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This week Dave and Jeff take a break from Vergil (well, kinda) and fast forward a few centuries to Augustine of Hippo. Now, here’s a guy that a lot of our audience should be able to relate to—openly hated learning grammar as a kid, beat his head against the wall trying to master Greek, pushed back against things his teachers forced him to do. But as an older man looking back through his life in his Confessions Augie feels guilt for loving the Aeneid so much and not appreciating, say, the foundational aspects of the dative of reference, as well as not weeping for his own flagrant dalliances. But were those tears for Dido really wasted? Can good art channel our emotions in a healthy direction or does it always take us off the path toward God? And why can’t Jeff just keep it together at the end of Pixar’s Cars? Tune in to find out.
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This week Dave and Jeff take a break from Vergil (well, kinda) and fast forward a few centuries to Augustine of Hippo. Now, here’s a guy that a lot of our audience should be able to relate to—openly hated learning grammar as a kid, beat his head against the wall trying to master Greek, pushed back against things his teachers forced him to do. But as an older man looking back through his life in his Confessions Augie feels guilt for loving the Aeneid so much and not appreciating, say, the foundational aspects of the dative of reference, as well as not weeping for his own flagrant dalliances. But were those tears for Dido really wasted? Can good art channel our emotions in a healthy direction or does it always take us off the path toward God? And why can’t Jeff just keep it together at the end of Pixar’s Cars? Tune in to find out.

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