If you don't like a song today - you can tweet your thoughts, make a YouTube video, or record a podcast. It would seem that the ease of access to different media forms whether social media or other online content creation makes everybody a tastemaker. Do we still need trusted tastemakers to inform us about music specifically or have they just become a tool of PR? Is music journalism dying or just adapting? Fé Oj debates this with music journalist & podcaster (RhymeShe) Ray Sang, and former Complex music journalist, Tom Segev.

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