For your consideration: 

TOWNHOUSE

Graveyard Bunker is back, but tonight we’re not discussing history with a Halloween twist. Tonight, your humble host thought he’d tell you a real spook story. 

I don’t believe in the supernatural, but I still, almost thirty years later, have no logical explanation for the series of strange events my family experienced in a certain house, in a certain place, over the course of three years in the mid-90s. 

Perhaps you do. 

Names and certain details/events have been changed or lightly fictionalised to protect the living. Out of respect for the dead, the rest has been told exactly as it occurred.

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A stroll through the suburbia at twilight takes an unexpected psychological turn; the werewolf approaches ever closer; we talk football films and football fascism; fascism as a weapon of the ruling class

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Part 1:

Deep state hustlers, managed democracy and managed violence, the life and times of Tommy Robinson in his own words, Christian nationalism, O9A, MI5, gladio, dark money and dark ops, football firms, informants and assets, cocaine, the non-materiality of England, State accelerationism, and British fascism as an informal instrument of civic order.

This is the prologue to A History of the Werewolf in the United Kingdom of Great Britain and Northern Ireland, and we are standing on the edge.

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I'm joined by independent researcher and unlicensed Irish PI Ryan to discuss the Catholic Church in Ireland, the arrival of Opus Dei, and a bizarre ritualistic murder that took place in 1973.

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We explore the origins of the Vatican-CIA alliance and Josemaria's arrival in Rome. While Opus Dei consolidates its power in Spain and reaches an uneasy accommodation with Vatican II, it begins a major expansion into the new world, collecting friends everywhere from New York to Santiago. By the early 1970s, Opus Dei members are ready to play an integral role in the neoliberal coup in Chile, and offer theological and political justifications for the ensuing campaign of state terror and repression. This one has a bit of everything: faith, fascism, terrorism, miracles, murder and money laundering.

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You don't make up for your sins in church. You do it in the streets. You do it at home. The rest is bullshit, and you know it.

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Proxima hebdomade, seriem incipimus nos reversuros esse ut per annum proximum vel sic intermittant. Ecclesia catholica. De Deo loquor. De diabolo loquor. De Caelo, Inferno, et de ultimis diebus loquor. Nemo mea opera iudicet nisi Pater.

We’re setting the table for the year ahead in Ghost Stories, and to do so we’ll be following a number of threads that may or may not have much to do with each other. Key to this one is the UK’s relationship with the US, which we use to explore how unnerving it feels to be alive in the Hermit Kingdom in the last days, its mind blown out by redundant upper management and a deep state that no longer has any purpose. We mainline the DMT released from the dying spider’s brain, exploring Keir Starmer as the Last Man, dreams in the imperial core, surveillance, terrorism, the dregs of empire, classified US-UK programs like GHOSTHUNTER and APPARITION, temporal dislocation, and long-dead spree killers haunting the Yorkshire moors. 

People try to be the king but the ace is back, with a banging new theme tune and a story that explores the decadence of the Palermo Belle Époque. The mafia is now well entrenched and reaching ever further into the Italian system; a banking crisis exposes industrial-scale fraud and leads to the first eminent corpse.

This episode is free to all but most subsequent BOW episodes will be available ONLY ON PATREON, which is HERE:

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Check out the imposing walls of sound I have erected to accompany various episodes and miniseries here:

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It's been too long since last we took the Saucer of Insight out for a spin through the feverish Caverns of the Mind, so tonight we're finally getting weird again to talk about those lovable scamps in human skin in black suits: THE MEN IN BLACK. Who they? Where be? What is? And but? All these questions and more will be answered as our good friend Robert Skvarla joins myself and Bradley to explore the social, cultural and political history of the MIB phenomenon.

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