Writing is supposed to be a solitary thing. A lonely life. Not in the television business. Writers for television are positively surrounded by people. Executives, producers, actors – we’re never really able to achieve that ratty-sweater-coffee-mug kind of arrangement. Sure, there’s a week or two when we’re left essentially alone to bang out a draft, but within a few hours of turning it in to our paymasters, we’re on the phone, getting notes and questions and requests for revisions...