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"Tenet is a film about many things, from entropy to time travel, Armageddon to environmentalism. But it's also a film about Robert Pattinson wearing a succession of truly astonishing suits. For that, we thank Jeffrey Kurland.
The storied costume designer had previously worked with Nolan on Inception – where he proved his tailoring chops – and Dunkirk, but Tenetposed a very specific set of challenges. The first one being just figuring out what the hell was actually going on.
"I read the script at least six times before I even sat down to talk with Chris," Kurland tells me, over the phone, from LA. "That's how you do any Chris Nolan film. The script is there, and it's totally wonderful. And then it's usually up from there. It's always a wild ride." - Tom Banham, Esquire Magazine, September 22nd, 2020
Jeffrey Kurland began his career in costume design in New York City. After graduating from Northwestern University with a B.A. in design, he moved to the east coast to design for the theatre. Jeffrey soon segued into designing costumes for film when he began designing the stylish films of director Woody Allen.
Jeffrey has the unique distinction of being the costume designer of 15 films for Woody Allen, from the late 1970s to the mid-1990s. He has since realized the visual story for over 40 films, collaborating with such renowned directors as Milos Forman, Neil Jordan, Steven Soderbergh, Michael Mann, and Christopher Nolan.
During his career, Jeffrey has dressed a host of leading actors. He has created designs for leading men such as George Clooney, Brad Pitt, Tom Cruise, Matt Damon, Jamie Foxx, Robert Downey, Jr., Michael Caine, Viggo Mortensen and Leonardo DiCaprio. He has also designed for leading ladies Julia Roberts, Marion Cotillard, Cameron Diaz, Annette Bening, Diane Keaton, Gena Rowlands and Ellen Page. He received a BAFTA Award, Britain's highest film honor, for his designs for Radio Days and an Academy Award nomination for his work on Bullets Over Broadway. Jeffrey was awarded the Costume Designers Guild award for his designs for the film Erin Brockovich and received a nomination for his work on Ocean's 11. His work has also been recognized through being honored with The Hamilton Timeless Style Award.
Jeffrey Kurland sits on the board of Governors of the Academy of Motion Picture Arts and Sciences. He co-curated the exhibit 50 Designers/50 Costumes: Concept to Character for the Academy, and his designs have also been featured in several exhibits around the world. He has spoken on the art of costume design in numerous symposia at the Directors Guild of America, the American Film Institute, The Academy of Motion Picture Arts and Sciences and UCLA, where he has also taught. Jeffrey's work is featured in the publications Screencraft: Costume Design, 50 Designers/50 Costumes: Concept to Character and Dressed: A Century of Hollywood Costume Design.
“What We Do in the Shadows” Emmy winning Costume Designer Laura Montgomery on Dressing Vampires in Flux!
Montgomery's costume design credits include the upcoming Gen V (The Boys spinoff), What We Do in the Shadows Seasons 3,4 and 5, Spiral: From the Book of Saw, Small Town Murder Songs (TIFF Official Selection 2010), When Moses Woke (Gemini Award Winner for Best Direction in a Performing Arts Program) and Coopers Christmas (TIFF Official Selection 2008).
Montgomery has won one primetime Emmy and been nominated for three Costume Designer’s Guild awards. She holds an honours degree in French Literature and European History from the University of Toronto.
Huang is an Emmy– and CDGA Award-winning costume designer based in Los Angeles. Known for her most recent work for “Station Eleven” and Apple TV’s “The Shrink Next Door,” her other credits include “Holidate,” “Tall Girl,” and “Rim of the World” for Netflix. She also designed for FOX’s “911,” NBC’s “The Night Shift,” FX’s “American Horror Story: Roanoke,” and MGM’s “Get Shorty.”
Peter J. Devlin, recently elected as a Governor of the Academy of Motion Pictures Arts and Sciences, has worked on more than 70 films and been nominated for five Oscars including Black Panther, Transformers: Dark Side of the Moon, Transformers, Star Trek (2009) and Pearl Harbor. He received a BAFTA nomination for his work on Star Trek and a Primetime Emmy nomination for Star Trek: Picard. He has worked closely with some of the top directors in film, including Michael Bay, Ryan Coogler, Ron Howard and Patty Jenkins. Earlier in the year he wrapped his work on Black Panther: Wakanda Forever, and is thrilled to have just worked with Chris Pine, who is making his directorial debut with the upcoming film Poolman. A past CAS Board member, it was his first CAS nomination for Oliver Stone’s Any Given Sunday that introduced him to the organization in 2000. Since then, he has received multiple nominations.
Born and raised in Belfast, Northern Ireland, Devlin knew that he wanted to work in film after seeing Jaws as a teenager. Though his school principal told him his dreams were “pie in the sky,” he applied for a trainee audio assistant position at the BBC in Belfast in 1981. Initially thinking he might move into the camera department, he quickly realized his true interest was in production sound. To prepare for the interview, he spent his days in the local library reading as much about microphone principles, recording techniques and filmmaking as he could find. He got the job, which proved the perfect training ground, with the BBC’s wide range of productions, from news, to sports, to concerts and to radio drama. “I had great mentors, and I learned about all of the different disciplines of sound there.”
Devlin’s focus and persistence were evident as he took the next step, writing to directors he admired, including Michael Mann. He still has the letter Mann sent him in 1987, inviting him to visit the set of Miami Vice. From there, Devlin forged connections with others in the industry, landing his first job in the United States, working in commercials. Eventually, he moved into television and film.
Today, Devlin continues to adapt to the ever-changing technologies that enhance storytelling through production sound mixing. While he wishes that he had today’s tech for some of the films he worked on in the past, he says, “The most important element will always be the work of the sound department as a team, boom operators and sound utilities. Their expertise allows me to concentrate on recording performance and create tracks that can elevate a scene when they are handed off to our colleagues in post production.”
Devlin joins an illustrious group of past CAS Career Achievement Honorees including: Anna Behlmer, Willie Burton, Tom Fleischman, Les Fresholtz, Ed Greene, Tomlinson Holman, Doc Kane, William B. Kaplan, David MacMillan, Paul Massey, Scott Millan, Mike Minkler, Walter Murch, Andy Nelson, Chris Newman, Lee Orloff, Richard Portman, John Pritchett, Don Rogers, Gary Rydstrom, Dennis Sands, Randy Thom, Jim Webb, Jeffrey S. Wexler and Charles Wilborn.
SAMMY SHELDON (Costume Designer) was born in Manchester and started her career at the Royal Exchange Theatre as a costume maker, then studied Costume Design at Wimbledon School of Art 1990 to 1993. After graduating with a degree, she moved into designing costumes for pop promos and advertising, before becoming an assistant designer on films including Ridley Scott’s & and Jake Scott’s.
She went on to design costumes for Ridley Scott’s Hawk and the mockumentary & starring Orlando Bloom. Sammy has received
BAFTA Film nominations for her work on Morten Tyldum’s “The Imitation
Game”, starring Benedict Cumberbatch and Keira Knightley. “The Merchant of starring Al Pacino and Jeremy Irons, and a BAFTA TV nomination for the BBC’s modern adaptation of The Canterbury Tales: The wife of Bath”. Costume Designers Guild Award nominations for Excellence in Period Film
“The Imitation Game”, and Excellence in Fantasy Film “Ex Machina”, “X-Men:
First Class” and “V for Vendetta”. Other film credits include “Kick-Ass Hellboy 2: The Golden Army.
Differs more recent film credits include “Assassin’s Creed” directed by Justin
Kurzel, Marvels “ Ant- Man” directed by Peyton Reed, “Annihilation” directed
by Alex Garland and “Jurassic World, Fallen Kingdom” directed by J A Bayon.
Her most recent films are “Eternals“ directed by Chloe
Zhao, and "Ant Man and the Wasp: Quantumania."
Francisco "Paco" Delgado López is a Spanish costume designer from Lanzarote, Canary Islands. He is best known for his nominations for the Academy Awards in the category of Best Costume Design twice: at the 85th Academy Awards for the film Les Misérables, and at the 88th Academy Awards for the film The Danish Girl. His recent work includes Jungle Cruise, Death on the Nile, The Unbearable Weight of Massive Talent and John Wick 4
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