Deviate with Rolf Potts

“Punk is not a sound for me. It’s not a style of music. It’s not a look. It’s not even an attitude. For me punk is the free space: It’s the place where new ideas can be presented without having to hew to profit motives.”  — Ian MacKaye

Ian MacKaye is the co-founder of Dischord Records and former front man for Fugazi and Minor Threat. He currently performs in the two-piece indie band The Evens with his partner Amy Farina. He curates an informal archive of the Washington DC hardcore and post-hardcore music scenes, including the Fugazi Live Series, an extensive online library of digitized concert recordings.

In this episode of Deviate Rolf and Ian discuss the “Nirvana moment” of the early 1990s, how new ideas find their way into music, and how lesser known acts influence the dynamic of popular culture (8:00); the task of archiving and preserving evidence of music that was created outside the commercial music industry (29:00); skateboarding and punk rock as lenses through which to see the world in a different way (45:30); and the lessons and experiences of traveling the world as a musician.

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Look what my hero Ian Mackaye (Minor Threat/Fugazi) just found: a letter I wrote to him when I was 14! Haha! pic.twitter.com/Ak8gxZz5m6

— Foo Fighters (@foofighters) May 28, 2015

The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.

Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].

“Social capital is as important as formal training when it comes to disaster response. We see in every event people who have never had emergency training playing critical roles.” – Daniel Neely

Daniel Neely is the Manager of Community Resilience and Regional Recovery Manager at the Wellington (New Zealand) Region Emergency Management Office.

In this episode of Deviate, Rolf and Daniel discuss the importance of community relationships when it comes to responding to a disaster (4:00); emergency preparedness tips (8:00); disaster response strategies (13:00); and preparing for a disaster from both a personal and business perspective (19:00).

For more disaster preparedness information, check out https://www.ready.gov/ and https://getprepared.nz/

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The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.

Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].

“There’s nothing that will stop white people from trying to do some black shit. It’s fundamentally baked into every aspect of American popular culture. It is the first thing that we invented that was entirely ours — white people dressing as black people and entertaining other people.” — Wesley Morris

Wesley Morris (@Wesley_Morris) the Pulitzer Prize-winning critic at large for the New York Times. Formerly the co-host of the Grantland podcast “Do You Like Prince Movies?”, he now co-hosts the “Still Processing” podcast with Times colleague Jenna Wortham.

In this episode of Deviate Rolf and Wesley discuss the nature of podcast celebrity and how it differs from traditional celebrity (2:45); the stories that sports uniforms tell to the people who watch sports (23:00); the unique task of cultural criticism in the 21st century (30:00); the challenge of being seen as racially representational as a journalist and critic (40:15); and Wesley’s upcoming book about the invention of the performance of blackness in America (51:00).

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The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.

Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].

“There are the actual facts of what was happening in popular culture in the 1980s — and then there was this tantalizing notion that music played backwards was going to seed our minds with evil. Which was scary, but also kind of cool to a certain kid-like way of thinking. You can almost see a book like Backward Masking Unmasked as young-adult literature.” — Rolf Potts

In this episode of Deviate Rolf delves into another musical mystery — the idea of “backward masking” in rock music, and how it came to influence notions of “Satanic Panic” in America over the course of the 1980s. Returning to the show for this musical deep-dive are Jedd Beaudoin (@JeddBeaudoin), who hosts the syndicated music show “Strange Currency,” and Michael Carmody (@Carmody68), a musician, record collector, and donut shop entrepreneur.

Together they discuss preacher Jacob Aranza’s underground-classic 1983 anti-rock book Backward Masking Unmasked and its idiosyncratic take on popular music (4:00); the history of rock and roll and American culture that led up to Satanic Panic in the 1980s (31:10); how rock acts exploited the idea of Satanism to sell records just as preachers, politicians, and pop-journalists fixated on its supposed dangers to attract followers (42:10); and the legacy of Satanic Panic and the seeming lack of evil in today’s popular music (1:05:45).

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Rock Devil Rock CHiPs TV clip

Quincy punk-rock episode clip

This episode was engineered by Torin Andersen of KMUW studios in Wichita. The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.

Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].

“We all have different priorities in life, and there is a place for each of us where we can live according to what those priorities are.” – Winona Dimeo

Winona Dimeo (@winona_rose) is the managing editor of Livability.com, a website that ranks America’s most livable small and mid-sized cities.

In this episode of Deviate, Rolf and Winona discuss what people are looking for in a place to live (2:00) and Livability.com’s latest rankings for America’s most livable cities (23:00). Then, Rolf takes recommendations from listeners on their favorite places to live in America (53:00).

For more livability tips, check out 2018 Top 100 Best Places to Live. Livability also publishes its methodology.

Cities mentioned in the main interview include: Portland, OR; Austin, TX; Minneapolis, MN; Pittsburgh, PA; Manhattan, KS; Lawrence, KS; Overland Park, KS; Lindsborg, KS; Ottawa, KS; Wichita, KS; Buffalo, NY; Rochester, MN; Kingsport, TN; Sevierville, TN; Fargo, ND; Savannah, GA; New Orleans, LA; Cincinnati, OH; Yellow Springs, OH; Athens, OH; Astoria, OR; Lincoln City, OR; Nashville, TN; Asheville, NC; Black Mountain, NC; Brevard, NC; Traverse City, MI; Marfa, TX; Charleston, SC; Bend, OR; and Hood River, OR.

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The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.

Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].

“The traditional black experience is not the traditional white experience, so until we recognize that I don’t think it’s going change. But I think that is the first hurdle—compassion and consciousness.” – Candacy Taylor

Candacy Taylor (@candacytaylor) is a writer, photographer and cultural critic. She is the founder of Taylor Made Culture.

In this episode of Deviate, Rolf and Candacy discuss the African American experience along Route 66 (2:30); the history of The Negro Motorist Green Book (15:00); and the current travel issues facing African Americans (27:30).

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The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.

Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].

“Once again road trips are becoming more about the journey rather than the destination and I see that as a very encouraging sign that maybe people are realizing the merit of enjoying the journey.” – Richard Ratay

Richard Ratay (@RichRatay) is the author of Don’t Make Me Pull Over!, an informal history of the family road trip.

In this episode of Deviate, Rolf and Richard discuss the history of long-haul automobile travel and the interstate highway system (6:00); the effects of interstate highways on American travel culture (19:00); the station wagon and the evolution of the road trip car (35:00); and the decline of the road trip Golden Age (48:00).

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Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].

“Travel should not be a checklist; it should be about having new experiences” – Catherine Price

Catherine Price (@Catherine_Price) is a journalist and author of How to Break Up with Your Phone and 101 Places Not to See Before You Die.

In this episode of Deviate, Rolf and Catherine discuss digital distractions and their effects on our brains (2:00); reframing the way we think about our smartphones (9:30); being deliberate with our attention (12:30); setting ourselves up for success and creating the necessary “speed-bumps” (17:00); paying attention to our body (21:30); developing a technology-separation practice-trial, and using technology to protect ourselves from technology (29:00); and getting existential about how we think of time management (42:00).

For more from Catherine, check out her website at phonebreakup.com

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The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.

Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].

“Compared to the pop music that I was listening to at the time, there just seemed to be something deep and mysterious and enigmatic and sexy and scary about classic rock” – Steven Hyden

Steven Hyden (@Steven_Hyden) is a music critic. He currently works as a culture critic for UPROXX where he writes about all things music and hosts the Celebration Rock podcast. His book, Twilight of the Gods, is out now.

In this episode of Deviate, Rolf and Steven discuss the genesis of Classic Rock (2:00); the experience of interacting with music and how that interaction has changed over the years (12:00); Rock & Roll as an aging art (25:00); and how we reckon with the transience of music (36:00).

For more from Steven, check out his UPROXX article archive at https://uproxx.com/author/steven-hyden/

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The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber. Original episode art by Alicia Ard (whose services include branding, illustration, web design, and social media management).

Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].

“Every good story is two stories: the story of the place and the story of what happened to you as a result of being in that place” – Alden Jones

Eddy Harris (@EddyLHarris) is a writer, filmmaker, and author of Mississippi Solo, Native Stranger, and Still Life in Harlem. Alden Jones (@jones_alden) is an author and writer of The Blind Masseuse. Thomas Swick (@roostertie) is an author and writer of The Joys of Travel, A Way to See the World, and Unquiet Days.

In this episode of Deviate, Rolf, Eddy, Alden, and Thomas reflect on the legacy of Anthony Bourdain and the state of travel writing at large (3:00); common criticisms of travel writing (22:00); the notion of authenticity in travel and travel writing (34:00); what constitutes good travel writing, and the future of the genre (46:00).

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The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.

Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].