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Welcome to Spillman, 1999! Y2K paranoia is stirring, but don’t worry–it’s summertime! We’re bringing you a cozy Session 0 this time, so join us around the campfire and grab a key lime s’more. Nothing bad is gonna happen… yet.
WE HAVE A NEW DISCORD SERVER! Come hang out with us: https://discord.com/invite/tTvWEHTAkk
Thank you to Morgan Thomas-Mills for composing our theme song, “The Bottomless Pit Scoot,” which samples music courtesy of the American Folklife Center, Library of Congress.* (Morgan, you’re da bomb dot com!)
And of course, our gratitude and undying admiration goes to Mallory Swisher Kroll, for voicing Eloise this season. If you’d like to hear more of her voice, check out Roll 4 Your Life, a D&D actual play podcast!
Sound credits and content warnings for this episode are available on our website. Special thanks to the DnDark Podcast for sharing their sound effects library. (Give ‘em a listen!)
Come say hi:
Dread was created by Epidiah Ravachol. Learn more about the game here!
Special thanks to David Jose, who created a virtual playspace of Dread.
* “Sprinkle Coal Dust on My Grave” (also known as “Little Lump of Coal”), performed by Orville J. Jenks and recorded by George Gershon Korson. George Korson Bituminous Songs Collection. AFC 1963/004: AFS 12011. Courtesy of the American Folklife Center, Library of Congress.
"The new millennium is the long-anticipated event around which some sects and cults build end-of-the-world so-called prophecies. Others may use this time as an opportunity to attempt to induce panic and terror. The media has charged still others with attempting to stir panic for personal gain in order to sell books or survival supplies. Regardless of the motivation of others, these events will likely directly impact the lives and jobs of emergency workers. With effects estimates ranging from “a blip on the screen” to “catastrophic meltdown and the end of our society as we know it,” it is difficult to know how much preparation for Y2K is appropriate. What preparation is prudent, and when does preparation cross the line into paranoia?"
Y2K Service Continuity Plan For Emergency Services Departments By Randy Templeton. 1999
Christine had the absolute pleasure to sit down with Mallory Swisher Kroll, the voice of Eloise Blackburn. Join us as they chat about Mallory’s very cool projects, folklore, storytelling, and the witch.
Find more of Mallory here!
Thank you to Eli Schneider for composing our Breakfast (and bonus content!) theme song. Cheers to you, Eli!
Sound credits for this episode are available on our website.
Come say hi:
BOO! We’re bringing you a very special Halloween bonus episode, featuring some very special guests! Welcome–not to the town of Spillman–but to the town of Goblinville! We’re playing literal goblins this time so… it’s about as unhinged as you’d expect.
A HUGE thank you to our guest goblins: Daniel Cruz, Aaron Kaufhold, Jordan Nelson, and Grayson Norman from the DnDark Podcast! Go give ‘em a listen. Their show is pretty dang cool.
Our Goblinville artwork is by the incredibly talented Jordan Nelson. (You have a goblin heart, too, Jordan. We love ya!) You can find Jordan’s very good Schlep artwork and the Goblinville town map here.
Goblinville Gazette was created by Michael Dunn-O'Connor and Eric Swanson at Narrative Dynamics.
Sound credits and content warnings for this episode are available on our website. Special thanks to the DnDark Podcast for sharing their sound effects library.
Come say hi:
Grab a drink and join us as we bid farewell to The Graveyard Shift story (and Spillman’s favorite speakeasy). Talking points include body piles, mariachi songs, and the 1985 cinema masterpiece, Clue.
Thank you to Eli Schneider for composing our Breakfast theme song. It sure is the cat’s meow.
(Also, thanks to our friend Kyle for making us moonshine!)
Sound credits for this episode are available on our website.
Come say hi:
dandbpod.com
Instagram: @dandbpod
Bluesky and Tumblr: @dreadandbreakfast
Twitter: @dreadandbfast
Dread was created by Epidiah Ravachol. Learn more about the game here!
Special thanks to David Jose, who created a virtual playspace of Dread.
Let the flowers be forgotten, buds to ashes, dust to dust.
Endless force beneath the earth we bind in common trust.
Thank you to Morgan Thomas-Mills for composing our theme song, “The Bottomless Pit Scoot,” which samples music courtesy of the American Folklife Center, Library of Congress.* (You’re the bee’s knees, Morgan!)
Another big thanks to Jacob Smith, for composing original music for this episode. You want more music? Check out his solo project, Give Up on Your Dreams, or commission some music at bocajtunes on Soundcloud. But wait, would you also like some artwork? Jacob does that too, and takes art commissions at [email protected]!
And of course, our gratitude and undying admiration goes to Mallory Swisher Kroll, for voicing Eloise this season. If you’d like to hear more of her voice, check out Roll 4 Your Life, a D&D actual play podcast.
Sound credits and content warnings for this episode are available on our website. Special thanks to the DnDark Podcast for sharing their sound effects library. (Give ‘em a listen!)
Come say hi:
Dread was created by Epidiah Ravachol. Learn more about the game here!
Special thanks to David Jose, who created a virtual playspace of Dread.
* “Sprinkle Coal Dust on My Grave” (also known as “Little Lump of Coal”), performed by Orville J. Jenks and recorded by George Gershon Korson. George Korson Bituminous Songs Collection. AFC 1963/004: AFS 12011. Courtesy of the American Folklife Center, Library of Congress.
How long would you last before the Rot takes hold? Before the sickness seeps into every fold of your brain, burning through each and every vein… You’re running out of time, but don’t worry. We know a guy.
Thank you to Morgan Thomas-Mills for composing our theme song, “The Bottomless Pit Scoot,” which samples music courtesy of the American Folklife Center, Library of Congress.* (You’re the bee’s knees, Morgan!)
And of course, our gratitude and undying admiration goes to Mallory Swisher Kroll, for voicing Eloise this season. If you’d like to hear more of her voice, check out Roll 4 Your Life, a D&D actual play podcast.
Sound credits and content warnings for this episode are available on our website. Special thanks to the DnDark Podcast for sharing their sound effects library. (Give ‘em a listen!)
Come say hi:
Dread was created by Epidiah Ravachol. Learn more about the game here!
Special thanks to David Jose, who created a virtual playspace of Dread.
* “Sprinkle Coal Dust on My Grave” (also known as “Little Lump of Coal”), performed by Orville J. Jenks and recorded by George Gershon Korson. George Korson Bituminous Songs Collection. AFC 1963/004: AFS 12011. Courtesy of the American Folklife Center, Library of Congress.
The good news? The gang has George’s journal, and they know where to find his ring. The bad news? They have to get past his wife.
Thank you to Morgan Thomas-Mills for composing our theme song, “The Bottomless Pit Scoot,” which samples music courtesy of the American Folklife Center, Library of Congress.* (You’re the bee’s knees, Morgan!)
Another big thanks to Jacob Smith, for composing original music for this episode. You want more music? Check out his solo project, Give Up on Your Dreams, or commission some music at bocajtunes on Soundcloud. But oh wait, would you also like some artwork? Jacob does that too, and takes art commissions at [email protected]!
And of course, our gratitude and undying admiration goes to Mallory Swisher Kroll, for voicing Eloise this season. If you’d like to hear more of her voice, check out Roll 4 Your Life, a D&D actual play podcast!
Sound credits and content warnings for this episode are available on our website. Special thanks to the DnDark Podcast for sharing their sound effects library. (Give ‘em a listen.)
Come say hi:
Dread was created by Epidiah Ravachol. Learn more about the game here!
Special thanks to David Jose, who created a virtual playspace of Dread.
* “Sprinkle Coal Dust on My Grave” (also known as “Little Lump of Coal”), performed by Orville J. Jenks and recorded by George Gershon Korson. George Korson Bituminous Songs Collection. AFC 1963/004: AFS 12011. Courtesy of the American Folklife Center, Library of Congress.
The scarecrows are assembled. The funnel cakes are frying. The crow train is on its way. It’s a lovely night for a Harvest Festival… and an even lovelier night for a heist.
Thank you to Morgan Thomas-Mills for composing our theme song, “The Bottomless Pit Scoot,” which samples music courtesy of the American Folklife Center, Library of Congress.* (You’re the bee’s knees, Morgan!)
Another big thanks to Jacob Smith, for composing original music for this episode. You want more music? Check out his solo project, Give Up on Your Dreams, or commission some music at bocajtunes on Soundcloud. But oh wait, would you also like some artwork? Jacob does that too, and takes art commissions at [email protected]!
And one more round of applause for Eli Schneider, for composing a song for our Season 1 story, Chrometophobia, that we featured again in this episode.
And of course, our gratitude and undying admiration goes to Mallory Swisher Kroll, for voicing Eloise this season. If you’d like to hear more of her voice, check out Roll 4 Your Life, a D&D actual play podcast!
Sound credits and content warnings for this episode are available on our website. Special thanks to the DnDark Podcast for sharing their sound effects library. (Give ‘em a listen!)
Come say hi:
Dread was created by Epidiah Ravachol. Learn more about the game here!
Special thanks to David Jose, who created a virtual playspace of Dread.
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* “Sprinkle Coal Dust on My Grave” (also known as “Little Lump of Coal”), performed by Orville J. Jenks and recorded by George Gershon Korson. George Korson Bituminous Songs Collection. AFC 1963/004: AFS 12011. Courtesy of the American Folklife Center, Library of Congress.
Welcome to Spillman, 1924! You’re about to meet the most respectable saps this side of the Mississippi. A pious, church-going dame, a hard boiled copper, and a down-on-his-luck barber. But just between you and me, if you’re looking for a gin joint… we know a place.
Thank you to Morgan Thomas-Mills for composing our theme song, “The Bottomless Pit Scoot,” which samples music courtesy of the American Folklife Center, Library of Congress.* (You’re the bee’s knees, Morgan!)
Another big thanks to Jacob Smith, for composing original music for this episode. You want more music? Check out his solo project, Give Up on Your Dreams, or commission some music at bocajtunes on Soundcloud. But oh wait, would you also like some artwork? Jacob does that too, and takes art commissions at [email protected]!
And of course, our gratitude and undying admiration goes to Mallory Swisher Kroll, for voicing Eloise this season. If you’d like to hear more of her voice, check out Roll 4 Your Life, a D&D actual play podcast!
Sound credits and content warnings for this episode are available on our website. Special thanks to the DnDark Podcast for sharing their sound effects library. (Give ‘em a listen!)
Come say hi:
Dread was created by Epidiah Ravachol. Learn more about the game here!
Special thanks to David Jose, who created a virtual playspace of Dread.
* “Sprinkle Coal Dust on My Grave” (also known as “Little Lump of Coal”), performed by Orville J. Jenks and recorded by George Gershon Korson. George Korson Bituminous Songs Collection. AFC 1963/004: AFS 12011. Courtesy of the American Folklife Center, Library of Congress.
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