to start your week off right. It is built from loose but seductive grooves that take in delicious deep house, seductive broken beat and glowing jazz-funk with plenty of heart and soul to spare. Not only are the selections here electric, but Tarzsa's ability to join the dots between them so smoothly is also what makes her such an exciting new talent.

For American artist @nick-klein, music is a gateway deep into our collective and individual psyches. He explores loudness as a form and "the sociology and ideology that presents in self-identifying music subcultures." He does this with his own @psychicliberation label, we all as with music on the likes of L.I.E.s and Viewlaxx. Next up for this prolific producer is a forthcoming double album - roughly his 15th overall - on IDEAL that will continue to explore the fringes of electronic sound with a bank of trusted modulated synths.

Of this week's mix, Nick says, "Happy Valentine's Day! The hour of material here is a collage of releases that have come out in the previous three years on my label Psychic Liberation, or the collaborative installment of releases between Enmossed and Psychic Liberation known as ENXPL. Here you have layers of material that map the cloud of my music listening consciousness. The interior includes artists who have participated on PL since the 2013 inception. Artists like Berlin's Wilted Woman, ENXPL artists Bridget Ferrill or Rene Nunez's Horoscope project, the PL Seoul based crew of Yeong Die, Jiyoung Wi, and Joyul, prolific Iranian brother band powerhouse of Saint Abdullah, and founder of the Enmossed label Glyn Maier are found braided through each other sonically.

"While a lot of the work here isn't directly oriented towards the club setting, it could be congruous as an epilogue to an evening's more psychedelic potential. It is interesting to see how broadly sonic aesthetics in electronic music have shifted in the absence of major clubs operating at capacity, if at all. I am pleased to share pieces of what has been in my head as an obsessive listening journey and the process of documentation throughout that time. Thanks to Dekmantel.”

@bjarki is relentless. The Icelandic artist has admitted in the past he is obsessed with making music. And since his debut in 2015 there has been a lot of it - six albums and plenty of EPs, mostly on Nina Kraviz's трип, !K7 and his own bbbbbb label. It is always bold and innovative whether taking the form of a straight up club banger or abstract IDM composition. He has released it under more than 10 different names, and what unifies it all is its experimental spirit.

You could say the same about this week's podcast, which begins with kiddie favourite 'The Birdie Song' before slipping into spoken word monologues, ice cold broken beats and twisted rhythms. They unfold at a relentless pace, with quick and seamless transitions from electro to techno to club music immersing you deep in Bjarki's unique sonic psyche. The cumulative effect is like a busy collage; an outpouring of captivating music from an overactive mind.

Sekan (@sekansekan) is, like many of his Dutch peers, known for his eclecticism. He has a particular fondness for exploring the music and artists of the Indonesian archipelago, but also a love for contemporary sounds, both of which are evidenced on his label Jiwa Jiwa. Over the years, it has grown into a multidimensional platform that also deals in photography, articles and films. Whatever he does, including his Operator Radio residency, you can be sure that Sekan mixes up rough edge analog textures with more sleek and modern digital sounds.

The first 85 minutes of this week's mix features some of the old and new Indonesian records that have fascinated him since his childhood, but also plenty of dubs, Chicago bangers and club stuff. The latter section then takes inspiration from coming back home from a club to unwind with slow jams, jazz-funk and Polish jazz. It slowly rebuilds and re-energises, eventually leaving you ready to head back to the club and do it all again.

Russian-born Anastasia Vtorova makes music that is autobiographical in style, but also in name. The titles of @machinewoman's tracks reference things like her favourite bouncers ('Camile From OHM Makes Me Feel Loved’) as well as her least favourite genres ('I Want to Fuck Tech House'). The beats themselves bare the hallmarks of the different chapters of her life, from the industrial she was first exposed to growing up in a post-Soviet environment to the late-night eeriness of Salford where she lived before moving amongst the minimal rhythms of Berlin. All this came out most recently in her distinctly glitchy, mechanical sounds and abstractions for toucan sounds with Derek Muro late last year.

This week's mix feels like a continuation of that, with spacious after-dark electronics, moody ambient and shadowy dub techno soundtracking a walk through a desolate network of abandoned warehouses. Ghoulish sounds lurk around every corner as the pace picks up, with the occasional ray of light, drip of water or hallucinatory synth pulling you ever further into her world. It's a fascinating place to be.