@layla-rutherford has been on our radar for a while and finally played for us on the beach at Dekmantel Selectors in the summer. Her first EP came all the way back in 2014 and was an exemplary and delicate deep house offering co-produced by Floating Points. A year later, she returned the favour by providing vocals for his majestic Elaenia album. Since then she has been a regular on the likes of Worldwide FM and NTS with tasteful selections that cover downtempo, gospel, house and plenty in between.

Layla recorded this week's all vinyl mix with two decks and an E&S mixer. It is a perfectly homely selection of soulful songs and gospel goodies interspersed with lo-fi rollers from Omar S, well swung US garage and funk nuggets from around the world. There is no formula and no predictable arc to this mix, just plenty of feel-good music served up with love. Perfect.

Standing out in the overcrowded DJ world is not easy. To do so when you're just 17 is almost unbelievable. But that is when Belgian-born AliA (@aliamusicc) first started making people take note of her fresh selections and technical skills on the decks. They were way beyond her years and since then she has gone on to become a resident at Belgium’s HORST Festival and a guest at the likes of Worldwide, Dimensions and Lowlands.

This week's mix is pure vibes. It shows off AliA's ability to seamlessly join dots between seemingly disparate sounds: in her hands a transition from lo-fi house to breezy jazz-funk is easy. A lush vocal cut into dark and dirty bass rhythms? No problem. It all adds up to a selection that will be suited to any occasion, from a pre-party warm-up at home to a long drive in your car. Good music is good music, no matter the speed or style, and never is that more obvious than when listening to AliA do her thing.

@mamasnake is at the heart of Copenhagen's blistering techno scene. She plays with a serious amount of speed and showcased that as far back as 2018 when she played for Boiler Room at our Amsterdam festival. But she is also a qualified surgeon, co-founder of Amniote Editions and curator who oversees the release of music, posters, videos and t-shirts. She prefers to keep a low profile and operate in darkened spaces at the dead of night, but with her at the controls, there is no finer place to be.

Mama Snake's supple and sublime sound is a mix of sleek techno and uplifting trance. She plays with a tight and technical mixing style and can make you fall in love with tracks you didn't even know you liked. On this week's mix, she charges through kinetic beats and slithering synths that never let up, but never get stuck in a rut. There is always a breakdown to reset the mood, a dreamy lead to take your mind away or a vocal latch on to. They say that speed kills, but when it comes to Mama Snake, speed thrills.

This Friday, @parris_dj releases his long-awaited debut album, Soaked In Indigo Moonlight, on the can you feel the sun label he co-runs with Call Super. The album is rooted in the pop music he loves but characterised by his own inventive rhythms, joyful vocal features and the many different emotions associated with personal relationships. It comes after years of colourful and psychedelic takes on bass and techno on labels like Idle Hands and Hemlock, and marks a new high watermark in his already assured discography.

On this week’s mix, Parris threads together all aspects of his sound - there’s restrained bass music, lively grime and novel techno. Each one is skewed through his own lens and served up with compelling energy. Despite the physical results, the dynamic grooves retain the sort of depth and detail that keep your head as busy as your heel.

Pandora's Jukebox (@pandoras-jukebox) is a perfect name for a DJ who always serves up sonic surprises. By day, Yasmina Dexter works as an art director, but in the evening she deconstructs electronic music before reassembling it in hypnotic fashion. Her dead-of-night soundtracks are both trippy and hypnotic whether she is hosting her NTS show or playing as a resident at Cicciolina Paris. Her abstract, slowed-down take on techno joins inconceivable dots between a broad array of sounds and scenes and sounds that leave you enjoyably discombobulated.

This week's mix is another irresistible musical mood board from Pandora's Jukebox. Slow in tempo but dynamic with its detail, it unfolds like a half-remembered dream: fragments of melody and a snatched vocal snippet come and go, a well-swung rhythm becomes a bumping beat and shards of percussion fade away into a gorgeous ambient pad, all without fanfare. Put this one on and prepare to get truly lost in sound.

@gwenans' rise through the ranks has always been driven by a love for the music. She hasn't produced any big breakout hit and never dreamt of headlining on a super-sized main stage. Instead, she has quietly honed her craft playing at intimate London parties like Toi Toi and her own Hi Fi, made a successful move to Berlin where she fomented close ties with cultured crews like The Ghost and impressed with her pitch-perfect sets as a resident at London's Pickle Factory as well as the beloved Freerotation in her native Wales. Her sound is rooted in house and techno that is deep and kinetic, but it can stretch way beyond and into a world of leftfield electronics and heady ambient.

On this week's mix, Gwenan does what she does best: establishes a groove your body can't resist then slowly tweaks and builds on it for 80 minutes. There are never any big left turns or flashy tracks, just a well-sequenced, neatly mixed and super-tight selection of irresistibly good records. Some go heavy on the bass, some twist and turn on a cosmic synth and some have a machine-made soul that warms you to your core.

Mexico-city based @tristanarp blurred the lines between the synthetic and the organic on his second full-length, Sculpturegardening. Released on Wisdom Teeth just last week, the Human Pitch label boss approached the album as a gardener might approach a landscape: using his array of machines and modular synths he let the music write itself. It's resulted in an album that bristles with glitches, ambient pads, downtempo drums, digital perc and micro-house details that succeeds in its mission to blend the made with the played.

With this week's podcast, Tristan - who is also a member of Asa Tone with Melati Malay and Kaazi - aimed to show off all his sides as a producer, listener and DJ. While his album goes beyond the dance floor, here he mixes those styles with what he would play in a club. "Slippery rhythms, levitating environments and everything between these orbits," as he describes it. There are lots of edits, often many tracks are layered up at once and the whole thing plays out with many an unpredictable twist and turn. It's as adventurous and asymmetrical as you would expect from this always innovative artist.

@mannidee finds comfort in vibing off a room full of people who are lost in abrasive textures and high octane rhythms. It is that industrial brand of techno which he has perfected over the years, not least on his new Perc Trax LP, A Low Level Love. It is his second full length after 2018's The Residue on Tresor and shows a marked evolution in his sound. While still defined by blistering drum patterns and caustic synths, there is also plenty of melody and introspection in the record. As much as it is a fresh look for him, it's a fresh sound for techno, too.

On this week's podcast, the London based artist goes hard and fast. He pays homage to his love of grime with a blistering industrial rework of a Stormzy track which launches us into a world of distorted drums and tortured synths. The ensuing barrage of sound is coloured with everything from trance chords to club rhythms and lashings of acid. It's a full throttle mix that is always on the move, much like Manni Dee himself.

@airmax97 concocts rhythms and manipulates synths in weird and wonderful ways. His tracks are brilliantly curious and drip with personality while also making you want to move. He layers up textures and atmospheres like a painter spreads oil on canvas and does so with both eyes firmly on the future. Releasing mostly on his own DECISIONS label as well as the likes of Timedance, the multidisciplinary artist works across a number of creative fields from design and art direction to mixing music. Most recently, he has put out his 'Psyllium / Eat The Rich' release on Timedance featuring two highly detailed, sub-heavy bangers.

On this week's podcast, he threads together a diverse array of sounds. There are contemporary grime rhythms, heavy bass cuts and stripped-back techno twisters from the likes of Ikävä Pii, Azu Tiwaline and Ayesha as well as plenty of some unreleased exclusives and a host of his own remixes and originals. It's seriously playful and - like his more recent productions - grows increasingly minimal and skeletal as it unfolds, with devastating results.

There is nothing safe about @dis_fig. The Berlin-based artist makes confrontational, unconventional music that harnesses the power of chaos. She initially came up on the New York club scene but was always most interested in the weirder end of the spectrum so moved to Berlin. It is there that she has established herself as someone who operates on the fringes of the dance floor. Her debut album PURGE in 2019 was wrought with emotional turmoil thanks to her own unique vocal work, while the electronics were just as twisted and harrowing. Last year she showed another side to her vocal skills on In Blue, a collaborative album of bass-heavy dreamscapes with The Bug.

This week's mix is 90 minutes of fulsome body music, contorting rhythms and exaggerated percussion. The boundaries between club, techno, jungle, rap and bass are blurred as Dis Fig plots a route through them all with great control. Even when tempos jump around wildly, there is no break in the flow, and to end such a high octane ride on the sultry mind nineties r&b of Total is a stroke of genius.