
Sign up to save your podcasts
Or


On today’s date in 1944, a 29-year-old American composer named David Diamond had his Second Symphony premiered by the Boston Symphony under the famous Russian conductor Serge Koussevitzky.
Diamond says he had written this music for the charismatic Greek maestro Dimitri Mitropoulos, then the music director of the Minneapolis Symphony. “Mitropoulos had given a fine performance of my First Symphony,” said Diamond. “When I showed him the score of the Second he said, ‘you must have the parts extracted at once!’ As these were readied, I asked him whether he was planning to perform the work. He then told me he thought he would not stay on in Minneapolis, but said, ‘Why don’t you send it to Koussevitzky?’ I did so, and Koussevitzky [invited me to a] trial reading at Symphony Hall. When it was over, the orchestra applauded like crazy. Koussevitzky turned to me and said, ‘I will play!’”
Successful as Diamond was back in 1944, for many decades thereafter his neo-Romantic symphonic scores were neglected until Gerard Schwartz’s CD recordings of some of them with the Seattle Symphony sparked a revival. By then, Diamond was in his 70s, and commented: “The romantic spirit in music is important because it is timeless.”
David Diamond (1915-2005) — Symphony No. 2 (Seattle Symphony; Gerard Schwarz, cond.) Delos 3093
By American Public Media4.7
1010 ratings
On today’s date in 1944, a 29-year-old American composer named David Diamond had his Second Symphony premiered by the Boston Symphony under the famous Russian conductor Serge Koussevitzky.
Diamond says he had written this music for the charismatic Greek maestro Dimitri Mitropoulos, then the music director of the Minneapolis Symphony. “Mitropoulos had given a fine performance of my First Symphony,” said Diamond. “When I showed him the score of the Second he said, ‘you must have the parts extracted at once!’ As these were readied, I asked him whether he was planning to perform the work. He then told me he thought he would not stay on in Minneapolis, but said, ‘Why don’t you send it to Koussevitzky?’ I did so, and Koussevitzky [invited me to a] trial reading at Symphony Hall. When it was over, the orchestra applauded like crazy. Koussevitzky turned to me and said, ‘I will play!’”
Successful as Diamond was back in 1944, for many decades thereafter his neo-Romantic symphonic scores were neglected until Gerard Schwartz’s CD recordings of some of them with the Seattle Symphony sparked a revival. By then, Diamond was in his 70s, and commented: “The romantic spirit in music is important because it is timeless.”
David Diamond (1915-2005) — Symphony No. 2 (Seattle Symphony; Gerard Schwarz, cond.) Delos 3093

38,492 Listeners

43,691 Listeners

25,862 Listeners

7,710 Listeners

3,874 Listeners

1,343 Listeners

527 Listeners

181 Listeners

247 Listeners

73 Listeners

112,351 Listeners

2,145 Listeners

56,419 Listeners

4,129 Listeners

74 Listeners

37 Listeners

6,374 Listeners