This paper examines a cotton handkerchief decorated by women republican prisoners Armagh Jail in 1976. It considers the power of cloth, its appropriation and circulation through in prisons of the conflict ‘in and about’ Northern Ireland.

Anne Frank’s The Diary of a Young Girl (1952) chronicles the two years that Anne, her family, and four other Jews spent in hiding during the Nazi occupation of the Netherlands during World War II. This paper focuses on the postwar adaptations of Frank’s wartime diary into a Broadway play. It looks at the ways in which Frank’s original descriptions of her hiding space are translated and represented during the postwar period. It highlights shifts and transitions in spatial constructions and compares them to the diverse written and visual narratives of the diary. It considers how spatial design and material culture represents cultural context and emphasizes character development which resulted in what contemporary critic Algene Ballif described as Frank’s metamorphosis into an “American adolescent.”

In addition, the paper focuses on the scenic designs of Boris Aronson (1900-1980) who designed the set for the initial New York stage production of the Frank diary. Aronson emigrated to the United States in 1923 where he also designed sets in New York City’s Jewish experimental theaters. Identified by director and critic Harold Clurman as a “master visual artist of the stage,” Aronson experimented with innovative theatrical techniques.

Anne’s hiding space as described in her diary is shaped by the reality of war. On stage that space is reimagined, and In this sense, Anne’s hiding space may be related to more popular notions of teenaged girls and the spaces they inhabited in the postwar period manifesting a transition in how one visualizes a wartime space during peace.

The reconstruction in Italy is perceived as a call by architects who, after the fall of Fascism and the Civil War. The first postwar Triennale in 1947 is the test for the new design, architecture and urban planning in Italy.

This paper will set up and identify certain needs that a soldier's clothing of this period had to satisfy and will provide an analysis of the processes and systems of supply in place between 1645 and 1708 in order to identify changes and developments in the way that the English Military man was clothed.

Arthur Wragg

This paper looks at the glass figurines of Czech artist Miloslav Klinger, made to commemorate the 1955 Prague Spartakiad, as complex sites of memory, craft and political propaganda.

Through an examination of domestic advice and advertisements found in Cuban popular magazines, this paper explores the relationship between politics and popular media during the period 1950 to 1970. Over the past fifty-four years, the Cuban Revolution has continually fascinated scholars and non-scholars alike. Yet, studies have focused on either the period before or after the Revolution, as two distinct eras. Instead, this paper, which is part of a larger study, reinforces the idea that design played an integral role in the dissemination of ideology at mid-century by demonstrating the critical role that popular print media played in shaping Cuban society during a shifting ideological context. Through an examination of domestic advice and advertisements found in Cuban popular magazines, this paper explores the relationship between politics and popular media during the period 1950 to 1970, when Cuba transitioned from a quasi-capitalist satellite to a socialist nation isolated from the United States economically and culturally during the revolutionary era.

Images presented in domestic advice and advertisements offer a vivid snapshot of cultural prescriptions for everyday life. Using Roland Barthes’ conception of ideology as one of transforming the “reality of the world into an image of the world,” the images presented in popular media reveal the dominant ideologies of the era. By framing domestic advice and advertisements for the home found in Cuban popular magazines as arbiters of ideology, I illuminate two divergent prescriptions for everyday life: one predicated on the U.S. paradigm of capitalism and the other on a socialist model.

Examination of the design competition of Nepal's republic memorial.

First World War vehicles as instruments of order and chaos.

This paper analyses typographic posters produced by the New Zealand Government in WWI to recruit men and money to the war effort. They chart the progress of recruitment strategies from voluntarism through to the contested years leading to conscription.