Double Feature

Women make their way into the spotlight with destructive results. The female force in cinema, then and now. The guerrilla skepticism effort to improve Wikipedia. Update on The Double Feature Movie. The flying Tom Tom returns in possibly the best use of the “how we got here” device. Obsessive, grinding repetition waiting for an opportunity. Mortality by way of performance. Art that vanishes like sand to time. Woah. What it takes to get to the circle. One more, with clarity! Nicolas Winding Refn finds a place in The Neon Demon. Gender roles are not what you think. Cats be hungry. An important moment in tearing open the year’s discussion on art and rape culture. Safe words on set. Art is not safe.

New midnight movie Double Feature! Blood, guts, gore, scares and maybe a witch. Eric Thirteen, Double Feature host and executive producer of 31. More Zombie than Zombie. Seriously, maybe the most Rob Zombie film ever made. The 70s, a time when insane directors got away from the suits and made insane movies. The extremely memorable man of the hour in 31, and the rare memorable villain in recent films. Rolling around in the pit – the reason to go back to 31 and other Rob Zombie movies time and time again. It turns out Blair Witch is fucking amazing. Critics, proving to be full of it, now universally celebrate The Blair Witch Project when they just made their usual stupid puns at the time. Adam Wingard rules the universe. Blair Witch as probably the scariest fucking thing ever. See great horror being made today.

A late night study session on human consciousness. The interactions between minds, the interactions between humans and machines, and the unnoticed social implications of each. The Wachowskis are probably into the Opera (or at least The Hunger Games), and thinking in those terms changes everything. An audience’s acceptance of mixing race and gender on screen. Double Feature goes even more broad into some heavy territory. What it’s like to spend every day two years in the future. Trends in personal technology and where it’s going. Her as an exceptional piece of both vision and prediction.

One species manipulates another to do its bidding! The most important information presented in the PBS documentary Leave it To Beavers. Thinking about engineering. Complex questions at the end of evolution. Understanding animal lovers. Stop fucking eating fucking cows, you’re all killing the planet. John Carpenter unplugged in Village of the Damned. An alternate debatably cooler name for Village of the Damned. Imagining a world where this is a franchise – maybe even an AMC television series! John Carpenters interest in stories with great premises.

Freethinkers are suddenly faced with mindless masses. Green Room is pretty much the greatest goddamn thing. The traveling punk band. When Nazis hijack your organization. Talking about punk rock, obviously. Generally mindless genre plus unique character equals suddenly amazing film. The niche need not apply to the audience. Needing to talk about Slither. Where and how does Night of the Creeps fit into the 50’s, the 80’s, and genre flicks? Iconography, lasting image, and how to ensure no one steals you icon. Connections to classic and modern horror. Today’s audiences like Night of the Creeps even if they don’t know they like Night of the Creeps. Knock knock, who’s there SCARE CAT.

The bleaker (potentially advantageous) traits of human evolution as elicited by nefarious marathons. People do things for a long time and it goes bad. A great place to get Hands on a Hardbody. Hardbody is one word, probably. Just keep your hands on a truck, what could go wrong? Karl Pilkington rears his bald head again. What happens after Hands on a Hardbody – an update rarely discussed. Dark turns darker in They Shoot Horses, Don’t They? A movie that’s probably set in the time it says it is. How about two most awkward titles to type out double feature. Street Sweeper Social Club really wants to text you updates.

Alternative therapy disproven through tapes as emotional disturbances reach violent conclusions. Or something else that’s made up. Brad Anderson returns as a pocket sized monster. Asbestos lead asbestos! Who’s crazy and what’s wrong with them? Confirmed: the audience of Session 9 is crazy. The sun and fresh air are terrifying. The unveiling of the formerly secret best film ever, Sun Choke. Is Barbara Crampton leading a new wave of horror revival? Sex and violence and going outside and bad times. Another opportunity to play Who’s the Worst? All of the goddamn imagery. Sara Malakul Lane rocks Sun Choke, but also rocks this other movie. Some information on Eric Thirteen’s new film.

Christianity’s Satan mythology as riffed on by great new horror films. The Birthday Massacre plugs TBMChicago and The Birthday Massacre Broken Minds 2006 Bootleg! As Above, So Below’s terrifying equation. It’s time to fact check this found footage reception. The images, oh God the images. Things you see in a graveyard. Ok, that was just a Repo lyric. That guy with Horns. Backhanded compliments to the director! What Horns shares with Cosmopolis. Talking about the horns in the room. Bear or no bear, another chat about Kafka, and getting priorities straight. Hey, Alex Aja is back! Next time on Double Feature: the end of the tease.

Links

10 Offbeat Horror Films You Must Watch

The first in a series of War + Peace. Drugs might as well be synonymous with peace, say two people who have never done recreational drugs. The bizarre army government war something propaganda film that is Top Gun. The early look at Tom Cruise, Val Kilmer and Tom Skerritt. Seriously, this Michael Ironside thing is ridiculous. How far back does this go?! America has the greatest flight schools. Really, top notch. The central conflict in Top Gun – like My Neighbor Totoro, remember? Dazed and Confused (a great precursor for any Additional Content listeners. A nostalgia movie masquerades as a drug movie. The messages in My Neighbor Totoro.

Unforeseen changes threaten women of long-held power. A return to Woody Allen with Blue Jasmine. A female-led Woody Allen film living outside of many exceptions. Andrew Dice Clay was a thing. Blue Jasmine’s portrait of mental illness. A particularly devastating moment. The Congress is more animated than the US cover wants you to know. Robin Wright as Robin Wright. The target-rich environment of Hollywood studios. The Congress does an acid trip. Maybe a few acid trips. Futurism and post-modernism make their first argument for running threads of Double Feature Year 9.