DISGRACELAND

The loss of emo-rap trailblazer Juice WRLD is one of the most sudden, tragic, and graphic celebrity deaths in recent memory. His adolescence experimenting with bold beats, prescription pills, and lean set him up to become Gen Z’s new spokesperson. His music helped hit the reset button on popular music, transforming a once-bubbly genre into an all-consuming wormhole of depression, tension, and heartache. But his music earned more than just a global audience — it also drew the attention of the FBI, a force that was very present during Juice WRLD’s final days.

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Billie Holiday ascended from the rough and tumble streets of Baltimore and Harlem, through reform school, brothels, and Welfare Island, right to the top of the music game. Her childhood fascination with “whorehouse music” filled a void in her lost innocence, but she soon found a second stabilizer: Heroin. Just when her sensational “Strange Fruit” brought her to Columbia Records, her dependency on hard drugs landed her behind bars. Her mesmerizing voice ensnared listeners unlike any other jazz singer of her day, but in the end, it was narcotics that eventually ensnared Billie Holiday and sealed her fate.

This episode contains themes that may be disturbing to some listeners and includes descriptions of sexual assault.

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In the 1970s, The Eagles made taking off into the upper stratosphere of the charts look easy. Their near decade-long reign of rock afforded them hobbies like dismantling hotel rooms with chainsaws, playing chicken with private jets, and joining delirious drug dealers on high-speed Corvette rides. But after nearly a solid decade of stadium sell-outs, No. 1 singles, top-selling albums and enough cocaine, sex and tension to make even the hardest, wildest, ’70s rock ‘n’ rollers cry uncle, the Eagles had burned out. They were at the top of their game in a decade that they owned, yet somehow, the greatness they sought had destroyed them.

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In the 1970s, The Eagles made taking off into the upper stratosphere of the charts look easy. Their near decade-long reign of rock afforded them hobbies like dismantling hotel rooms with chainsaws, playing chicken with private jets, and joining delirious drug dealers on high-speed Corvette rides. But after nearly a solid decade of stadium sell-outs, No. 1 singles, top-selling albums and enough cocaine, sex and tension to make even the hardest, wildest, ’70s rock ‘n’ rollers cry uncle, the Eagles had burned out. They were at the top of their game in a decade that they owned, yet somehow, the greatness they sought had destroyed them.

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This episode was originally published on March 29, 2022.

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From games of chicken on private planes to one member surviving a private plane crash, the Eagles as a group very narrowly survived themselves. During their early days, they dosed out on Peyote and reimagined and reconfigured a new FM sound for the ages that would result in unimaginable success and excess. When their debut record was released on Geffen Records in 1972, America couldn’t have been more ready for their breezy, countrified Southern California sound. Yet something else came with their that heady, golden age of California in the 1970s, that era of endless cocaine, groupies, money, and excess beyond anyone’s wildest dreams. As the Eagles would soon learn, that “peaceful easy feeling” they were peddling wasn’t built to last.

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This episode was originally published on March 8, 2022.

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This week Jake talks the inspiration and background behind this week's brand-new DISGRACELAND episode on Anthony Bourdain, plus your emails, voicemails, texts, and DMs. What did you think of the Bourdain episode? What other icons should we cover this year? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

Enter the new DISGRACELAND contest to win exclusive prizes and unlock rewards. Visit DISGRACELANDCONTEST.COM

Hurry, the contest ends on March 6th, 2024!

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Hank Williams defined the genre we now call country with a guitar in one hand and a bottle of booze in the other. In between stints in the local drunk tank, he cultivated a knack for blue-collar blues that would spread far beyond the backwoods South Hank called home. His self-proclaimed “hillbilly music” logged him more than 30 hit songs and membership at the Grand Ole Opry, fulfilling Hank’s lifelong dream. But his frequent bouts with the bottle would ultimately strip him of that membership, sending him from the Ryman Auditorium to the sanatorium – and ultimately, an early grave.

For the full list of contributors, visit disgracelandpod.com

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Hank Williams defined the genre we now call country with a guitar in one hand and a bottle of booze in the other. In between stints in the local drunk tank, he cultivated a knack for blue-collar blues that would spread far beyond the backwoods South Hank called home. His self-proclaimed “hillbilly music” logged him more than 30 hit songs and membership at the Grand Ole Opry, fulfilling Hank’s lifelong dream. But his frequent bouts with the bottle would ultimately strip him of that membership, sending him from the Ryman Auditorium to the sanatorium – and ultimately, an early grave.

This episode was originally published on February 22, 2022.

For the full list of contributors, visit disgracelandpod.com

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Hank Williams defined the genre we now call country with a guitar in one hand and a bottle of booze in the other. In between stints in the local drunk tank, he cultivated a knack for blue-collar blues that would spread far beyond the backwoods South Hank called home. His self-proclaimed “hillbilly music” logged him more than 30 hit songs and membership at the Grand Ole Opry, fulfilling Hank’s lifelong dream. But his frequent bouts with the bottle would ultimately strip him of that membership, sending him from the Ryman Auditorium to the sanatorium – and ultimately, an early grave.

This episode was originally published on February 22, 2022.

For the full list of contributors, visit ⁠disgracelandpod.com⁠

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With their newfangled ska-punk, Sublime preached the gospel of Long Beach’s seedy shores unlike any band before them. They also incited a riot at the first show, vandalized their record label’s headquarters, and did unspeakable deeds to a Dennys kitchen with their mobile home’s septic tank. The group’s musical legacy is inseparable from their reputation as hoodlums and hedonists, in part because those are precisely the people Sublime wrote about. Sublime was born in California, raised in California, but before they could get much farther, Sublime died in California, too.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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