Small towns with large personalities. The beginning of Christopher Guest, kind of sort of. Spinal Tap and the Guestmen. Guffman. Guestmen? Either way, what’s up with Waiting for Guffman’s Windows 95 looking cover? A cult following of a whole different kind. Who is really Waiting for Guffman? Living moment to moment in A Town Called Panic. The undertaking in creating a feature length film based on a season of five minute shorts. What’s the central conflict of A Town Called Panic? Change of scenery change of scenery change of scenery. Oh no, good news!

Unexpected revelations while staying with friends in LA! Hey, you, don’t listen to this episode first. Go back and listen to the one before this, that’s a better episode to start on. Seriously, don’t just start here. Female directors and gender fluidity. Who gets to claim transgender bragging rights? The Invitation and the Los Angeles dinner party scene. Killing coyotes to kill time. Ethnic cleansing! Which one is insane (and is ‘all of the above’ an option?) Gas lighting and the Invitation. Ok, not really. Those people from television are in The Overnight! Of buttholes and art. Putting the kids to bed. Los Angeles Sex parties, or something more sinister? Or less sinister? Or a third option? Twenty-first century family values. Making friends with neighbors. Leaving the Overnight unscathed?

The American Film institute’s top two films. Double Feature begins – The first episode in this year’s series, and the perfect place to start listening. Don’t be afraid of daunting films. Double Feature updates on the Year 8 Kickstarter for Year 9, the Double Feature Movie, and guidelines for Year 9 of the show. Citizen Kane as a meta commentary on film. Upping the ante on cinema. The infamous ending of Citizen Kane. What’s so special about The Godfather? Things to look for on a first time viewing. Appreciation can start on the surface. How great acting in The Godfather helps explain the craft of acting to people who don’t have the first clue about it.

SPOILER FREE SHOW! Double Feature faces themes as real-world issues collide with fiction. Fuck count-downs. An episode with Little to no plot details. An episode not requiring having seen any Year 8 movies. As requested – a completely uncut live episode! How people get information in 2016. Everyone has a bubble. Reinforcing beliefs. The political result of the LA/Austin schism. 2016 US presidential politics. Racism is alive in we’ll in America. Michael has decided to embrace the Oscars. Eric learns the alternate title for “The Oscars.”

Outside your element on this very special end of the year episode. Boldly leaping into unknown territory. The Brave Little Toaster, our little secret. At long last Michael becomes a test case. Looking back on an animated cult film. Unintentional character and notability. How the Pixar talent has changed as popular animation grows. The outstandingly successful Pixar formula. The most anticipated movie of Double Feature history. After ten long years, Eli Roth strikes back with The Green Inferno. The new iconography. The original impact of Hostel and the incoming impact of The Green Inferno. Perhaps the most inventive element of The Green Inferno, a brand new handle of feminism without the baggage of modern society.

Twitter Debate

@_Sutcha re:Green Inferno – Curated tweets by eric_x13

Two horror films tied by a secret thread. The last ever episode of Double Feature. Seminal werewolf film An American Werewolf in London. People said he brain was infected by devils. There’s probably Nazi wolves all over the place. Nightmarish prosthetics. The must-have werewolf transformation scene. An American Werewolf in London as a comedy, by way of music. Other werewolf movies covered by Double Feature. Clown destroys Eric’s cinematic legacy. An American Werewolf in Paris. Defying the odds. The history of scary clown films. Jon Watts takes over the world. Humor in premise, dead serious execution. The story of how Clown came to be, told using details that might be true. Convincing your audience you have a real movie! If you’re reading this, go watch the new 31 trailer. It’s such a good movie. It really is. The various forms of Clown! Child imagery that is not at Chuck E Cheese’s. A heavy decision required by legend.

Video

CryptTV’s Clown Promo Eric was at (discussed last week)

The final chapter in the saga of Jack Ryan and James Bond. Maybe not the final chapter in Double Feature, hopefully. Upon completion of Jack Ryan: Show Recruit, who is the real Jack Ryan? Continuity is finally solved. The long awaited information on Jack’s analytical character arc. Action where action is due. Casino Royale, the clearly best James Bond movie in the entire series come on really it is you know it don’t front. Hey look, it’s that guy from Hannibal again. James Bond in the 21st century. The much needed self loathing. Eric Thirteen on the set of an Eli Roth Clown thing.

Concentrating on skill sets. Similar themes with differing points of voice on auteur theory. Disturbing news on the Double Feature Year 9 Kickstarter. Who creates a film? Holly on-set secrets. The hierarchy in a movie production. Thief compared to related films, both director and producer. What does Bruce Willis think about all this? Why auteurism matters (and why it can’t be ‘solved.’) The insane threads in the fabric of Thief. Enter Ghost Dog: The Way of the Samurai! When the insane name of insane movie does not serve to make it any more sane. Acting as a label and measure of a film. Filmset’s as playgrounds. Speculation on Ghost Dog: The Way of the Samurai.

Pst. Get secret Double Feature episodes you didn’t know even existed. Tonight: heavy films on breaking points. A look at the psychotic from inside and outside. Keep that bagcat close by. News to no one but Michael Koester: Taxi Drive is fucking amazing! Robert De Niro doesn’t just put movie tickets on his face. As usual, the techniques of filmmaking area useful in making great films. A bit of a character study on Travis. What does Travis want, besides being a Taxi Driver? To clean up the streets or to accidentally clean up the streets, that is the exploitation-biased question. Hoping that no one else hears the fucking Godsmack song when they read the title I Stand Alone. Eric does not ask for an impression. What does Gasper really think? That goddamn Placebo video. Naked is good.

A look into the headspace of those who are a little…off. Double Feature releases THE DOUBLE FEATURE MOVIE alongside the Year 9 Kickstarter. Out now! https://doublefeature.fm/kickstarter Fitzcarraldo in the making. Every film is also a documentary of the making of that film. Metaphors that aren’t metaphors. The line between crazy and genius (or, maybe there’s one). Fitzcarraldo could have just eaten a gum ball and avoided this whole mess. Used Cars as a screwball comedy. The time of Robert Zemekis that didn’t get enough breathing room. Getting down and dirty. The cringey feeling of watching screwball comedies (which have all but disappeared) at the height of the politically correctness in the last several decades. Revisiting – was it ok for people in backwards times to think backwards things? Staving off the full transition into socially conservative old person.