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The Pacific Ocean is not all that separates the 50th state from the American mainland. The Hawaiian islands remain a place apart, with a distinct culture and national identity borne out of the cyclone of colonial exploitation. Liam and Russian Sam are joined by Miguel (@whitejsakai) for Gladio Free Europe's first exploration of the history of Hawai'i, beginning with a look at the award-winning 2020 documentary CANE FIRE.

Taking its name from the first Hollywood production shot on the island of Kauai, filmmaker Anthony Banua-Simon uncovers chains of exploitation that link the plantation economy of Hawai'i's past to the real estate and hospitality industries of the present. Accounts of violent labor wars in pre-statehood Hawaii are interwoven with contemporary vinettes of the everyday struggles of Hawaiian workers, and exoticized images used to sell Hawai'i from the 19th century to the present. While Hawai'i represents a tropical idyll for travelers across the globe, soaring costs of living rampant housing speculation have forced thousands of residents, particularly Native Hawaiians, to flee to the mainland.

A general history of Hawaiian colonization starts at 28:24, from the ill-advised decisions of Captain James Cook in 1779 to the illegal imposition of Haole (white American) rule more than a century later. In between, Hawaiian monarchs and ali'i aristocrats established a unified nation that was the first non-European polity to be internationally recognized a legal peer by colonial contemporaries and the first country on earth to achieve universal literacy. 19th century Hawaiians had a vibrant press in their native language and made important diplomatic connections with neighboring Polynesian nations also groaning under the colonial threat. While many of these transformations were related to the growing influence of New England missionaries and other Haoles over the islands, Native Hawaiians like the missionary Henry ʻŌpūkahaʻia and the "merrie monarch" King Kalākaua were the primary actors in making contact with the world beyond the waves.

Like that of all nations, the identity of Hawai'i was carefully constructed by its aristocrats and industrialists during the development of a capitalist economy. Because while so many aspects of pre-colonial religion and culture were suppressed by missionaries and their aristocratic ali'i patrons, that which could be marketed to outsiders was preserved and promoted. Native Hawaiian leaders like Kalākaua and his sister Liliʻuokalani traveled the world to present an image of the Hawaiians as a dignified and civilized people. This was not enough to preserve Hawaiian sovereignty, but it established a romantic image of the islands that has enchanted outsiders for well over a century. Despite the violent overthrow of the islands' last queen, and the systematic disenfranchisement and ongoing of Native Hawaiians, Hawaiian culture, or at least a specific image of it, has found admirers as disparate as Elvis Presley and Chinese Premiere Jiang Zemin.

Please see below for a link to a clip of the 2025 Merrie Monarch Festival celebrating traditional Hawaiian ritual hula dance:

https://www.youtube.com/watch?v=b6qOY7kze7I

Episode Art is the Portrait of Kamehameha III by Robert Dampier (1825).