<p>Filmsuck co-hosts agree that this funny low-budget film by Ethan Coen and Tricia Cooke, which is the first film of their "lesbian B-movie trilogy," represents a challenge to our dull American film era. </p>

Filmsuck co-hosts agree that this funny low-budget film by Ethan Coen and Tricia Cooke, which is the first film of their "lesbian B-movie trilogy," represents a challenge to our dull American film era.

<p>Filmsuck co-hosts agree that this funny low-budget film by Ethan Coen and Tricia Cooke, which is the first film of their "lesbian B-movie trilogy," represents a challenge to our dull American film era.&nbsp;</p>

Drive Away Dolls: An Experiment in Fun

Support us on Patreon.com/filmsuck for bonus episodes and more perks!

A weekly podcast hosted by Eileen Jones, film critic at Jacobin magazine and recovering academic, and Dolores McElroy, diva enthusiast and lecturer in film and media at UC Berkeley.

In this podcast for the people, we bring you the truth about the rotten state of cinema, its often odious or ham-fisted relationship to politics, and its occasional wondrous bursts of courage and brilliance. We consider the glories of cinemas past, and wonder about lots of things: what’s the role of contemporary film in a time of bad art and worse taste; popular entertainment in a time of fragmentation, generalized disaffection, and PTSD; and media in a time when it seems to have lost its power to get us off our asses?

In short, what is to be done when film sucks?

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Support us on Patreon.com/filmsuck for bonus episodes and more perks! A weekly podcast hosted by Eileen Jones, film critic at Jacobin magazine and recovering academic, and Dolores McElroy, diva enthusiast and lecturer in film and media at UC Berkeley. In this podcast for the people, we bring you the truth about the rotten state of cinema, its often odious or ham-fisted relationship to politics, and its occasional wondrous bursts of courage and brilliance. We consider the glories of cinemas past, and wonder about lots of things: what’s the role of contemporary film in a time of bad art and worse taste; popular entertainment in a time of fragmentation, generalized disaffection, and PTSD; and media in a time when it seems to have lost its power to get us off our asses? In short, what is to be done when film sucks?

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Drive Away Dolls: An Experiment in Fun

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