Designing for the Elements

As part of our new, occasional series of conversations, artist Katrín Sigurðardóttir talked with associate editor Frances Richard about the ways in which built space and organic forces interact with systems of representation; the seductions of the model and the mock-up; and the slippery distinctions between art and architecture.

As part of our new, occasional series of conversations, artist Katrín Sigurðardóttir talked with associate editor Frances Richard about the ways in which built space and organic forces interact with systems of representation; the seductions of the model and the mock-up; and the slippery distinctions between art and architecture.

As part of our new, occasional series of conversations, artist Katrín Sigurðardóttir talked with associate editor Frances Richard about the ways in which built space and organic forces interact with systems of representation; the seductions of the model and the mock-up; and the slippery distinctions between art and architecture.

As part of our new, occasional series of conversations, artist Katrín Sigurðardóttir talked with associate editor Frances Richard about the ways in which built space and organic forces interact with systems of representation; the seductions of the model and the mock-up; and the slippery distinctions between art and architecture.

As part of our new, occasional series of conversations, artist Katrín Sigurðardóttir talked with associate editor Frances Richard about the ways in which built space and organic forces interact with systems of representation; the seductions of the model and the mock-up; and the slippery distinctions between art and architecture.

As part of our new, occasional series of conversations, artist Katrín Sigurðardóttir talked with associate editor Frances Richard about the ways in which built space and organic forces interact with systems of representation; the seductions of the model and the mock-up; and the slippery distinctions between art and architecture.

As part of our new, occasional series of conversations, artist Katrín Sigurðardóttir talked with associate editor Frances Richard about the ways in which built space and organic forces interact with systems of representation; the seductions of the model and the mock-up; and the slippery distinctions between art and architecture.

As part of our new, occasional series of conversations, artist Katrín Sigurðardóttir talked with associate editor Frances Richard about the ways in which built space and organic forces interact with systems of representation; the seductions of the model and the mock-up; and the slippery distinctions between art and architecture.

As part of our new, occasional series of conversations, artist Katrín Sigurðardóttir talked with associate editor Frances Richard about the ways in which built space and organic forces interact with systems of representation; the seductions of the model and the mock-up; and the slippery distinctions between art and architecture.

As part of our new, occasional series of conversations, artist Katrín Sigurðardóttir talked with associate editor Frances Richard about the ways in which built space and organic forces interact with systems of representation; the seductions of the model and the mock-up; and the slippery distinctions between art and architecture.